At times, Treeless Mountain almost feels like a fairy tale -- but without the magic.
Treeless Mountain (2009)
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Reviews Counted:35
Fresh:30
Rotten:5
Average Rating:7.6/10
Consensus: Intermittently wondrous and harsh, this sensitive drama about two abandoned sisters gives time and space to the intimate and beautiful moments of childhood.
Theatrical Release:Apr 22, 2009 Limited
Synopsis: When their mother needs to leave in order to find their estranged father, seven year-old Jin and her younger sister, Bin, are left to live with their Big Aunt for the summer. With only a small... When their mother needs to leave in order to find their estranged father, seven year-old Jin and her younger sister, Bin, are left to live with their Big Aunt for the summer. With only a small piggy bank and their mother's promise to return when it is full, the two young girls are forced to acclimate to changes in their family life. Counting the days, and the coins, the two bright-eyed young girls eagerly anticipate their mother's homecoming. But when the bank fills up, and with their mother still not back, Big Aunt decides that she can no longer tend to the children. Taken to live on their grandparents' farm, it is here that Jin comes to learn the importance of family bonds in this beautiful, meditative, and thought-provoking second feature from So Yong Kim, the acclaimed director of In Between Days. --© Oscilloscope Pictures [More]
Starring: Hee Yeon Kim, Mi-hyang Kim
Starring: Hee Yeon Kim, Mi-hyang Kim
Director: So Yong Kim
Director: So Yong Kim
Studio: Oscilloscope Pictures
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Reviews for Treeless Mountain
Treeless Mountain casts a sad, pellucid spell. It looks at life from three feet off the ground and meets the hardening gaze of its 6-year-old protagonist head on.
I crossed. It’s the sort of “slice of life” that defies words, which is perhaps why these little girls and their overwhelmingly grey world are rendered in such quietude.
In the end, this melancholy, inspiriting movie achieves a breathtaking emotional harmoniousness.
The big payoff moment is so small and passes so quietly that it's almost unbearably beautiful.
In modest, lovingly observed ways, the director gives her characters -- and, one hazards, herself -- the gentlest gift of sweet possibility.
Whatever magic filmmaker So Yong Kim used to get the two girls to feel so at ease, you wish she would have used a little of that on the rest of the film as well. While it is a fairly realistic and no-frills drama, it's also dull.
A glowing reminiscence of a difficult childhood, further illuminated by lovely performances, directorial nuance and gorgeous visuals.
very real magic emanates from Treeless Mountain like vapor from a block of dry ice
Kim is deft and sensitive with her tiny co-stars, but Treeless Mountain lacks the freshness and surprise of In Between Days.
Children rule the day in this semi-autobiographical film by new film maker So Yong Kim but it comes off more as an exercise in filmmaking than entertainment.
Kim is undoubtedly a skilled director, but she’s someone who seems more content to observe than state.
Both lovely and wrenching, So Yong Kim's intimate drama feels so honest, it's often difficult to watch.
Is it fair for the director to strip away so much and leave us feeling so helpless? I’m still in pain; I don’t know.
Deeply rooted in the perspectives of its ill-fated heroines, Treeless Mountain finds a place in the modern abandoned-child narratives alongside Ramin Bahrani's Chop Shop and the inferior period piece Blame It On Fidel.
Treeless Mountain has the tang of real life, though this is realism that has been filtered through 60 or so years of world art cinema.
Too many filmmakers look down -- literally and figuratively -- on children. But in the carefully observed Treeless Mountain, So Young Kim gets us to immediately identify with her young heroines.
A surrealistic charmer blessed with some breathtaking cinematography.
Occasionally drags, but it nonetheless manages to be a quietly engrossing, well-nuanced and sensitive drama filled with exquisite cinematography.
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