The film's high points are to be found in tremendous archival footage.
Tom Dowd and the Language of Music (2004)
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Reviews Counted:28
Fresh:25
Rotten:3
Average Rating:7.4/10
Theatrical Release:Aug 13, 2004 Limited
Synopsis: In the annals of pop music, there's probably no one other than legendary impresario John Hammond whose ubiquitousness compares with that of engineer/producer Tom Dowd. From the 1950s on, Dowd was... In the annals of pop music, there's probably no one other than legendary impresario John Hammond whose ubiquitousness compares with that of engineer/producer Tom Dowd. From the 1950s on, Dowd was both a tireless technological innovator and a uniquely musical engineer and producer. A key figure at the Atlantic and Stax labels, among others, Dowd was intimately involved with the recording of the giants of jazz (Dizzy Gillespie, Ornette Coleman), soul (Ray Charles, Aretha Franklin), and rock (Cream, Allman Brothers, Derek & the Dominos). TOM DOWD & THE LANGUAGE OF MUSIC is a lively profile of this artistic and technical mastermind, punctuated by gripping performance footage of the countless top-shelf artists on Dowd's resume, as well as interviews with some of those musicians, and with the charming, effervescent Dowd himself. Besides being a skilled musician (at one point we see him playing some impressive jazz piano), Dowd was uniquely qualified for his work on the technical side, with his background as an army engineer. Not only did Dowd oversee the making of groundbreaking albums like Derek & the Dominos' LAYLA and Otis Redding's OTIS BLUE, he helped design and test the atomic bomb in the infamous Manhattan Project. Clearly this is a man with a story to tell, and this film tells it in a visually and contextually arresting format, focusing on Dowd's long list of achievements as well as his natural gift for communication and camaraderie. [More]
Starring: Tom Dowd, Tito Puente, Ray Charles, Eric Clapton
Starring: Tom Dowd, Tito Puente, Ray Charles, Eric Clapton, Allman Brothers, Les Paul, Mike Stoller, Aretha Franklin
Director: Mark Moormann
Director: Mark Moormann
Producer: Mark Moormann, Scott L. Gordon, Mark Hunt
Studio: Palm Pictures
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Reviews for Tom Dowd and the Language of Music
The film is full of artists' stories and testimonials from both the old and new schools of the music industry. But it is the delightfully charming Dowd that makes the movie. He's a hoot, and a legendary one at that.
It makes a convincing argument that Dowd's personal history is a kind of history of the 20th century itself, encompassing the era's art, science, commerce and politics.
If you ever wondered what it would be like to mix a song like 'Layla' by Derek & the Dominos, this could be as close as you'll get.
Includes many fascinating anecdotes about the creation of some of the most famous modern rock and soul recordings.
Deserves credit, not only for choosing a wonderful and deserving subject for a film, but for doing him proud.
Mark Moormann's documentary tends to the worshipful, but Dowd, a charmer onscreen, was by all accounts just as appealing in real life, a gentleman and a scholar who loved music, loved musicians and loved making them sound their best.
Music fans of every stripe should kill to see this film, one of the very best music documentaries in recent years. Then, get thee to a record store.
As a probing look at a really nice-guy genius in the studio world, it succeeds admirably.
A loving portrait of 50 years of pop music and a man who by all accounts was a musical genius.
If nothing else, you'll earn a new appreciation for the way music is produced.
...if you've ever wondered the inspiration behind that classic riff from Cream's Sunshine of your Love, look no further.
This highly enjoyable documentary makes sure that Dowd's contribution to the music business will not be forgotten.
A fitting epitaph for a giant few people outside the industry knew but whose work everybody heard.
Moormann's film transcends A&E hagiography, and Dowd's spry egoism and science-hipster joie de vivre provide piquant icing.
Like its subject, the movie is a tad overzealous, but often fascinating and revealing.
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