Nicholas Ray established himself as a major talent to watch with his feature debut, one of the best noirs of the 1940s as well as a lyrical variation on the theme of lovers on the run, splendidly played by Granger and O'Donnell.
They Live by Night (1949)
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Reviews Counted:14
Fresh:14
Rotten:0
Average Rating:7.6/10
Runtime: 1 hr 36 mins
Genre: Dramas
Synopsis: The original classic about crime, love, and rebellious youth, and the inspiration for countless films that followed in its footsteps. An escaped prisoner falls in love with a poor girl and,... The original classic about crime, love, and rebellious youth, and the inspiration for countless films that followed in its footsteps. An escaped prisoner falls in love with a poor girl and, despite the odds against him, marries her. But the authorities relentlessly pursue these star-crossed lovers, even as they desperately flee into the night. [More]
Starring: Cathy O'Donnell, Farley Granger, Howard Da Silva, Jay C. Flippen
Starring: Cathy O'Donnell, Farley Granger, Howard Da Silva, Jay C. Flippen, Helen Craig, Will Wright, Ian Wolfe, William Phipps
Director: Nicholas Ray
Director: Nicholas Ray
Producer: John Houseman
Composer: Woody Guthrie
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Reviews for They Live by Night
There's no attempt at sugarcoating a happy ending, and yarn moves towards its inevitable, tragic climax without compromise.
Passionate, lyrical, and imaginative, it's a remarkably assured debut, from the astonishing opening helicopter shot that follows the escaped convicts' car to freedom, to the final, inexorably tragic climax.
Ray writes and directs with easy assurance, propelling the plot forward to its unbearably doomy, inevitable conclusion.
Although it -- like others -- is misguided in its sympathies for a youthful crook, this crime-and-compassion melodrama has the virtues of vigor and restraint.
Beautifully acted, They Live by Night stands today as one of the most poignant and unforgettable noirs ever made.
A key film noir of the 40s, this was Nicholas Ray's first film as a director (1949), and the freshness of his expressionist-documentary style is still apparent and gripping.
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