Treeless Mountain (2008)
Average Rating: 7.4/10
Reviews Counted: 54
Fresh: 46 | Rotten: 8
Intermittently wondrous and harsh, this sensitive drama about two abandoned sisters gives time and space to the intimate and beautiful moments of childhood.
Average Rating: 7.4/10
Critic Reviews: 15
Fresh: 12 | Rotten: 3
Intermittently wondrous and harsh, this sensitive drama about two abandoned sisters gives time and space to the intimate and beautiful moments of childhood.
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Average Rating: 3.7/5
User Ratings: 1,634
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Movie Info
The frozen space in a little girl's heart gradually begins to warm thanks to the love of her older sister in director So Yong Kim's portrait of a young innocent forced to come to terms with feelings of loss and abandonment. Six-year-old Jin (Hee Yeon Kim) and her younger sister, Bin (Song Hee Kim), live in a cramped apartment with their single mother. Though their lives are on the edge of disaster, both girls remain completely oblivious to the threats of the outside world. One morning, after Jin
Apr 22, 2009 Wide
Sep 15, 2009
Oscilloscope Pictures
Watch It Now
Cast
-
Hee Yeon Kim
Jin -
Kim Song Hee
Bin -
Mi-hyang Kim
Big Auntie -
Lee Soo Ah
Mom -
Boon Tak Park
Grandma
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All Critics (54) | Top Critics (15) | Fresh (47) | Rotten (8) | DVD (1)
[The Film] offers a stark analysis of the human potential for random cruelty that recalls nothing less than Bresson's 'Mouchette', albeit with a denouement that holds a glimmer of optimism for the future.
Somewhere in between all the emptiness -- the film's laconic chapters are separated by repeated static shots of clouds and sky -- a beautiful little point is made.
In modest, lovingly observed ways, the director gives her characters -- and, one hazards, herself -- the gentlest gift of sweet possibility.
So Yong Kim has a real gift for putting children at ease before the camera, and her two very young actresses (who are not sisters off-screen) reward her with performances of heartbreaking realism.
Treeless Mountain casts a sad, pellucid spell. It looks at life from three feet off the ground and meets the hardening gaze of its 6-year-old protagonist head on.
So Yong Kim has made another minimalist masterpiece, a quiet movie of sharply observed details and two girls who will break your heart.
There is no profound drama here, however, so you might end up resenting the film while it drags from you the emotional responses that the sight of anxious little children inevitably triggers.
So Yong eschews drama for a quiet sensitivity which suggests the young can get over almost anything adults put upon them simply with native wit and resource.
Gentle and observational, this slice-of-life from Korea has only the thinnest frame of a plot as it follows two young girls on a dramatic journey. But it's so vague that audiences will find it hard to latch onto.
Wonderful performances from the two young leads and a gently heart-breaking narrative arc make this a slow winner.
A touching, gentle examination of the giddy rush and sickening sense of dislocation that comes with being left on your own when you're young.
Not an easy watch, but worth sticking with.
Like breath on the window of a late-night bus, Treeless Mountain is a work of diaphanous and fugitive beauty.
It's a familiar subject, well handled and performed.
A beautiful, meditative and deeply humanistic coming-of-age tale dealing with abandonment, resilience and perseverance in the face of apparent futility.
A film of small gestures closely observed, it's surprisingly unsentimental, despite its heart-tugging qualities.
Avoiding sentiment and whimsicality, the director coaxes exquisite performances from her dauntless leads as they bemusedly try to make sense of the grown-ups' aberrant behaviour.
The writer-director So Yong Kim, drawing on events from her childhood, directs so unobtrusively you may forget the camera is there, but you won't forget its evocation of a child's yearning for a missed parent.
Packed with moments that are both heartwarming and heartbreaking.
The film's desire to avoid enforcing a story arc on the girls - who remain in a state of constant bemusement through out - makes it difficult to engage with the film as a whole.
A series of plotless, episodic incidents that slowly build to understated emotional crescendos.
..the film is tender, touching and charming, a portrait of quiet resilience and sisterly devotion...
Though not as fearless a vision as Nobody Knows, Treeless Mountain is notable for its ambiguities and performances of its two young leads.
Interesting if occasionally limiting.
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Top Critic
The acting's incredibly believable. Half way through, I thought to myself, "Are these kids really acting? Did the filmmakers raise these two kids to undergo the same exact nurture as they are throughout the course of the film and just shoot snippets of their real life?" Hee Yeon Kim, the older sister, does a phenomenal job ...and she's only 6. Take some notes Hayden Christiansen. Because these are very young children, there's hardly any dialogue spoken to express their emotions but yet, we see the utter pain of betrayal and loneliness in Hee Yeon Kim's eyes; your heart'll brighten up when you see her crack a smile from the simplistic joys of life; you'll see her gaze harden up against the world to not get hurt again -- all through her transparent eyes of innocence. So obviously, the film rightfully focuses almost 90% of the camerawork on face-shots of these two children -- this is no exaggeration. The children may be in a setting where there's a lot of movement, people talking about important issues, and people working and fighting that is rightfully a life-changing element for these children, but the camera ceases to ease its focus off of these two children. And during all of this, we see symbolism left and right, neatly tying this in a neat package.
For these reasons, "Treeless Mountain" works wonderfully, but it all comes crashing down due to its extremely poor pacing and the lack of true interest throughout the course of the narrative. Don't get me wrong -- by the end of the movie, the narrative had a strong, rigid grip on me, but between the heartbreaking introduction and the ending, it was a sharp character study with EXTREMELY minimal advances in the storytelling department. There IS substance, but not enough plot elements to keep this movie engaging throughout. It's sort of like "Tree of Life": It captures many of the candid and unexpected moments of everyday childhood and so, handpicking out each individual scene doesn't help explain the narrative at ALL. But how the movie works is when the viewer looks at a single scene through the collection of knowledge accumulated by the viewer's observation of previous scenes which showcased these children's everyday behavior. It's clever and helps the viewers dig into the emotional turmoil of these hearts, but it results in an uninteresting, almost repetitive narrative. I'm not saying I want an explosion every two seconds -- I'm saying that some of these scenes involve these kids, at one moment, drawing something in their notebook, and the other moment, them hand-washing their clothing; it makes it a rather, somewhat, repetitive film. Also, there seems to be a lacking quality in this film that's apparently found in many other movies, but I can't seem to put my finger on it. What do I mean? It's a good movie, but with such a premise like this with such raw emotions spewing from its excellent cast, it could've been a masterpiece but there's a lacking in its execution -- I'm just not sure how to pinpoint it.
"Treeless Mountain" does a lot of things right, but it's perhaps too quiet, too simplistic, and too linear. With such an avid execution of children and their approaches to their struggles, there is surprisingly much more to be desired for. Maybe this film wasn't for me. Even as I type out this review, I see there are many more things to appreciate about "Treeless Mountain", but there needs to be a little more "oomph" in the package -- and I'm not just talking about the pacing; I'm talking about the entire film itself. "Treeless Mountain" is one of those movies where watching the movie is an okay experience, but afterwards, you're able to talk about it and remember it for days. Hey, 3 stars is good in my book and is still recommended a viewing, yet it's definitely an acquired taste.