The work of a nimble wordsmith and a wicked observer of human nature.
Triumph of Love (2002)
Tomatometer
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Reviews Counted:70
Fresh:33
Rotten:37
Average Rating:5.5/10
Consensus: Not as charming as it could have been, Triumph of Love plays too broadly and amounts to little more than a trifle.
Theatrical Release:Apr 17, 2002 Limited
Box Office: $345,851
Synopsis: Mira Sorvino plays a cross-dressing princess who falls madly in love with a young, inexperienced scholar in this adaptation of the 18th Century Marivaux play. His rationalist philosopher guardian... Mira Sorvino plays a cross-dressing princess who falls madly in love with a young, inexperienced scholar in this adaptation of the 18th Century Marivaux play. His rationalist philosopher guardian Hemocrates (Ben Kingsley) has raised handsome Agis (Jay Rodan) to hate women, so the princess disguises herself as a man and crashes their secluded villa. What follows is an all out assault of seduction, as she finds herself wooing both Hemocrates and his spinster sister Leontine (Fiona Shaw) in effort to pursue her true quarry Agis, who is also the true heir to her throne. Sorvino is wonderful in the lead, changing genders and suitors with the agility of a classic screwball heroine while still conveying sensitivity and warmth. Shaw and Kingsley shine as the stodgy siblings who find their lives upheaved by her fervent wooing. Unusual touches, like "fourth wall" glimpses of an audience, jump cut editing, and electric guitar (courtesy of Pink Floyd's David Gilmour), ensure the material transcends its art house-period piece roots. Director Clare Peploe adapted the script with her husband, Bernardo Bertolucci (LAST TANGO IN PARIS, STEALING BEAUTY), who also produced. It was filmed in Tuscany. [More]
Starring: Mira Sorvino, Jay Rodan, Ben Kingsley, Fiona Shaw
Starring: Mira Sorvino, Jay Rodan, Ben Kingsley, Fiona Shaw, Rachael Stirling
Director: Clare Peploe
Director: Clare Peploe
Screenwriter: Clare Peploe, Marilyn Goldin, Bernardo Bertolucci
Composer: Jason Osborn
Studio: Paramount Classics
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Reviews for Triumph of Love
De-lovely to look at, deliciously cast, but something less than delightful.
The silly plot and, at times, overly broad comedy get a bit wearing -- this is the type of story that throws in comic relief on top of what is clearly already an airy comedy -- but the film is worth seeing for Sorvino alone.
Mostly frenzied and unconscionably broad...like watching a man try to dance a minuet in cement shoes.
Even though the sumptuous period piece has a cinematic flow and visual grace, Peploe strikes an unvarying, intensely theatrical note that creates an aura of archness and slides swiftly into tedium.
A beguiling trifle, a gauzy, teasing inquiry into the fungibility of emotions.
Has lost some of the dramatic conviction that underlies the best of comedies...
Sorvino makes the princess seem smug and cartoonish, and the film only really comes alive when poor Hermocrates and Leontine pathetically compare notes about their budding amours.
Peploe's smarts and the deft performances can't compensate for the fact that what we're watching, however charming, is a fancifully costumed theater piece that cuts off the oxygen needed to make a play breathe onscreen.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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