Critic Consensus: Managing to be both satirical and warm-hearted in its look at the inhabitants of a commune, Together successfully captures the spirit of a time.
In mid-1970s, fleeing life with her abusive husband Rolf, Elisabeth moves into her brother Goran's commune, with her two children Stefan and Eva. A big house in suburban Stockholm, the commune is called "Together" and inhabited by a crowded assortment of people. Initially resistant to Elisabeth's entry, the commune soon accepts her and her children as part of their family. Soon Elisabeth is acclimating to her new surroundings and the commune's liberal attitudes towards sex, drugs and politics. But just as she's becoming settled, her husband shows up looking to get the family back together. … More
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Critic Reviews for Together
A comedy of manners set in the hippie heyday of 1975.
Audience Reviews for Together
Surprisingly this film is more feel-good and heartwarming than anything, and yet also gives commentary on socialism, free living, and polyamory as well. The film covers family, love, and forgiveness, as well as opening yourself to new experiences so you can find new love. The film is actually set in a commune called Together (Tillsammans), where Goran lives with a bunch of other people and a woman he loves. His sister, Elisabeth, has a domestic disturbance with her husband for the first time in years, and immediately leaves, taking her children with her to live with her brother. The three fish out of water find themselves shoved into a small space and their lives are completely changed as the commune's inhabitants rub off on them and vice versa. While there are some political themes that run throughout the story and oftentimes speak volumes on the residents, it does not overpower the narrative or center around the characters. More often these political leanings only lead to absurd scenarios, including an intellectual who more oftentimes wants to argue rather than converse, a hippie dippy woman who stomps on hearts as well as promotes multiple partners, and several others who believe in the extremes of clean living and the liberal agenda. Most of the film relies on absurd personalities over political beliefs to find humor. We also look back to the father who was left, as he finds guidance from an outside source and tries to change in order to get back his family. Every bit of this film is feel-good, whether it is the man who gets rid of his toxic lover or the coming of age story of a young teenager finding love with the next door neighbor, every bit of this makes you feel happy and sweet. The ending is even happy, and though it pulls on heartstrings throughout, it never drags, never degrades its subjects, and doesn't become clichéd or schmaltzy.
Communal living, free-love and hippies from a uniquely Swedish perspective. Wonderfully nostalgic and, for director Moodysson, surprisingly sentimental.
Swedish. Interesting and often amusing look at communal living in Sweden in the 1970s. A woman flees her abusive husband and brings her two children to live at a dysfunctional commune of her brothers. Feel-good ending.
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