The platitude-intensive script by Robert Siegel would have been laughed off the screen without Rourke’s dogged grandeur.
The Wrestler (2008)
Tomatometer
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Reviews Counted:204
Fresh:199
Rotten:5
Average Rating:8.3/10
Consensus: Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama.
Theatrical Release:Dec 17, 2008 Limited
Box Office: $26,136,413
Synopsis: At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared... At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter (Evan Rachel Wood) he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work. [More]
Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Ernest "The Cat" Miller
Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Ernest "The Cat" Miller, Gregg Bello
Director: Darren Aronofsky
Director: Darren Aronofsky
Screenwriter: Darren Aronofsky, Robert Siegel
Producer: Scott Franklin
Composer: Clint Mansell
Studio: Fox Searchlight Pictures
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Release:
Apr 21, 2009
Reviews for The Wrestler
The characters may be stereotypes to us, but they're played here with a love and tenderness and resignation that could break your heart.
It’s Rourke’s display – crushed, hopeful, almost unbearably poignant – that’ll stay with you after the ring lights fade. His light hasn’t died just yet.
A beautifully etched, touching essay about a damaged, desperate brute hoping for one taste of dignity and real fatherhood before his life goes down for the count for the final time.
The Wrestler is, in essence, an excellent B-movie centred upon a defiantly top-rate performance from Rourke.
Emotionally engaging, superbly directed drama, with a terrific script and a powerful, award-winning performance by Mickey Rourke.
If The Wrestler doesn't get the Oscar attention it deserves I'm going after someone with a staple gun.
Like a rehabilitated race horse or disgraced sports star who makes the most of a second chance, Rourke gives The Wrestler the temperament of a sentimental favorite.
Like Randy's matches, the movie hits a lot of familiar beats; like Randy himself, it gets the maximum impact out of each one.
Rourke's Golden Globe award is as richly deserved as it was popular. Like the sport it celebrates, his performance doesn't hold anything back.
With swelling lips to rival Pete Burns's, and long blond locks shorn from Marilyn (the '80s pop singer, not Monroe), Rourke sails above the freak show to give his greatest performance yet.
See the rise of Mickey Rourke to reclaim his much deserved spot in Hollywood.
The chance to play that poignant confusion is the real prize that Rourke and Tomei earn in The Wrestler.
Rourke's mesmerising performance is the heart and soul of an existential exploration of self-definition locked on a sports flick.
Rourke inhabits the role like an old lion, his mane of golden hair cascading behind him as he prowls the ring.
La réussite de The Wrestler repose évidemment sur la performance phénoménale d'un Mickey Rourke que nous n'aurions jamais cru capable d'une telle intensité dramatique
As far as I’m concerned, you can keep your Sean Penns and your Brad Pitts and your Frank Langellas; if there’s any justice in the world, this year’s best actor Academy Award will be going home with Rourke.
The movie presses too hard and too often, but the performances are strong enough to withstand the melodramatic impulses, and the themes of isolation and self-destructiveness are too sharply realized to be trivialized.
The Wrestler has the intimacy of a fly-on-the-wall documentary. No stunt men were harmed -- or used -- in the fight sequences. But the drama makes for vibrant art.
Latest News for The Wrestler
February 21, 2009:
Independent Spirit Award Winners Announced
The best independent films of 2008 were recognized with the announcement of the Independent Spirit Award nominees. The awards show was broadcast live on IFC on Saturday,... More...
January 26, 2009:
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Playing Randy "The Ram" Robinson in "The Wrestler" hasn't just earned Mickey Rourke a career reboot and heaps of critical acclaim -- it's apparently also afforded him a slot on... More...
January 25, 2009:
Mickey Rourke resuscitates career as comeback kid in search of redemption. ![]()
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January 21, 2009:
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