Has just enough astringent touches to keep it from sliding into sloppy sentimentality.
Tokyo Godfathers (2004)
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Reviews Counted:58
Fresh:52
Rotten:6
Average Rating:7.1/10
Consensus: A touching and sentimental anime.
Theatrical Release:Jan 16, 2004 Limited
Synopsis: Thoroughly modern in its story, its characters, its urban Tokyo setting, its absurdly funny action sequences, and its understated and ironic self-mockery, TOKYO GODFATHERS is an anime gem from... Thoroughly modern in its story, its characters, its urban Tokyo setting, its absurdly funny action sequences, and its understated and ironic self-mockery, TOKYO GODFATHERS is an anime gem from director Satoshi Kon (MILLENNIUM ACTRESS). It is a snowy Christmas in Tokyo and three homeless people--Hana, Gin, and Miyuki--who drift through the streets and alleyways of the city staying warm in the supermarkets and soup kitchens, make up a nontraditional family. Gin is a older man who once had a wife and daughter but lost them and spiraled downward into drinking and drifting. Hana is a flamboyant cross-dressing homosexual who dreams of having a baby. And Miyuki is just a kid--a young girl who ran away from home after a conflict with her father and is still battling familial demons. When the three motley but loving bums find a baby girl abandoned in the garbage on Christmas Eve, they know they've received a true gift. But in their attempts to return the baby to its real mother they go on a wild goose chase all over Tokyo solving mysteries, pursuing criminals, and all the while tackling their own personal problems. According to director Kon, the plot is based on the 1948 Western 3 GODFATHERS directed by John Ford. This immensely entertaining film features a jazzy score of electronic music, excellent illustrations, and superb character development. [More]
Director: Satoshi Kon
Director: Satoshi Kon
Screenwriter: Sadayuki Murai
Studio: Samuel Goldwyn Films
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Reviews for Tokyo Godfathers
A gorgeous animated film that's as avid a tribute to the Japanese capital as Lost in Translation.
This is not Lost in Translation, but with subtitles it translates smartly enough.
Great animation can delight children or adults; truly great animation may delight both. But Tokyo Godfathers seems unlikely to enthrall either -- or be remembered much past the flicker of its final cel.
Director Kon goes heavy on the schmaltz, but it doesn't matter. He puts viewers in a comfy mode, where sentiment is a plus.
Despite the story's inherent sentimentality, Satoshi balances everything splendidly, occasionally guiding the mush into humor, or fantasy, or noirish realism.
Though not as transcendent as director Satoshi Kon's previous project, the spectacular Millennium Actress, this expertly animated Godfathers still makes you an offer you can't refuse.
Kon deserves credit for attempting to animate a genre that has historically been best served by live action. The effort isn't entirely successful, but for an industry that rarely seeks to break free of tradition, that's already a quantum leap.
Loosely based on 3 Godfathers, John Ford's maudlin 1948 western, this movie, a sweet fable of decency amid the down and out, also has echoes of Chaplin and Capra.
The story is sweet by anime standards, although it has harsh elements as well.
Artfully appreciates the beauty and humanity in junked lives and landscapes.
[W]hen it comes to the actual stories told in contemporary animated films, no one is pushing the boundaries quite like anime auteur Satoshi Kon.
It's a modern-day fable with a big heart, reminding us that every human can have value, even if you don't have an address.
Kon proves that a cartoon can truly have as much -- perhaps even more -- depth and soul as any live-action film.
It's a touching movie that, like the best animes, transcends the limitations of the genre.
Latest News for Tokyo Godfathers
December 21, 2006:
RT's Top Yuletide Kid Flicks -- Christmas Countdown, Day Four
It's Day Four of RT's Five Days of Christmas Countdown, where we serve up a different list each day of the best holiday flicks around. Today, we've got something for kids and... More...
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