• R, 1 hr. 23 min.
  • Comedy
  • Directed By:
    Rob Reiner
    In Theaters:
    Mar 2, 1984 Wide
    On DVD:
    Jul 14, 1998
  • MGM

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This Is Spinal Tap Reviews

Page 1 of 401
Dan S

Super Reviewer

July 11, 2009
The best mocumentary ever made. A hilarious ride concerning a slowly desinigrating rock band. To think that some people took this seriously when it first came out is actually frighteningly believable, because the acting is that good. This is an effective satire on the rock and roll genre that features many gags that work effectively. A slim running time is actually ideal this kind of movie as well, Reiner cuts the risk of running the same joke over and over again for a long time period, instead this short running time works out perfectly that it doesn't go overboard into self-indulgence territory. Quite simply this is one of my favorite films and a movie that should not be missed.
Market Man
Market Man

Super Reviewer

August 21, 2012
Great for someone who loves rock music, like me. The film works because it feels like a legit documentary. Funny thing is, the music that this so called band makes is pretty good. Turn it up to 11 and enjoy some great satire. By the way, be prepared for a lot of dry humor.
LorenzoVonMatterhorn
LorenzoVonMatterhorn

Super Reviewer

July 22, 2012
"You see, most blokes, you know, will be playing at ten. You're on ten here, all the way up, all the way up, all the way up, you're on ten on your guitar. Where can you go from there? Where?"

Spinal Tap, the world's loudest band, is chronicled by hack documentarian Marty DeBergi on what proves to be a fateful tour.

REVIEW
The soundtrack itself is stand alone (satirical) brilliance, before we even delve into the mockumentary of the fictitious British band whose speakers are so loud, they go to eleven. Reiner's documentary style film follows the band on its tour of the USA, as they traverse the country playing to half empty houses, experiencing myriad crises (e.g. band members leaving, shows being cancelled) and minor debacles (e.g. the appetisers and set work). Their struggle to deliver a unique brand despite the critics scorn is nothing short of heroic.

The principal trio (McKean, Guest and Shearer) are pitch perfect as no-brain rockers with dim ideas and infantile (yet still potent) lyrics ("big bottom, big bottom, talk about mud flaps my girl's got 'em"), led around by their faithful manager (Hendra) enduring every ignominy a touring band could experience from getting lost en route to the stage via the green room to the bass player becoming locked inside a cocoon as part of an act. Director Reiner plays the band's documenter, Patrick MacNee has a cameo as a promoter and Fran Drescher, Billy Crystal, Bruno Kirby, Ed Begley Jr, Howard Hesseman and Paul Schaefer all have bit parts.

The documentary style filmmaking, mostly handheld, makes it look even more realistic, and makes the band's antics that much more amusing. The film's slim plot is punctuated by interviews with individual band members (some of the funniest parts of the movie), as well as music videos and live performances of the band's god-awful music. No matter how bad their reputation or their sales or their popularity is, they just keep pressing on, assuming that things will pick up soon, and it is an endless source of amusement watching them rationalize their dropping success rate and coming up with reasons that the band should stay together. This is not Oscar winning material. Not by a long shot. None of the actors in the film were well known when it was made, nor are any of them famous today, but the uniqueness and effectiveness of the comedy and of the film as a whole make it worth while. Fans of all kinds of music, not just metal, can enjoy this very funny comedy.
Lucas M

Super Reviewer

September 16, 2011
Great satire to rock bands and culture pop.
hunterjt13
hunterjt13

Super Reviewer

June 10, 2012
In this mockumentary, a British heavy metal van goes on a U.S. tour.
There are moments when it is impossible to tell that this isn't about a real band; the acting, direction, and dialogue is that convincing. The style of the film is oft-copied by Christopher Guest in his later work, which is often brilliant and hilarious, but This Is Spinal Tap started it all. Though there are some scenes, like the Stonehenge bit, Derek getting trapped in the cocoon, and the predictable exit of Ian, that seem too perfectly engineered to fit a plot arc, there is nonetheless an inimitable organic feel to this film.
Overall, This Is Spinal Tap has some funny moments, but most of all, watching it is like watching the birth of a productive genre.
Alexander D

Super Reviewer

September 6, 2011
The best part of THIS IS SPINAL TAP is the music. Listen to the instrumental music and it sounds great (with a notable exception being "Stonehenge"). The music channels that of bands such as Poison and Metallica, with rough guitar riffs and fast solos. What provides the comedic effect are the lyrics to these songs. It's like listening to Weird Al Yankovic in a hard rock group. What else provides a great comedic effect is how inept this band is. They have had a history of band members dying from very, very bizarre circumstances, such as "spontaneous human combustion" and choking on an unknown other person's vomit. But there's one scene, in particular, that defines this description of them. This scene involves the band in attempt to emerge from blue, cocoon-like enclosures, one after the other, for their stage performance. The guitarist and lead vocalist emerge successfully, and they perform the entire song without knowing that behind them, their manager is struggling to get the bassist out of his cocoon, by even trying to burn and hammer it open.

THIS IS SPINAL TAP uses a documentary-like structure to poke fun at the wild behavior of such musicians, but it is in no way a documentary. Strangely enough, it feels every bit like one, and clearly it was made to look essentially like one. The film was shot on a $2.5 million budget by Rob Reiner at initially well over five hours (before being cut down to less than eighty minutes), which often happens with many factual cinematic works. Somehow, it feels even more like a comedy, which it is, without a doubt. I wouldn't even dare to say this is a comedy meant for those who would categorize themselves in the strictly music demographic; this doesn't require a heavy musical vocabulary. Turn it up to 11; watch it.
Letitia L

Super Reviewer

November 17, 2011
Too slow and too painfully Office-esque for me, but clever and I understand why other people liked it. I'd rather have watched 3 Youtube clips of the most famous moments. It needed to be turned up to 11.
Sam B

Super Reviewer

May 7, 2012
"This is Spinal Tap" was quite the pioneer...in 1984. Since that time, more recent movies have upped the ante when it comes to both mockumentaries ("Borat") and comedies that satirize the music industry ("Almost Famous" and the underrated Apatow film "Walk Hard: The Dewey Cox Story"). So while Spinal Tap may have been the first of its kind in many ways, its novelty has long since worn off. Still, what we're left with are some genuinely timeless gags (most notably the famous "it goes to 11" scene), direction that perfectly imitates both concert videos and behind-the-scenes documentaries, rock music that is both hilarious and surprisingly decent, and banter so organic it would be hard to tell it wasn't a real documentary if it wasn't all so absurd.
Daniel Mumby
Daniel Mumby

Super Reviewer

January 1, 2010
In my review of Moon a couple of years ago, I talked about the strange mystique surrounding debut features. The first effort of a budding filmmaker can come to define their entire career - something which is a blessing if it leads to future success and a curse if it turns out to be their only work of any note. While Rob Reiner has continued to produce great work, with a run of form that lasted well into the 1990s, he has never topped his work on This Is Spinal Tap, a film which created the modern mockumentary and remains one of the funniest comedies of the 1980s.

The cult status that Spinal Tap has enjoyed for so long is evident by how many of its lines have entered into our everyday lexicon. Whenever a TV presenter talks about the effort levels of sportsmen or the atmosphere at a gig, you can put your house on the phrase "turned up to 11" being in there somewhere. Nigel Tufnell's remark about there being "a fine line between stupid and clever" is frequently used by reviewers, particularly when reviewing comedies. Even lesser lines, about D Minor being "the saddest of all keys" and Tufnell's comments about the album cover ("How much more black could it be?... None more black") have become instantly recognisable.

From a filmmaking point of view, Spinal Tap is an editing masterclass. Where subsequent spoofs like Wayne's World were constructed from a script, Reiner's was created out of dozens of hours of improvisation in front of camera. The cast and Reiner filmed themselves, keeping the cameras rolling to capture anything interesting or funny that came out. Reiner then edited down this mountain of footage to a lean, taut running time of 82 minutes (a 4 1/2-hour bootleg also exists, and some die-hard fans would hold this to be the proper version).

As well as demonstrating Reiner's directorial discipline, there are two positive side effects to this approach. Because the cameras were rolling pretty much all the time, there is never any sense of the jokes being staged or choreographed. The humour flows freely - so freely in fact that you may not pick up on every joke the first time round. The other positive side effect lies in the camerawork. Because no-one ever knew where the next joke would be coming from, the crew had to be on their toes and get close to the actors. There is an intimacy to Spinal Tap which you don't get either in Wayne's World or in earlier efforts like The Rutles: All You Need Is Cash.

The secret of Spinal Tap's success as a mockumentary is the balance between naturalism and absurdity. Even though what the band are doing is clearly pompous, preposterous and egomaniacal in the extreme, they feel like real people rather than puppets of a didactic director. The intimacy of the camerawork, coupled with the comic timing of the performers, gives the impression that everyone involved on camera believes in the stories the characters are telling and the music they are playing.

Unlike The Rutles, where Eric Idle was constantly winking at the audience, there is never a moment where the performers break the fourth wall and try to bring the audience in on the joke. Even when Rob Reiner appears on screen as the 'director' of the 'film', the perfect little bubble surrounding the characters is never punctured. The performers are confident enough in their abilities and the strength of the material that the audience will pick up on the joke, rather than being told that it's a joke. Ultimately this wasn't entirely the case, with early audiences believing that the band was real, and with Spinal Tap eventually going out on the road as a bona fide rock band.

Spinal Tap is a satire on heavy metal and the rock industry as it was in the 1980s. It shows how the trends in 1980s metal that we recognise had grown out of both the more pompous, self-absorbed end of prog rock and the harsher side of glam. The long hair, guitar-shredding, lengthy solos and elaborate entrances successfully convey how bloated and theatrical big-bucks rock music has become. The levels of ego and stupidity present on the tour for Smell the Glove are enough to send anyone running to buy up The Smiths' back catalogue.

The film is replete with references to rock stars and iconic rock images. The blank black cover to Smell the Glove (put out as a compromise with the record company) is a nod to both The Beatles (a.k.a. The White Album) and the external, 'bin-liner' cover of Pink Floyd's Wish You Were Here. There are further Beatles references in the character of Jeanine: she is the Yoko Ono who comes in and breaks up the group, turning the song-writing pair against each other through her peculiar artsy taste.

The musical numbers in Spinal Tap are brilliantly smart send-ups of songs from the era, with no genre from the 1970s and 1980s being left unscathed. 'Stonehenge' is a welcome piss-take of Yes with their hugely ambitious sets, while 'Jazz Odyssey' looks towards the noodling of Stanley Clarke's 'Dream Suite' or King Crimson's 'Moonchild'. The performances combine the tongue-poking of Kiss with the schoolboy cheek of AC/DC, and because all the performers are playing their own instruments (another plus over The Rutles), we really believe someone could genuinely be stupid enough to not only write these songs but play them with passion.

Although the satire in Spinal Tap is clear, it is also deeply affectionate. This is demonstrated not just by the musicianship of the actors, but the amount of effort that clearly went into writing these songs in the first place. Had they gone the easy way, writing 'so-bad-they're-bad' songs to get cheap, mean-spirited laughs, the gag would have worn off in 5 minutes and we wouldn't care about the men behind the egos. The fact that Spinal Tap went on to have a legitimate pop career is testament to this effort - they knew how to write so-bad-they're-good songs and play them with a straight face (well, sort of).

The film also delves into other issues surrounding rock and roll. The band's arguments with their manager, akin to those which inspired the Queen song 'Death On Two Legs', tap into claims about the record industry ruining the creativity of artists by their desire for commercial success. The arguments over Smell the Glove find their incompetent manager Ian Faith trying to persuade the band that the change from their intended cover is in fact a bold artistic choice. The theme of artistic mismanagement continues in promoter Artie Fufkin, a possible reference to Rupert Pupkin from The King of Comedy.

There are also discussions raised about whether it is possible to be a rock star in your 40s, the homoerotic undertones of rock (Tap play largely to young male audiences), and whether being 'big in Japan' is no bad thing. But outside of its acerbic observations about rock, the film is also a convincing piss-take of the rock doc format. Some of the best scenes in This Is Spinal Tap are its recreations of earlier periods of music, akin to The Rutles' reimagining of The Ed Sullivan Show. The performance of Spinal Tap's early hit, 'Listen To The Flower People', perfectly recreates the kind of TV performances The Beatles and The Who used to do, with the band on different levels on the stage and random dancers alongside for no reason.

This Is Spinal Tap remains one of the funniest films of the 1980s and the peak of Rob Reiner's much-lauded career. It takes a little while to get going, and the romantic twist at the end may seem contrived to some, but the vast majority of the charm and the humour remains intact. The Stonehenge sequence in particular, with an 18-inch model descending behind Nigel Tufnell, will still have you in hysterics. When everything is said and done, it still stands as the definitive mockumentary of this and any era, and as far as Reiner is concerned, there's none more funny.
Carlos M

Super Reviewer

December 28, 2010
A hilarious mockumentary that features numerous memorable, well-inspired moments. It is a delicious film that works so well due to its intelligent, ironic sense of humor, making fun of the rock 'n' roll universe (the stars and the fans) in a very light-hearted way.
JonathanHutchings
JonathanHutchings

Super Reviewer

February 17, 2012
One of the greatest mockumentaries ever made -- a clever skewering of the entitlement and idiocy of rock stars and the ridiculous lifestyle they lead. This Is Spinal Tap, a clinic on improvisational comedy, is the standard against which all mockumentaries are evaluated. In fact, the movie was so successful that in the 1990s the fictitious group reunited for a series of live concerts and a TV special, further blurring the lines between satire and reportage. If that isn't the end result of a great parody, I don't know what is.
Directors Cat
Directors Cat

Super Reviewer

February 14, 2012
If you want to see a sophisticated but hilarious spoof film, I urge you to avoid trashy modern ones like Date Movie, Meet the Spartans, Vampires Suck and just watch This is Spinal Tap over and over again. TIST is the funniest comedy movie of the 80's and arguably the best mockumentary ever made. It's also the wittiest spoof film i've ever seen. Who knew that a spoof could be hilarious and witty and could even exist after Airplane?! It's got a completely original story, extremely convincing acting and jokes and quotable lines that'll knock you out each time you see it. Simply a comedy classic.
Jens S

Super Reviewer

June 14, 2006
This fake documentary about the somewhat catastrophic tour of an 80s hair metal band is done so well that it was certainly taken at face value when it came out. The interviews, bits and pieces from the hotel rooms, back stage and the tour bus feel so random, bizarre, yet oddly realistic. While nothing outrageously crazy happens, the subtle stabs at the musical genre and the record industry are pretty funny. The highlights are definitely the live songs with rather outrageously bad and hilarious lyrics, mocking and worshiping the different rock genres of the time. It was probably easier to appreciate the film when it originally came out, but as a contemporary document of the early 80s, it's pretty priceless.
BG Movie Reviews
BG Movie Reviews

Super Reviewer

October 23, 2011
This Is Spinal Tap is possibly the best mockumentary and rockumentary ever! If you haven't heard of this film, read this review and then go out and watch it! I managed to pick up a new copy of the 3-Disc Edition from Sainsbury's for 3!

This Is Spinal Tap tells the outlandishly hilarious story of the legendary band "Spinal Tap", showing their highs and lows throughout their career!

Even though the band was originally fictional, this film made Spinal Tap become a real band, releasing a couple of albums featuring some of their best loved songs! What you will find in this hour and a half spectacle are some amazing moments of hilarity, references to previous events in rock history, and classic lines that you will remember vividly!

For example, the lead guitarist is showing the interviewer their amps, and points out that they all go up to 11, so if they need an extra push they can go there.
"Why not just make 10 louder?"
"...Cos it's not 11! 11 makes it better!"
"But you could just have 10 louder and you wouldn't need 11."
"...But it's not 11!"

Old or young, this film can be treasured as one of the best British comedies of the 80's, and will most certainly be one of the best mockumentaries of all time...
Joe M

Super Reviewer

November 15, 2011
6 out of 5 stars
blkbomb
blkbomb

Super Reviewer

April 28, 2011
Nigel Tufnel: It's like, how much more black could this be? and the answer is none. None more black.

"Does for Rock and Roll what "Sound of Music" did for hills."

This Is Spinal Tap is the best mocumentary ever made. If you are a fan of rock and or metal, there is absolutely no way you can't love everything about Spinal Tap. Although the entire movie is hilarious; there are three or four sequences that will have you practically gasping for air they are so funny. Christopher Guest as Nigel is spot on perfect. Guest is the king of the mocumentary. He's directed such classics as Waiting For Guffman and Best in Show. Rob Reiner directed this and the writing team of him, Guest, McKean and Shearer make one of the funniest movies I've ever seen.

I've seen many interviews with real rockstars, who said that it's almost scary watching Spinal Tap because of spot on it is at summing up the rock and roll scene. From the scene where Nigel is complaining about the food backstage to the band getting lost while trying to make their way onstage. It's all a realistic portrayal of what goes on during a tour.

I love every minute of Spinal Tap and I wish it was I little longer. It doesn't get old like a lot mocumentaries do after 45 minutes to an hour. It all stays fresh and really holds up after a couple of decades pretty well.

Mick Shrimpton: As long as there's, you know, sex and drugs, I can do without the rock and roll.
FilmFanatik
FilmFanatik

Super Reviewer

January 29, 2008
Wonderfully silly. I'm a fan of Christopher Guest's mockumentaries, and this is probably the finest of them. Everybody does some great comedic work, and the music is great, too. Not much more to say about it really, except crank it up to eleven. :)
Jacob E

Super Reviewer

January 21, 2011
Funny. Just frickin' hilarious. There are no words to describe this, you just have to watch it. One of the best mock-u-mentaries ever and well worth anyone's time.
AJ V

Super Reviewer

September 6, 2010
This movie is a fantastic spoof on the world of heavy metal rock music of the 80s! I loved it, it's hilarious.
michael e.
michael e.

Super Reviewer

December 31, 2010
a very funny and interesting improvised comedy
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