Average Rating: 5.7/10
Reviews Counted: 19
Fresh: 14 | Rotten: 5
No consensus yet.
Average Rating: N/A
Critic Reviews: 3
Fresh: 2 | Rotten: 1
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Average Rating: 3.8/5
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An Italian woman intent on tracking down the Romany musician who impregnated her becomes lost in a world of Gypsies in director Tony Gatlif's meditative road drama. Convinced that her one-time lover Milan (Marco Castoldi) has been deported by French authorities and determined to let him know about his unborn child, Zingarina (Asia Argento), travels to Romania in the company of her motherly friend Marie (Amira Casar) in hopes of seeking out the elusive musician. Though Zingarina does eventually
May 28, 2006 Wide
Aug 14, 2007
All Critics (20) | Top Critics (3) | Fresh (14) | Rotten (5) | DVD (2)
A love story with star actors and a bigger budget heightens the mainstream appeal of Tony Gatlif's ethnic road musical.
Seemingly semi-improvised dialogue is kept mostly to a minimum, which is just as well because some of it's awful.
The mood, the music and the melancholy remain true to Gatlif's signature, but there is a sense of incompleteness about the film which detracts from it.
Perhaps Tony Gatlif's oddest film to date, it's a kind of road trip with so few borders that it's easy to get lost along the way. The plot is as obtuse as its mix of languages
No vampires.
A remarkably gutsy odyssey.
The whole is lively and colourful but those who know Gatlif 's work may feel they've seen it all before. If you haven't, you may be more impressed.
Gatlif seems literally to make it up as he goes along, a modus operandi that works fine in the impromptu musical interludes but fails utterly in terms of drama.
When not hyperkinetic, the film is stone-cold dull.
Gatlif is thrilled by the apparently inexhaustible energy of Romany music; a little of it goes quite a long way. But it's beautifully shot.
The real love affair is not between Zingarina and Tchangalo; it's between Zingarina and the country where she has her child.
Raw, ragged, rambling and romantic - if the sound of a furious violin drifting down the alley quickens your pulse, you may find Gatlif's gypsy drama a seductive and potent experience.
Gatlif's vision of life on the open road is highly (sometimes overly) romantic, peppered with lively music and striking landscapes: it's the feeding of the senses that takes priority over plotting or polish in Transylvania.
French- Algerian director Tony Gatlif shows great skill in capturing local colour and texture, sourcing a rogues' gallery of memorable images from the fog-shrouded environs. He's less successful at giving any direction or meaning to his central pairing's
Confused passion and twisted emotions make for a captivating ride.
Forget the plot and soak up the glorious cinematography.
An insidiously memorable visual experience, even if it offers only dazzling snapshots of contemporary life in the region which gives it its title.
The landscape plays a major role... with its bleak, open spaces, adding to the feeling that the characters and their emotions are curiously incidental.
Dancing, singing and music are a huge part of this film. Almost everybody either sings or dances in this film, and yet this is not a musical. And even though this isn't exactly a happy, cheery film, largely thanks to the music it is still very vibrant and full of life...no matter how gritty that life may be.Some say
March 10, 2010Super Reviewer
The only reason I sought out this film was due to it starring Birol Ünel, who I fell completely in love with in 2004's Head-On. And while that fact remains Transylvania's most redeeming factor for me, I'm still glad to have seen it as its a pretty good film on its own. The central character of the film is Zingarina
July 13, 2008Super Reviewer
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