The film is a delight and a surprise, all the more so since Leigh is associated with gritty working-class stories.
Topsy-Turvy (1999)
Tomatometer
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Reviews Counted:83
Fresh:74
Rotten:9
Average Rating:7.7/10
Consensus: A thoroughly entertaining character study and a great success for Mike Leigh.
Runtime: 2 hrs 40 mins
Genre: Dramas
Synopsis:
Topsy-Turvy is the new film from award-winning writer/director Mike Leigh. The British filmmaker has, in his works, brought filmgoers into intimate contact with ordinary Londoners navigating...
Topsy-Turvy is the new film from award-winning writer/director Mike Leigh. The British filmmaker has, in his works, brought filmgoers into intimate contact with ordinary Londoners navigating extraordinary emotional territory. With Topsy-Turvy, Leigh leaps back in time to grant filmgoers an audience with two Londoners whose lives were marked by extraordinary creativity: Gilbert and Sullivan.
William Schwenck Gilbert (Jim Broadbent) is the librettist, writing the words. Arthur Sullivan (Allan Corduner) is the composer, writing the music. Gilbert is the very model of a 19th Century British gentleman, an overly proper married man certain that he knows best–which he often does. Sullivan lives a freer life, almost libertine by comparison, but there is a seriousness of purpose in him.
For nearly a decade, Gilbert and Sullivan’s collaborations have delighted the English people. Their popular comic operas have recouped handsomely for the successful Savoy Theatre; impresario Richard D’Oyly Carte (Ron Cook) himself is a stabilizing influence, gently but firmly overseeing the two men.
But, in 1884, as a London heat wave cuts into the theatre trade, their latest work "Princess Ida" receives lukewarm press. Sullivan wants to quit and compose more serious music, but the two are contractually obligated to create a new work for Carte. Sullivan rejects Gilbert’s next idea as "topsy-turvy" and unbelievable, and although Gilbert tries to accommodate him, they cannot agree. Mired at a creative impasse, Gilbert and Sullivan can barely converse.
Then, Gilbert’s wife Lucy "Kitty" Gilbert (Lesley Manville) drags him along to a Japanese exhibition. Exposure to the very different culture sparks inspiration in Gilbert. He rebounds, conceiving "The Mikado." The concept encourages Sullivan, and the production comes together…which is when the truly hard work begins: the actors (including the dedicated Richard Temple [Timothy Spall] in the lead role) must be rehearsed, coddled and rehearsed again. While striving to cohere as a company, the players’ private lives color their work–but no more than Gilbert and Sullivan’s own, as "The Mikado" makes the difficult, but ultimately rewarding, transition from page to stage.
Starring: Jim Broadbent, Allan Corduner, Lesley Manville, Eleanor David
Starring: Jim Broadbent, Allan Corduner, Lesley Manville, Eleanor David, Ron Cook, Timothy Spall, Kevin McKidd, Alison Steadman, Katrin Cartlidge, Dexter Fletcher
Director: Mike Leigh
Director: Mike Leigh
Screenwriter: Mike Leigh
Producer: Simon Channing Williams
Composer: Carl Davis
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Reviews for Topsy-Turvy
Less a standard biography than a lively celebration of the duo, the spirit of their music and their unique contribution to musical theater.
Will appeal to all serious students of the creative process and the play of the imagination.
If you do not like Gilbert and Sullivan - however, if you love G&S, or even just like them, then you will enjoy this movie very well.
It's this attention to the anxious underbelly of Victorian culture that does most to save Topsy-Turvy from descending into pictorialism.
The whole production sinks leadenly beneath scene after scene endlessly over-extended beyond the interest of their content.
It might seem like dry stuff, but if smart and witty films impress you, or you're the slightest bit interested in the creative process, then you'll love Topsy-Turvy.
here's a lot of talk, none of it particularly interesting, and several colorful musical numbers shot unimaginatively from the Savoy Theatre stalls. But there's no real inspiration here, let alone drama.
Jim Broadbent gives one of his most perfectly tuned performances as William Schwenk Gilbert, and Allan Corduner is equally adept as Arthur Sullivan.
Musicals adapted as films, don't get any better than this offbeat one.
I do like Gilbert & Sullivan quite a bit, and am a fan of theater history, too. Yet even I found myself wishing the film were shorter and more to the point.
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