Excuse me, but wasn't this soap opera supposed to be about Halle's grieving character's loss of a husband, not about her worrying about losing her looks? It doesn't get any more shallow than this.
Things We Lost in the Fire (2007)
Tomatometer
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Reviews Counted:120
Fresh:77
Rotten:43
Average Rating:6.5/10
Consensus: Things We Lost in the Fire is a well-acted, beautifully filmed reflection on love, loss, addiction and recovery from life's obstacles.
Rated: R [See Full Rating] Rated R for drug content and language.
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Oct 19, 2007 Wide
Box Office: $3,241,832
Synopsis: Danish director Susanne Bier gained international acclaim when she was nominated for an Oscar for 2006's AFTER THE WEDDING, but before that she had strong ties to the hyper-realistic, documentary... Danish director Susanne Bier gained international acclaim when she was nominated for an Oscar for 2006's AFTER THE WEDDING, but before that she had strong ties to the hyper-realistic, documentary style of the Dogme 95 group. In her U.S. debut, THINGS WE LOST IN THE FIRE, Bier effectively brings together her tendency towards soapy subject matter and her signature vérité style, creating characters with a depth and a human fallibility that are rare in Hollywood. Halle Berry (X-MEN, THEIR EYES WERE WATCHING GOD) stars as Audrey Burke, the stay-at-home wife of well-to-do real estate broker Brian (David Duchovny, TRUST THE MAN). They enjoy what is to all appearances a perfect marriage and family life, with two adorable children (Alexis Llewelyn and Micah Berry) and a fabulous house. Audrey's life is shattered when Brian is killed attempting to intervene in a domestic dispute. In her grief, Audrey reaches out to an unlikely ally: her husband's childhood friend, Jerry (Benicio del Toro, TRAFFIC, 21 GRAMS), a 40-something heroin addict whose relationship with Brian Audrey has always resented. After Brian's death, Jerry goes straight, and Audrey invites him to move into her home, where he bonds with Audrey's kids and begins to heal. The uneasy, tense, and tender relationship that develops between Audrey and Jerry is the heart of the film, with del Toro's charismatic performance suggesting realms of human experience previously uncharted on film: his portrayal of withdrawal symptoms rivals Ewan McGregor's memorable TRAINSPOTTING scene. Berry takes more subtle risks with her role, testing the viewer's sympathy with a somewhat prickly character. Allison Lohman (FLICKA) is a strong supporting character as a Narcotics Anonymous attendee with a crush on Jerry. [More]
Starring: Halle Berry, Benicio Del Toro, David Duchovny, Omar Benson Miller
Starring: Halle Berry, Benicio Del Toro, David Duchovny, Omar Benson Miller, Alison Lohman, John Carroll Lynch
Director: Susanne Bier
Director: Susanne Bier
Screenwriter: Allan Loeb
Producer: Sam Mendes, Sam Mercer
Composer: Johan Soderqvist
Studio: Paramount Pictures
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Reviews for Things We Lost in the Fire
...a muddled story that features an outstanding performance by Del Toro ...wrapped up in pretentious storytelling.
Things We Lost in the Fire could have easily turned into chest-thumping and wailing for two hours, but it's a lot more than that.
Things We Lost in the Fire is the best of the recent crop of films about coping with loss. It also boasts a quietly riveting performance by Benicio Del Toro.
Only the acting is remarkable in this agonizingly morose, tedious melodrama that unfolds at the pace of a death march.
This story never quite transcends the melodrama because the characters don't grow or change... they just stay mired in the muck of their soap opera existence.
The movie is an engrossing melodrama, and it has its heart in the right place.
Surprisingly, this insightful tearjerker is padded with expressive layers well beyond the average made-for-television sentiments because of the penetrating performances.
Jerry and Audrey are locked into reductive storylines, so their shadowed eyes and perspiring brows are only telling you what you already know.
[Benicio Del Toro's] managed to top even himself; this most recent performance is right up there with the best screen turns, not just of his generation but of all time.
Things We Lost in the Fire veers away from the real and hard and toward the fantastic.
Its deliberate pacing may put some viewers off, as will the bleakness of the subject matter, but it's worth seeing, mostly to soak up the complex shades of Del Toro's performance.
Bier, a veteran of the Danish Dogme95 collective that demanded raw authenticity over artificial gloss, brings an honest, distinctly European feel to the melodrama. Could this mean a new direction for popular American movies? Let's hope so.
If this were a Susanne Bier film made on her home turf we'd feel a lot more wrung out by the movie's end. Instead we're just worn out.
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