This is a fascinating transitional film from an intriguing director at the top of his game.
Three Monkeys (2009)
Tomatometer
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Reviews Counted:55
Fresh:43
Rotten:12
Average Rating:6.9/10
Consensus: Exploring the effects of a family's dealings with an underhanded politician, this crime drama avoids showing the violent outcomes of its characters' misdeeds, resulting in a lingeringly potent film.
Theatrical Release:Mar 13, 2009 Limited
Synopsis:
After his critically acclaimed mood pieces Distant and Climates, Turkey’s leading filmmaker moves in a more plot-driven direction while retaining his mastery of ambiance and nuance. Winner of the...
After his critically acclaimed mood pieces Distant and Climates, Turkey’s leading filmmaker moves in a more plot-driven direction while retaining his mastery of ambiance and nuance. Winner of the Best Director prize at Cannes, Three Monkeys tells a twisty, noirish tale that opens with an ambitious politician fleeing a hit-and-run accident. Afraid of hurting his election chances, he pays off his chauffeur, Eyüp, to take the rap.
The film concerns the effects of this devil’s bargain on Eyüp’s shiftless son Ismail (who sees an expensive new car as his ticket to salvation), and on his restless wife, Hacer (who develops an ill-deserved passion for the oily politico). Ismail’s discovery of his mother's infidelity and Eyüp's suspicions after he gets out of jail crank up the simmering tensions in a household already haunted by hidden ghosts.
In the spirit of Buñuel's The Discreet Charm of the Bourgeoisie and Haneke's Caché, Three Monkeys mounts a caustic critique of the bourgeois family, riddled with hypocrisy yet stubbornly resilient in its seemingly boundless capacity to sidestep guilt and accountability. As in his previous films, Ceylan is unsurpassed at evoking both emotional and haunting cityscapes. The wintry vistas of Distant are supplanted here by sweltering seaside summerscapes, rife with thundering trains and lowering clouds that portend a day of reckoning repeatedly -- but perhaps not endlessly -- deferred. --© Zeitgeist Films
Director: Nuri Bilge Ceylan
Director: Nuri Bilge Ceylan
Screenwriter: Ebru Ceylan, Nuri Bilge Ceylan
Studio: New Yorker Films
Reviews for Three Monkeys
A grim, slow-burning exploration of guilt, grief and murder that keeps the audience at arm's length through its cold, intermittently misanthropic, vision of humanity but which is filled with ravishing images and a powerfully brooding atmosphere.
This is a fascinating film that, once seen, is hard to dislodge from your imagination.
A subtly persuasive drama steeped in a strangely beautiful pallor, thanks to superb HD cinematography.
So long as you can adjust to the singular pace of the story-telling, then this film, which won Ceylan the best director award at Cannes last year, is a powerfully affecting piece.
Three Monkeys is a noirish thriller — boasting an explosive beginning, middle and end. The pace is still slow and the kiss-kiss bang-bangs take place off camera, but the effect is seismic.
Whether Three Monkeys is a disappointment or not depends largely on how (or whether) you've viewed the filmmaker's work to date.
Those willing to think for themselves, not in a rush for the dénouement and appreciate cinematographic narrative techniques will surely savour nearly every frame of director/co-writer Nuri Bilge Ceylan's ... exceptionally crafted tale of crime, corruption
Patience will be required to appreciate this brilliant, gorgeously visual film.
It's best described as introspective melodrama, yet both visually and tonally, it's still quintessential Ceylan.
A powerfully bleak family drama that leaves its characters' offenses largely offscreen but lingers with agonizing, drawn-out deliberation on the consequences.
Ceylan's approach is oblique, emphasizing the after-effects more than the actions, with a lot of frozen, painful moments between the characters.
It is accomplished, but overdetermined. Its dramatic force can’t its equal its visual impact, resulting in a clear indication of where Ceylan’s strengths as a director lie.
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