... Loach tells a horrifying, moving, and completely mesmerizing tale.
The Wind That Shakes the Barley (2007)
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Reviews Counted:108
Fresh:95
Rotten:13
Average Rating:7.6/10
Consensus: Bleak and uncompromising, but director Ken Loach brightens his film with gorgeous cinematography and tight pacing, and features a fine performance from Cillian Murphy.
Rated: PG-13 [See Full Rating] for crude and sexual humor, language, a comic violent image and some drug references
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:Mar 16, 2007 Limited
Box Office: $1,779,320
Synopsis: Set in 1916 in Ireland, THE WIND THAT SHAKES THE BARLEY is the story of Damien (Cillain Murphy), a young Irishman about to fulfill his lifelong dream of becoming a doctor. When his friend is... Set in 1916 in Ireland, THE WIND THAT SHAKES THE BARLEY is the story of Damien (Cillain Murphy), a young Irishman about to fulfill his lifelong dream of becoming a doctor. When his friend is brutally murdered for standing up to a band of British soldiers, Damien abandons his medical career and joins his brother Teddy (Padraic Delany) in the fight for freedom. Small guerrilla groups of Irish farmers begin to wage bloody attacks, forcing the government to negotiate a ceasefire. The Anglo-Irish Peace Treaty is offered, but it puts Teddy and Damien at odds. Teddy believes they should accept the treaty and try to work within the system to avoid further bloodshed, while Damien thinks they should continue to fight until they are completely free of British rule. Whereas the two brothers used to fight side by side, they now find themselves divided, and forced to choose between their familial bond and their ardent beliefs. Murphy and Delany both give standout performances as the battling brothers. Murphy flashes his otherworldly blue eyes and conveys his character's fierce intellect, as well as the deep sadness of his struggle. Delany, for his part, tries to come off as all brawn and bravery, but cannot conceal his sensitive heart--his face glows with rage one minute, then crumples into sorrow the next. Director Ken Loach, who won the Palme d'Or for the film, has created a deeply personal war story, with an attention to detail that is heartbreaking in its realism. The sight of the young men training for battle with hurley bats instead of rifles will make the viewer gasp at the disparity between the warring sides. While some might flinch at the graphic violence depicted, the film stands strong as a raw, human portrait of a deeply troubled moment in history. [More]
Starring: Cillian Murphy, Liam Cunningham, William Ruane, Gerard Kearney
Starring: Cillian Murphy, Liam Cunningham, William Ruane, Gerard Kearney, Padraic Delaney, Roger Allam, Orla Fitzgerald
Director: Ken Loach
Director: Ken Loach
Screenwriter: Paul Laverty
Producer: Rebecca O'Brien
Composer: George Fenton
Studio: Paramount Pictures
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Reviews for The Wind That Shakes the Barley
The Wind that Shakes the Barley is dense, brutal, with moments of shattering emotional power, and the cast performs with fierce conviction.
A truly Irish tale, The Wind That Shakes the Barley demands some work from American audiences.
The acting is solid all around -- so convincing that the rough Irish accents are appropriately indecipherable at times, and the story itself is as tragic and complicated as that moment in history.
... Ken Loach's The Wind That Shakes the Barley may be the most powerful look yet at the guerrilla-styled Irish rebellion against occupying British forces in 1920-22.
It does [make for good drama], though at times its didacticism can be a bit wearying.
... a wonderfully shot, easy-to-follow primer for those of us who may find the history of 'the troubles' in Ireland confusing and byzantine.
What does come through is Loach's characteristic disdain for cheap romanticism and easy answers.
It transforms the simplistic polemic of the early scenes into something much deeper and more complex.
A poignant drama about Ireland in the 1920s and the violence that tears apart the fabric of community and pits brother against brother.
... the history presented in “The Wind That Shakes the Barley” hardly feels like a closed book or a museum display. It is as alive and as troubling as anything on the evening news, though far more thoughtful and beautiful.
A passionate and pitiless piece of work that fails only near the end when its internal political dogmatism outstrips and undercuts the story itself.
Wind's not necessarily for the armchair historian; it's more gut-wrenching than intellectual.
Loach has the gift of finding the intensely moving private emotions in broad, societal dilemmas. He does that with his fine new film, The Wind That Shakes the Barley, and he does a few new things as well.
This is a classic example of [director Ken] Loach's work with his longtime screenwriting partner Paul Laverty, meaning that it blends colorful scenery with meticulously rendered sociology, straightforward family drama and tendentious political debate.
Loach has a long and honored career as a political filmmaker, and The Wind that Shakes the Barley is more accessible -- i.e. conventional -- than most of his other films.
Folks who are heavily invested in stereotypes of thuggish terrorists may balk at Loach's portrait of articulate IRA ideologues. But there is no denying his ferocious grip on our emotions. Barley is one tough and beautiful film.
A profound consideration of the fog of wars that rage between not only nations but, all too often, within their own borders.
A human drama about two brothers that, though questioning our notions of right and wrong, loses its poignancy because of its political sermonizing.
'The Wind That Shakes the Barley' descends to more Old Sod cinecliché than Titanic's belowdecks.
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