The music, is made even better by the fact that it's sung by professionals.
Topsy-Turvy (1999)
Tomatometer
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Reviews Counted:83
Fresh:74
Rotten:9
Average Rating:7.7/10
Consensus: A thoroughly entertaining character study and a great success for Mike Leigh.
Runtime: 2 hrs 40 mins
Genre: Dramas
Synopsis:
Topsy-Turvy is the new film from award-winning writer/director Mike Leigh. The British filmmaker has, in his works, brought filmgoers into intimate contact with ordinary Londoners navigating...
Topsy-Turvy is the new film from award-winning writer/director Mike Leigh. The British filmmaker has, in his works, brought filmgoers into intimate contact with ordinary Londoners navigating extraordinary emotional territory. With Topsy-Turvy, Leigh leaps back in time to grant filmgoers an audience with two Londoners whose lives were marked by extraordinary creativity: Gilbert and Sullivan.
William Schwenck Gilbert (Jim Broadbent) is the librettist, writing the words. Arthur Sullivan (Allan Corduner) is the composer, writing the music. Gilbert is the very model of a 19th Century British gentleman, an overly proper married man certain that he knows best–which he often does. Sullivan lives a freer life, almost libertine by comparison, but there is a seriousness of purpose in him.
For nearly a decade, Gilbert and Sullivan’s collaborations have delighted the English people. Their popular comic operas have recouped handsomely for the successful Savoy Theatre; impresario Richard D’Oyly Carte (Ron Cook) himself is a stabilizing influence, gently but firmly overseeing the two men.
But, in 1884, as a London heat wave cuts into the theatre trade, their latest work "Princess Ida" receives lukewarm press. Sullivan wants to quit and compose more serious music, but the two are contractually obligated to create a new work for Carte. Sullivan rejects Gilbert’s next idea as "topsy-turvy" and unbelievable, and although Gilbert tries to accommodate him, they cannot agree. Mired at a creative impasse, Gilbert and Sullivan can barely converse.
Then, Gilbert’s wife Lucy "Kitty" Gilbert (Lesley Manville) drags him along to a Japanese exhibition. Exposure to the very different culture sparks inspiration in Gilbert. He rebounds, conceiving "The Mikado." The concept encourages Sullivan, and the production comes together…which is when the truly hard work begins: the actors (including the dedicated Richard Temple [Timothy Spall] in the lead role) must be rehearsed, coddled and rehearsed again. While striving to cohere as a company, the players’ private lives color their work–but no more than Gilbert and Sullivan’s own, as "The Mikado" makes the difficult, but ultimately rewarding, transition from page to stage.
Starring: Jim Broadbent, Allan Corduner, Lesley Manville, Eleanor David
Starring: Jim Broadbent, Allan Corduner, Lesley Manville, Eleanor David, Ron Cook, Timothy Spall, Kevin McKidd, Alison Steadman, Katrin Cartlidge, Dexter Fletcher
Director: Mike Leigh
Director: Mike Leigh
Screenwriter: Mike Leigh
Producer: Simon Channing Williams
Composer: Carl Davis
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Reviews for Topsy-Turvy
Leigh's deft hand with actors and sharp eye for character detail are still very much in evidence.
If ever there was a movie that's actually easy to overpraise, this would have to be it right here.
Topsy-Turvy is all in the details; which wouldn’t be so bad if the rest of the movie wasn’t missing.
A masterful film about the magic of performance and the foibles of the artists behind it.
It's a confusing mishmash of irrelevance, not least because Mike Leigh, the writer and director, feels the need to jump in and out of hundreds of different locations without ever exploring them.
Topsy-Turvy is a pure delight, one of the best films ever made about life in the theater.
It is a well crafted and solidly entertaining effort that illustrates how expert filmmakers can expand their ranges while still producing movies that are worth seeing.
One of those films that create a mix of erudition, pageantry and delectable acting opportunities, much as Shakespeare in Love did last year.
Admittedly, at 160 minutes, it's probably too much of a good thing. But, given that so many of the film's scenes consist of productions of Gilbert & Sullivan musical numbers, who's going to complain?
...should be seen by anyone, regardless of age, who appreciates a good story, good acting, and good music.
The technical work is fantastic from the costumes to the art and production design.
Rarely has a film gotten so deeply inside the internal workings of the business of theatre and the act of creation.
An elaborate production that immerses us in the opera houses and drawing rooms of Dickensian London.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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