Average Rating: 6.3/10
Reviews Counted: 26
Fresh: 17 | Rotten: 9
No consensus yet.
Average Rating: 5.5/10
Critic Reviews: 9
Fresh: 5 | Rotten: 4
No consensus yet.
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Average Rating: 4.2/5
User Ratings: 1,299
Master Greek filmmaker Theo Angelopoulos wrote and directed this downbeat look at his nation's often blighted history, as seen through the eyes of an unfortunate young couple. In 1919, a band of Greek refugees who had found a home in Odessa are forced to return to their homeland following the Russian Revolution, and they settle in Thessaloniki, a forbidding riverside village where few wish to dwell. Eleni is a youngster who arrives in Thessaloniki and is taken in by Spyros (Vassilis Kolovos),
Oct 8, 2004 Wide
Dec 19, 2006
New Yorker Films
All Critics (27) | Top Critics (9) | Fresh (17) | Rotten (9) | DVD (2)
The Weeping Meadow doesn't offer quite enough sugar for its harsh medicine to go down easily.
It's a typically poetic film, rich in powerful imagery, which sees a bitter personal tragedy unfold against the major events of 20th century Greece.
We get a distractingly vapid couple who tend to drain the emotional resonance of these extraordinary, ever-shifting tableaux.
Angelopoulos has created a memorably sweeping survey, but even an epic needs some moments of genuine intimacy.
The first in a projected trilogy by the Greek director Theo Angelopoulos, The Weeping Meadow is a beautiful and devastating meditation on war, history and loss.
Not for all tastes, it's recommended for discerning viewers.
The film is simultaneously simple and opaque, and what it lacks is anything that illuminates the world we live in.
The movie is fiercely austere; no human emotion leaks out and the characters are as blank as chess-pieces.
It retains that Angelopoulos magic in storytelling.
Visually, this can't be bettered, but the superficial storyline and cypher-like characters are undeniably disappointing.
Churns like classic tragedy while its pace is set by Angelopoulos' trademark, spooky portentousness.
Though he's foggy on the specifics, Angelopoulos makes the tides of history felt through each painterly frame.
A serious historical epic that boldly remanages the usual priorities of that form, and a fractured family saga that, at least in my experience, accumulates power as it continues.
If you can ride out its rhythms, you'll come away with some indelible images.
This is the first of an announced trilogy, but it already feels as long as the 20th century itself.
There are also moments of such breathtaking grace and artistry that you'd be forgiven for thinking you're watching the most beautiful movie ever made.
It's like looking at a technically-polished painting, but not being fully drawn in.
1st in trilogy. My, my, my... so very very sad, breaks your heart. Dont know if Ill see the other films or not because its too depressing, but undoubtedly a wonderfully made film.
August 7, 2008
well this is a entirely poetic........every scene ,every frame is so well organised........... as every frame methematically correct some it becomes unreal and boring.
June 25, 2008
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