For the uninitiated, Three Times presents an ideal primer, a condensed K-Tel collection of themes that have consistently reappeared throughout Hou Hsiao-hsien's career.
Three Times (2006)
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Reviews Counted:50
Fresh:43
Rotten:7
Average Rating:7.8/10
Consensus: Slowly paced, understated, and exquisitely shot, these are three lovely odes to love and longing.
Theatrical Release:Apr 26, 2006 Limited
Synopsis: The film features three different stories of love and memory through three time periods, 1966, 1911 and 2005. The first, "A Time for Love," hinges on the meeting of soldier boy Chen with pool hall... The film features three different stories of love and memory through three time periods, 1966, 1911 and 2005. The first, "A Time for Love," hinges on the meeting of soldier boy Chen with pool hall hostess May and his subsequent search for her. The second episode, "A Time for Freedom," deals with a courtesan tending to a Mr. Chang during the Japanese occupation of Taiwan. And the third episode, "A Time for Youth," centers on epileptic singer Jing who casually takes up with photographer Zhen while increasingly ignoring her female lover. [More]
Starring: Gong Li, Chang Chen
Starring: Gong Li, Chang Chen
Director: Hou Hsiao Hsien
Director: Hou Hsiao Hsien
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Reviews for Three Times
Hsiao-Hsien reinforces his excellent cinematography with a bold use of music, featuring The Platters' Smoke Gets In Your Eyes, but ultimately the running time could have been halved and he would still have made his point.
Like all of Hou's films, Three Times is beautifully shot -- a painting come to life. And like most of his movies, it's utterly compelling.
Seen in isolation, the first episode has the most satisfying plot and the last the least. But the film's achievement lies mostly in the beautifully articulated similarities and differences among the three.
Three varieties of love: unfulfilled, mercenary, meaningless. All photographed with such visual beauty that watching the movie is like holding your breath so the butterfly won't stir.
Love is messy, desperate, inconclusive and wonderful -- even for little moments -- in any time. And Hou has done it justice with this new masterpiece.
Hou captures that new couple exuberance in a way few films have, and the climatic moment here is as magical as they come.
Can a film be exquisite and, at the same time, less than one hoped for? This question arose as Three Times unfolded.
Filmmaker Hou Hsiao-Hsien tries to tell three tales of romance during different parts of the 20th and 21st centuries. But he winds up stretching a modestly interesting premise out too long -- over more than two hours.
Starring two of Asia's most handsome performers, Three Times, is as always rich in style and form, but only intermittently involving or emotionally touching
This is a fascinating exercise in utilising style to make subtle psychological and political statements.
Do Hou's films deserve to be seen? Absolutely, if only to end the myth that they're too perfect for this world.
If you are easily lulled into a sensuous rhythm of pure cinematic languor, this will satisfy. If not, you may be banging your head against the back of your seat.
This film was designed to win film festival prizes and leave the regular audiences in the dust.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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