Tony Manero (2009)
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as Raúl Peralta
as Tomás as a Child
as TV Host
as CNI Agent 1
as CNI Agent 2
as TV Producer
as Tony 5 (winner)
as Tony 1
as Old María
as TV Guard
as Tony 2
as Tony 3
as Tony 4
as TV Producer
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Critic Reviews for Tony Manero
Larrain's (literally) dark, edgy movie is a precise artistic commentary on Augusto Pinochet's miserable regime, which was under way while Travolta gyrated.
Larrain evokes the bleakness and oppressiveness of life in a police state with much subtlety even as he poses a much larger question about cultural imperialism.
Shot with a hand-held camera and presented in a fragmented scenario, Tony Manero is the director's compelling attempt to find parallels between the Pinochet reign of terror and Raúl's scruple-less antics.
A memorably claustrophobic evocation of its time and place, as well as a reminder that the so-called escape offered by pop culture can sometimes be an escape into soul-sucking madness.
More than an indelible portrait of a sociopath with the soul of a zombie, Tony Manero is an extremely dark meditation on borrowed cultural identity.
Audience Reviews for Tony Manero
A compelling crime drama centered on a miserable sociopath obsessed with a movie character to the point of murder - which makes him also a surprisingly tragic figure -, relying on a gripping performance by Alfredo Castro and also making a subtle political commentary.
Riveting near mute central performance drives along this dark tale of obsession. Reading the central character's face and hoping things won't go as badly as you fear offer intrigue, and watching the final showdown is unbearably tense. An unheralded treat for those who like their cinema dark and disturbing.
Tony Manero is Chilean Psycho. It's a terrifying drama, social commentary and a sports movie rolled together. Alfredo Castro gives a perfomance to remember as a murderous superfan of Saturday Night Fever. He watches the film religiously and practices the dance moves relentlessly. All this in hopes of being crowned the Chilean Tony Manero. Along the way he jumps his many hurdles by performing acts of murder. These are shot in a very matter of fact way. No nondigetic music to build the tension, just pure and brutal. It's a grim film and one that plays with the conventions of sporting dramas. Despite his deplorable nature, I couldn't help but cheer him on. The film also has a wonderful sense of humour. In a single shot, as Castro enters the cinema to see that Grease has taken the place of his favourite film, we are treated to a sudden sense of sadness for Castro, which is also hilarious and chilling. Hilarious because of his reaction to the film playing and chilling as we contemplate what he will do next. A beautiful disfigured film.
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