Átame! (Tie Me Up! Tie Me Down!) (1990)
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as Marina Osorio
as Maximo Espejo
as Camel in Vespa
as Directora Psiquiatri...
as Hermano de Lola
as Gitano Viejo
as Guarda Jurado
as Bailarin Tango
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Critic Reviews for Átame! (Tie Me Up! Tie Me Down!)
Mr. Almodovar's comic invention runs out too soon, leaving the audience to giggle weakly in anticipation of the big laughs and disorienting shocks that never arrive.
Almodovar's polarities are so perfectly lined up in opposition to my own that it is quite possible for one of his movies to shoot right through my brain without striking a single cell.
A writer-director driven by his passion, Almodovar allows his movies to moan and sweat and writhe. Sex looks like sex, not pornographic but messy and warm. The curtains do not billow, the sheets burn.
The film's tone is so campy and off-kilter it's hard to take any of it seriously... it's equally hard to find any of it particularly funny.
Tie Me Up! Tie Me Down! comes from a transitional phase in Almodóvar's career, one in which he was using bigger budgets to hone his aesthetic, create characters with greater depth, but still indulge a punkish urge to shock.
Audience Reviews for Átame! (Tie Me Up! Tie Me Down!)
By now I have started to understand the methodology of director Pedro Almodovar, though why certain things are supposed to be funny oftentimes get lost in translation. With this feature film there didn't seem to be anything funny about the situations detailed in the film and yet it's categorized as a comedy. There may have been some strange and effortlessly eccentric characters that could seem funny to a Spanish audience, but I didn't see the parallels in my own culture. As for the explicit nature of the film's content and the sexual nature that exists within the narrative, I had no problem with it. What I did find fault with was how the narrative is framed and the eventual ending. The film combines elements of horror and romantic comedy, featuring Antonio Banderas as Ricky, a maddened former mental patient. He leaves the institute and goes off to find a former porn actress now making a horror film for an acclaimed Spanish director. Ricky follows her, finds her inside her apartment, hits her unconscious, ties her up, and tells her he wants to marry her and have children with her. The film progresses as Ricky realizes she is a heroin addict, she realizes that he has had a troubled past, and they both slowly but surely fall in love. Almodovar uses the metaphor of binding together through the emotional responses of love for the ropes. The love story between Ricky and Marina (Abril) is supposed to mirror "Beauty ad the Beast" and "Frankenstein." Though not sadomasochistic with its representations of being tied up, there is obviously a lack of tenderness when it comes to Ricky's abuse. Though he "doesn't intend to hurt her" he chips her tooth, binds her, handcuffs her to him when they go in public, and threatens her sister. Even if they could fall in love, would we as the audience want them to? It's definitely in the realm of icky, and to forgive that would be misguided. Everything else about the film is entertaining, from Abril and Banderas' performances to the supporting characters to the somewhat understandable comedic aspects. It just wasn't a film with an understandable end, which threw the rest of my opinion of this into disarray.
Wow! Almodovar is a master at finding humor and romance in the most unlikely places.
My kind of love story...
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