"Tideland" is frustrating for the way it refuses to coalesce. You watch the film feeling abused and exploited, never knowing whether there's a bottom to this rabbit hole.
Tideland (2006)
Tomatometer
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Reviews Counted:70
Fresh:19
Rotten:51
Average Rating:4/10
Consensus: Tideland is a disturbing, and mostly unwatchable effort from Terry Gilliam.
Rated: R [See Full Rating] for bizarre and disturbing content, including drug use, sexuality, and gruesome situations - all involving a child, and for some language.
Runtime: 2 hrs 2 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:Oct 13, 2006 Limited
Synopsis: Terry Gilliam, the director of such fantasies as TIME BANDITS, BRAZIL, and THE ADVENTURES OF BARON MUNCHAUSEN, tells a very different kind of story in TIDELAND. Based on the novel by Mitch Cullin... Terry Gilliam, the director of such fantasies as TIME BANDITS, BRAZIL, and THE ADVENTURES OF BARON MUNCHAUSEN, tells a very different kind of story in TIDELAND. Based on the novel by Mitch Cullin and cowritten by Gilliam and Tony Grisoni, TIDELAND follows young Jeliza-Rose (Jodelle Ferland), the daughter of Noah (Jeff Bridges), an aging, drug-addicted rock-and-roller, and Queen Gunhilda (Jennifer Tilly), a mean-spirited, drug-addicted chocoholic. After her mother overdoses, Jeliza-Rose and Noah move to his mother's home in the middle of nowhere, an abandoned wreck of a house. As Noah gets lost in one of his "vacations"--his drug trips, for which his daughter prepares the speedball--Jeliza-Rose becomes friends with an emotionally and physically challenged epileptic named Dickens (Brendan Fletcher), the brother of Dell (Janet McTeer), a terrifying witchlike woman who is deathly afraid of bees and has a penchant for taxidermy. Jeliza-Rose also falls farther into her own fantastical world, particularly with her doll heads Mustique, Sateen Lips, Glitter Gal, and Baby Blonde--one of which falls down a dark and narrow rabbit hole--and a mysterious talking squirrel that is trying to tell her something important. Part PSYCHO, part ALICE'S ADVENTURES IN WONDERLAND, Gilliam's challenging film also includes an eclectic soundtrack featuring original songs such as "Wash Me in the Blood of Jesus" and "Van Gogh in Hollywood" (the latter performed by Bridges as the leader of a heavy metal band), as well as an eerie set that echoes Andrew Wyeth's famous painting "Christina's World." [More]
Starring: Jeff Bridges, Jodelle Ferland, Brendan Fletcher, Jennifer Tilly
Starring: Jeff Bridges, Jodelle Ferland, Brendan Fletcher, Jennifer Tilly, Janet McTeer, Dylan Taylor, Wendy Anderson
Director: Terry Gilliam
Director: Terry Gilliam
Screenwriter: Tony Grisoni
Producer: Jeremy Thomas, Gabriella Martinelli
Composer: Mychael Danna, Jeff Danna
Studio: ThinkFilm
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Reviews for Tideland
The movie is brave, strong, deeply felt, and frequently brilliant, and it does exactly what it sets out to do. But what it sets out to do is distressingly unpleasant.
Tideland contains more shining, jewel-like moments than most films. It will reward your patience.
Now, I like pushing boundaries as much as the next guy. When it's done well, as in say Todd Solondz' wonderfully dark Happiness, it can be searingly challenging. But in the case of Tideland it's just uncomfortable to watch.
This macabre fairy tale, a bizarre blend of surrealism and eccentricities, might be best described as a kinky cross of Psycho and Alice in Wonderland.
The movie itself feels like an overstuffed burrito: Nicola Pecorini's cinematography has verve but no visual sense, and the film's self-important pace turns deadening over the long haul.
It's crazy, dangerous and sometimes gorgeous: a feast of nuttiness that takes you, for a while, over the edge.
Despite a few psychologically insightful touches about how children learn to survive misery, Tideland is borderline unwatchable, although, as is true of all Gilliam movies, it certainly is different.
A movie that fits perfectly in the Terry Gilliam oeuvre, except for the fact that it is a dismal, rank bore that so misses the thematic mark that it becomes a complete nightmare.
Gilliam appears to be trying to throw us all off-guard, to make the theatergoing experience unpleasant. But in its own unlovable way, the movie is an unforgettable experience.
It seems, from the flat-out filmic disaster of "Tideland," that director Terry Gilliam is intent on ensuring a decisive end to his checkered filmmaking career.
Perhaps once we leave these squeamish times, Tideland will emerge like one of Welles' later films as a misunderstood classic.
I came very close to walking out of the screening room. And I never do that.
Part Lewis Carroll, part Alfred Hitchcock, part Andrew Wyeth, part Terrence Malick and all Terry Gilliam, it is a unique and personal vision that, like it or not, will stick in your mind for a long time after you see it.
The dismal subject matter is beautifully shot, but Tideland merrily dances on the line between the merely unpleasant and the completely unwatchable.
The movie dies early on, but it keeps hanging around, looking a little more rotten with each new scene.
Latest News for Tideland
February 27, 2008:
Total Recall: Fairy Tales for Grownups
On the festival circuit, Penelope, starring Christina Ricci as a pig-nosed recluse embarking upon the modern world for the first time, seemed to get about as much press... More...
November 18, 2005:
Time to face it. A lot of Gilliam's movies fail not because of some outside influence, but because of him. ![]()
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