Winnie Holzman's screenplay is uneven.
'Til There Was You (1997)
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Reviews Counted:27
Fresh:2
Rotten:25
Average Rating:4/10
Runtime: 1 hr 54 mins
Genre: Comedies
Synopsis: Two young, upwardly mobile Angelenos lead separate lives destined to intersect--he's a standoffish architect and pathological liar looking out for number one, and she's a wistful, incurably... Two young, upwardly mobile Angelenos lead separate lives destined to intersect--he's a standoffish architect and pathological liar looking out for number one, and she's a wistful, incurably romantic ghost writer looking for Mr. Right. She loves her ornate Gothic apartment building; he's been hired to raze it and replace it with postmoderny angular condos. The two stumble through a maze of near-misses and contrived coincidences on the rocky road to romance. A first feature for director Winant, formerly a producer for TV's "My So-Called Life"; that show's creator, Winnie Holzman, penned. [More]
Starring: Jeanne Tripplehorn, Dylan McDermott, Sarah Jessica Parker, Jennifer Aniston
Starring: Jeanne Tripplehorn, Dylan McDermott, Sarah Jessica Parker, Jennifer Aniston, Ken Olin, Craig Bierko, Nina Foch, Alice Drummond, Christine Ebersole, Michael Tucker, Steve Antin, Patrick Malahide, Kasi Lemmons, Kale Browne, Karen Allen
Director: Scott Winant
Director: Scott Winant
Composer: Miles Goodman, Terence Blanchard
Producer: Penney Finkelman Cox, Tom Rosenberg, Alan Poul, Sigurjon Sighvatsson
Screenwriter: Winnie Holzman
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Reviews for 'Til There Was You
It is so poorly executed that if you didn't know going in that these two were supposed to meet, you'd never figure out what the movie is about.
Here is the most tiresome and affected movie in many a moon, a 114-minute demonstration of the Idiot Plot, in which everything could be solved with a few well-chosen words that are never spoken.
Tripplehorn and McDermott don't look as if they belong together and aren't strong enough actors to overcome their physical incompatibility. So there's no sense of urgency about them getting together.
The fatal flaw comes with the casting of the romantic leads, and for once the problem isn't that they don't belong together. You're just not likely to care one way or the other.
With dialog like this why did the producers go forward with this project? The movie needs a rewrite and a new director.
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