Huston must have thrown everything he had into this impossibly rich film, packed with grit, passion, adventure and heartbreak.
The Treasure of the Sierra Madre (1948)
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Reviews Counted: 37
Fresh: 37
Rotten:0
Average Rating: 9/10
Consensus: Remade but never duplicated, this darkly humorous morality tale represents John Huston at his finest.
Runtime: 2 hrs 10 mins
Genre: Action/Adventure
Synopsis: A good Joe, a bad egg and a fast-talking old coot team up to prospect for gold south of the border, but when the gold starts flowing, greed breeds badge-less bandits and mutual mistrust. A classic!... A good Joe, a bad egg and a fast-talking old coot team up to prospect for gold south of the border, but when the gold starts flowing, greed breeds badge-less bandits and mutual mistrust. A classic! Academy Award Nominations: 4, including Best Picture. Academy Awards: 3, including Best Director, Best Supporting Actor--Walter Huston, Best Screenplay. [More]
Starring: Humphrey Bogart, Walter Huston, Tim Holt, Bruce Bennett
Starring: Humphrey Bogart, Walter Huston, Tim Holt, Bruce Bennett, Robert Blake, John Huston, Jack Holt, Jose Torvay
Director: John Huston
Director: John Huston
Producer: Henry Blanke
Composer: Max Steiner
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Reviews for The Treasure of the Sierra Madre
A powerful morality tale whose humour is as black as the heart of its central character, but as humane as the men who survive their brush with greed.
This is so brilliant that the only real effect of the other versions is to make you want to watch the original again.
Treasure of Sierra Madre is one of the best things Hollywood has done since it learned to talk; and the movie can take a place, without blushing, among the best ever made.
John Huston has rarely been in better form than in this 1948 study of gold fever and worse obsessions among an unlikely trio of prospectors...
Riveting, downbeat, and surprising, a gripping adventure and one of Hollywood's most resonant morality tales a smart, remorseless story of gold, greed, guns, and guile.
The movie has never really been about gold but about character, and Bogart fearlessly makes Fred C. Dobbs into a pathetic, frightened, selfish man -- so sick we would be tempted to pity him, if he were not so undeserving of pity.
Much of the film's strength comes from director John Huston's pen and attention to detail.
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