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Movies / On DVD / Triumph of Love
Triumph of Love

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Triumph of Love (2002)

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Reviews Counted:70

Fresh:33

Rotten:37

Average Rating:5.5/10

Consensus: Not as charming as it could have been, Triumph of Love plays too broadly and amounts to little more than a trifle.

Rated: PG-13 [See Full Rating] for some nudity and sensuality

Runtime: 1 hr 51 mins

Genre: Comedies

Theatrical Release:Apr 17, 2002 Limited

Box Office: $345,851

Synopsis: Mira Sorvino plays a cross-dressing princess who falls madly in love with a young, inexperienced scholar in this adaptation of the 18th Century Marivaux play. His rationalist philosopher guardian... Mira Sorvino plays a cross-dressing princess who falls madly in love with a young, inexperienced scholar in this adaptation of the 18th Century Marivaux play. His rationalist philosopher guardian Hemocrates (Ben Kingsley) has raised handsome Agis (Jay Rodan) to hate women, so the princess disguises herself as a man and crashes their secluded villa. What follows is an all out assault of seduction, as she finds herself wooing both Hemocrates and his spinster sister Leontine (Fiona Shaw) in effort to pursue her true quarry Agis, who is also the true heir to her throne. Sorvino is wonderful in the lead, changing genders and suitors with the agility of a classic screwball heroine while still conveying sensitivity and warmth. Shaw and Kingsley shine as the stodgy siblings who find their lives upheaved by her fervent wooing. Unusual touches, like "fourth wall" glimpses of an audience, jump cut editing, and electric guitar (courtesy of Pink Floyd's David Gilmour), ensure the material transcends its art house-period piece roots. Director Clare Peploe adapted the script with her husband, Bernardo Bertolucci (LAST TANGO IN PARIS, STEALING BEAUTY), who also produced. It was filmed in Tuscany. [More]

Starring: Mira Sorvino, Jay Rodan, Ben Kingsley, Fiona Shaw

Starring: Mira Sorvino, Jay Rodan, Ben Kingsley, Fiona Shaw, Rachael Stirling

Director: Clare Peploe

Director: Clare Peploe
Screenwriter: Clare Peploe, Marilyn Goldin, Bernardo Bertolucci
Composer: Jason Osborn
Studio: Paramount Classics

[See More Credits]

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Release:

Oct 29, 2002

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Reviews for Triumph of Love

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61 - 72 (sorted by date)
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The work of a nimble wordsmith and a wicked observer of human nature.

Full Review Source: Dallas Morning News | comment Comment
04/18/02
Chris Vognar
Chris Vognar
Dallas Morning News
Top Critic Icon Top Critic

A sunny, high-style, beautifully verbose romp.

Full Review Source: Chicago Tribune | comment Comment
04/18/02
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

De-lovely to look at, deliciously cast, but something less than delightful.

Full Review Source: Newsday | comment Comment
04/18/02
Jan Stuart
Jan Stuart
Newsday
Top Critic Icon Top Critic

The silly plot and, at times, overly broad comedy get a bit wearing -- this is the type of story that throws in comic relief on top of what is clearly already an airy comedy -- but the film is worth seeing for Sorvino alone.

comment Comment
04/18/02
Jean Oppenheimer
Jean Oppenheimer
New Times

Mostly frenzied and unconscionably broad...like watching a man try to dance a minuet in cement shoes.

Full Review Source: One Guy's Opinion | comment Comment
04/18/02
Frank Swietek
Frank Swietek
One Guy's Opinion

Even though the sumptuous period piece has a cinematic flow and visual grace, Peploe strikes an unvarying, intensely theatrical note that creates an aura of archness and slides swiftly into tedium.

Full Review Source: Los Angeles Times | comment Comment
04/18/02
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

Comes off like a bad imitation of the Bard.

Full Review Source: Flick Filosopher | comment Comment
04/17/02
MaryAnn Johanson
MaryAnn Johanson
Flick Filosopher

A beguiling trifle, a gauzy, teasing inquiry into the fungibility of emotions.

Full Review Source: New York Times | comment Comment
04/17/02
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

Has lost some of the dramatic conviction that underlies the best of comedies...

Full Review Source: culturevulture.net | comment Comment
04/16/02
Arthur Lazere
Arthur Lazere
culturevulture.net

Sorvino makes the princess seem smug and cartoonish, and the film only really comes alive when poor Hermocrates and Leontine pathetically compare notes about their budding amours.

Full Review Source: Village Voice | comment Comment
04/16/02
Leslie Camhi
Leslie Camhi
Village Voice

Peploe's smarts and the deft performances can't compensate for the fact that what we're watching, however charming, is a fancifully costumed theater piece that cuts off the oxygen needed to make a play breathe onscreen.

Full Review Source: Rolling Stone | comment Comment
03/28/02
Peter Travers
Peter Travers
Rolling Stone
Top Critic Icon Top Critic

A sublime comedy with an emotionally rich texture.

Full Review Source: Boxoffice Magazine | comment Comment
01/10/02
Kevin Courrier
Kevin Courrier
Boxoffice Magazine
 
 
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