Director Elia Kazan gives us his adaptation of the Betty Smith novel about a young girl coming-of-age in 1900s Brooklyn. Living with an alcoholic father and a workaholic mother, she and her tough little brother try to survive the rough times in their little apartment home. The father is a singing waiter and dreams of
one day making it big in show business. To his daughter, he's larger-than-life character, a charming prince or movie star. The mother is more pragmatic or cynical, or maybe just tired of the hard life, and finds his antics less amusing. The daughter is naturally inquisitive, she attempts to read every book in the library in alphabetical order. It's only natural she's extraordinarily bored at the substandard and overcrowded school she attends. She wants nothing more than to attend the school where the children of higher incomed families go. The father makes it the one wish of hers he can fullfill and somehow manages to get her in. She means to rise above her status in life and make something great of herself. She wants to be a writer. The teacher at her new school encourages her, but warns her not to be a pipe-dreamer, as "they never do anyone any good" (ironically, her father is one of the biggest pipe-dreamers ever, and she fails to see this). The little girl is like a tree growing in Brooklyn, a thing of radiant beauty pushing it's way up through the sidewalk. Where so many darkened minds exist in illiteracy and poverty, she intends to grow up with her imagination intact and in pursuit of the intellectual, despite her surroundings. But when her surroundings are a family as loving and supportive as hers, she almost can't help but succeed. A Tree Grows in Brooklyn is a wonderfully expressed film, full of the sorrow and joy of timeless adolescence.
February 5, 2010
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