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The Three Burials of Melquiades Estrada (2005)
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Reviews Counted:32
Fresh:25
Rotten:7
Average Rating:7.4/10
Consensus: Tommy Lee Jones’ directorial debut is both a potent western and a powerful morality tale.
Runtime: 2 hrs 1 min
Genre: Dramas
Theatrical Release:Dec 14, 2005 Limited
Box Office: $4,913,407
Synopsis: Tommy Lee Jones takes his second turn in the director's chair with THE THREE BURIALS OF MELQUIADES ESTRADA, the follow-up to his 1995 western THE GOOD OLD BOYS. The action takes place on the border... Tommy Lee Jones takes his second turn in the director's chair with THE THREE BURIALS OF MELQUIADES ESTRADA, the follow-up to his 1995 western THE GOOD OLD BOYS. The action takes place on the border between West Texas and Northern Chihuahua in Mexico, which is a hot spot for illegal crossings. But Jones's movie ingeniously flips this dangerous yet all-too-common practice on its head, with a tale of a man hell-bent on crossing the border in the opposite direction. The journey to Mexico begins when Pete Perkins (Jones) uncovers the identity of a Border Patrolman, Mike Norton (Barry Pepper), who has shot and killed his best friend, Melquiades Estrada (Julio Cedillo). Kidnapping Norton and forcing him to dig up Estrada's body, Perkins straps the corpse to a horse, and informs Norton that he will be traveling with them to Mexico. Once there, they will bury Estrada according to instructions he gave Perkins prior to his death. Jones paints Norton as a mean-spirited individual; caught up in a loveless relationship with his wife, Lou Ann (January Jones), Norton's day job frequently involves him him either exploding in a violent rage or idly masturbating over a well-thumbed copy of Hustler. The two men don't exactly bond on their journey, the wedge that's been forced between them being far too great for them to reconcile their differences. But Jones coerces a riveting tale from Guillermo Arriaga script, with a choppy chronology reminiscent of Arriaga's own 21 GRAMS. Comparisons to Sam Peckinpah's masterfully bleak 1974 movie BRING ME THE HEAD OF ALFREDO GARCIA are inevitable, although Jones's film has a tender edge that Peckinpah's nihilistic epic was never quite capable of reaching. A film that suggests Jones has a bright future ahead of him as a director, THE THREE BURIALS OF MELQUIADES ESTRADA is one of the most absorbing pieces of cinema to emerge in 2005. [More]
Starring: Barry Pepper, Julio Cedillo, Dwight Yoakam, January Jones
Starring: Barry Pepper, Julio Cedillo, Dwight Yoakam, January Jones, Levon Helm, Vanessa Bauche
Director: Tommy Lee Jones
Director: Tommy Lee Jones
Screenwriter: Guillermo Arriaga Jordan
Producer: Michael Fitzgerald, Tommy Lee Jones, Chris Menges
Composer: Marco Beltrami
Studio: Sony Pictures Classics
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Reviews for The Three Burials of Melquiades Estrada
This isn't a film that demands to be enjoyed in order to be remembered -- one way or the other, it will stick with you.
Funny, tough, filled with cut-to-the-bone moments and bleached in the heat of the Texas sun, The Three Burials of Melquiades Estrada is a movie that sears itself into the viewer with uncompromising vision and stark approach.
It boasts genuinely and uniformly fine performances -- a credit to Jones the director and the actor, as well as his costars -- some stunning cinematography by the great Chris Menges and a uncompromising script by [Guillermo] Arriaga.
Tommy Lee Jones' big-screen directorial debut might not be the easiest film to watch, but its payoff makes it one of the better trips to the movies of the past year.
Few films have ever captured the feel of the desert Southwest better than Tommy Lee Jones' The Three Burials of Melquiades Estrada.
Without the wise and well-crafted words of screenwriter Guillermo Arriaga, it's just so much posturing.
Three Burials still reaches the kind of pungency it seems to be seeking, and it touches on issues of alienation and distance very relevant to the reality of countless migrants.
All this edginess, combined with the grandeur and sweep of a classic western, demonstrates that Jones clearly knows how to tell a story -- and how to confound us at the same time.
As satire, The Three Burials of Melquiades Estrada isn't funny or illuminating, and as a drama it has only a few scattered moments.
Behind the hype lies a banal morality tale told in needlessly jumbled flashbacks and gorged with gruesome atrocities out of a Sam Peckinpah flick.
Jones, screenwriter Guillermo Arriaga and a crew blessed with pristine vision have delivered a tale of friendship and ethics worthy of Greek tragedy.
Tommy Lee Jones makes his feature directing debut here, and the film is as weathered, subtle, and sympathetic as the actor's own face.
[Jones has made] a rugged modern-day Western that evokes the spirit of Sam Peckinpah -- and reinvents it through his own perspective.
The acting is so good throughout, and Texas native Jones does such a sharp, unforced job of directing a story dear to his geographical and spiritual heart, The Three Burials is the rare film that gets better and better as it goes.
It is a brave look at the distortions created when an international border bisects what natural law intended to be a cultural melting pot.
The Three Burials of Melquiades Estrada tells the kind of story that John Huston or Sam Peckinpah might have wanted to film.
Latest News for The Three Burials of Melquiades Estrada
July 13, 2007:
Charlize Theron to Visit "The Burning Plain"
The Oscar-winning blonde will anchor the directorial debut of one of the hottest screenwriters around: Guillermo Arriaga. More...
October 04, 2006:
"21 Grams," "Babel" Creators Innaritu and Arriaga on the Outs?
Rumor has it that the long-standing and successful partnership between Mexican director Alejandro Gonzalez Innaritu and writer Guillermo Arriaga may be coming to an ugly end,... More...
December 20, 2005:
Dallas-Fort Worth Film Critics 2005 Awards
December 19, 2005 -- DALLAS-FORT WORTH FILM CRITICS NAME “BROKEBACK MOUNTAIN” BEST OF 2005. The Dallas-Fort Worth Film Critics Association voted the frontier romance BROKEBACK... More...
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