Vibrant and darkly funny.
Three Kings (1999)
Tomatometer
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Reviews Counted:126
Fresh:118
Rotten:8
Average Rating:7.8/10
Consensus: Three Kings successfully blends elements of action, drama, and comedy into a thoughtful, exciting movie on the Gulf War.
Runtime: 1 hr 55 mins
Genre: Dramas
Synopsis:
March, 1991, the Iraqi desert. Special Forces Captain Archie Gates (GEORGE CLOONEY), U.S. Army Sergeant Troy Barlow (MARK WAHLBERG), Staff Sergeant Chief Elgin (ICE CUBE) and Private Conrad Vig...
March, 1991, the Iraqi desert. Special Forces Captain Archie Gates (GEORGE CLOONEY), U.S. Army Sergeant Troy Barlow (MARK WAHLBERG), Staff Sergeant Chief Elgin (ICE CUBE) and Private Conrad Vig (SPIKE JONZE) have spent weeks marking time in base camp while the Persian Gulf war is fought by high-tech specialists. The impersonality of the war has left the men bored and disoriented and, now that the cease-fire has become official, they’re looking forward to leaving this bleak landscape behind.
Archie Gates is a career soldier, a Green Beret who’s proven his bravery and intelligence in conflicts around the globe, but his experiences have left him cynical, detached and unwilling to take orders from those less seasoned than he is. He’s ready to leave the Army behind, but the undefined civilian existence ahead of him holds only marginally more appeal.
Troy Barlow is young, capable, sincere, and homesick for his wife and baby daughter back in Detroit. An Army Reserve soldier, he believes in the job he was sent to do and he’s proud to be doing it for America.
Chief Elgin is a baggage handler at Detroit Airport when he’s not on active duty. His civilian life offers him little, as does his military life, but his firm Christian beliefs and his stoic commitment to his responsibilities earn him respect.
Conrad Vig is a redneck who never finished high school. For him, the Army offers a chance to live out adventures he’ll embellish back home; he has little understanding of the political implications of the conflict in Iraq, or of the consequences of war. Being out of his element has stimulated Vig to the point where his naivete and excitement are on the verge of becoming an explosive combination.
The soldiers’ lives are complicated by the constant, intrusive presence of television war correspondents, especially the hard-bitten Adriana Cruz (NORA DUNN), who badgers Army personnel incessantly for exclusive information.
As the Americans prepare to dismantle their base camp and return home, Troy, Chief and Conrad unexpectedly come into possession of a map that indicates the location of a stash of Kuwaiti gold bullion stolen by the Iraqi army.
While they puzzle over the map and what it implies for them, Archie Gates learns of their acquisition and takes command of the situation. In his words, "Saddam stole it from the sheiks; I have no problem stealing it from Saddam… Just one stash would be easy to take…and that would be enough to get us out of our day jobs – unless you reservists are in love with your day jobs."
Armed with little more than high expectations, the foursome jumps in a Humvee and launches its own private maneuver. Their plan is to "leave at dawn and be back by lunch."
However, fate plays a trick on these AWOL treasure hunters. Their brief, single-minded foray into Iraqi territory becomes their first face-to-face encounter with the Iraqi people and the complex circumstances of life in a country at war with itself.
One misadventure leads to another, alternating grim reality with surrealistic dark humor, until the four soldiers’ mission changes radically, becoming a journey of discovery and redemption, and an adventure they’ll never forget.
Starring: George Clooney, Mark Wahlberg, Ice Cube, Spike Jonze
Starring: George Clooney, Mark Wahlberg, Ice Cube, Spike Jonze, Nora Dunn, Jamie Kennedy, Mykelti Williamson, Cliff Curtis, Said Taghmaoui, Judy Greer, Liz Stauber, Holt McCallany
Director: David O. Russell
Director: David O. Russell
Screenwriter: David O. Russell
Story: John Ridley
Producer: Paul Junger Witt, Charles Roven
Composer: Carter Burwell
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Reviews for Three Kings
A damning yet idealistic satire about the motives behind U.S. foreign policy.
a strong, bold film with an incredible pace, outstandingly creative direction, rock solid acting, an aggressive script, and a fiercely subtle sense of dark humor.
At once cynical and patriotic, subversive and traditional, tragic and hilarious, realistic and hallucinatory, Three Kings is the work of a filmmaker flirting with greatness.
Director David O. Russell, who also wrote the screenplay, couldn't separate what's visually ingenious from what's merely visually curious.
Russell's edgy pacing here and the assorted styles he's adopted create an exciting, restless immediacy.
From frame one, the cinematography of Newton Thomas Sigel is also unmistakable. The washed-out look and grainy feel of the picture puts the audience right into the harsh and unmerciful desert heat.
Few are the ways that remain to behave as an original outlaw or antihero in American movies these days.
After wooing the likes of Hawks, Peckinpah, and Pontecorvo, 'Three Kings' decides in the end to go steady with Ron Howard.
Three Kings does just about everything right. That’s why it’s the best picture of the year so far.
Three Kings spits in the face of war and salutes creative compassion as a healing balm.
Ultimately it's the director's confidence behind the camera that makes Three Kings a powerful piece of filmmaking -- as dry, bleak, and brutal as the barren Iraqi desert.
Three Kings is a resourceful and even witty film that irreverently reinvents the war movie.
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