As usual with Bertolucci, the film's style and bravura camerawork are clearly in the forefront, but the politics and social commentary never quite find their place.
Tragedy of a Ridiculous Man (1982)
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Reviews Counted:6
Fresh:5
Rotten:1
Average Rating:7.6/10
Runtime: 1 hr 57 mins
Genre: Foreign Films
Synopsis: Bernardo Bertolucci's comic character study focuses on "ridiculous man" Primo Spaggiari (Ugo Tognazzi), the amiably grizzled owner of a cheese factory in Parma. When his son, Giovanni, is... Bernardo Bertolucci's comic character study focuses on "ridiculous man" Primo Spaggiari (Ugo Tognazzi), the amiably grizzled owner of a cheese factory in Parma. When his son, Giovanni, is kidnapped, Primo realizes that he will have to sell his business to pay the ransom. The idea of throwing away his life's work gives him pause, however, though his wife, Barbara (Anouk Aimee), intends to stop at nothing to raise the money. Primo's crisis of conscience is a protracted one, partly because on one level he enjoys prolonging the intrigue--especially since it brings him into contact with his son's seductive (and politically minded) girlfriend, Laura (Laura Morante). Primo finds out much about his wife, son, and workers that he did not expect as the plot takes surprising twists. Bertolucci somehow finds himself sympathetic to his protagonist, for though he is on the owner side of a labor dispute, as well as a selfish sentimentalist who covets his son's lover, Primo's only real crime is his dubiousness toward the many voices who ask him to give his soul to their causes. [More]
Starring: Ugo Tognazzi, Anouk Aimée, Laura Morante, Victor Cavallo
Starring: Ugo Tognazzi, Anouk Aimée, Laura Morante, Victor Cavallo, Olimpia Carlisi, Vittorio Caprioli, Renato Salvatori
Director: Bernardo Bertolucci
Director: Bernardo Bertolucci
Composer: Ennio Morricone
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Reviews for Tragedy of a Ridiculous Man
It's Mr. Bertolucci's most rewarding, most invigorating film since Last Tango.
Tragedy of a Ridiculous Man comes across as a parable about a son who dies and is reborn.
Bertolucci has a sure eye for the shabby moral dilemma of his central character, and with that, he makes sly comment on the state of the Italian nation.
Perhaps the least known of Bertolucci's features, it is far from the least interesting.
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