'Buff young hotties carving each other up and crazy old British hams chewing the tent flaps.'
Troy (2004)
Tomatometer
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Reviews Counted:213
Fresh:117
Rotten:96
Average Rating:6/10
Consensus: A brawny, entertaining spectacle, but lacking emotional resonance.
Rated: R [See Full Rating] for graphic violence and some sexuality/nudity
Runtime: 3 hrs 16 mins
Genre: Action/Adventure
Theatrical Release:May 14, 2004 Wide
Box Office: $133,124,356
Synopsis: Throughout time, men have waged war. Some for power, some for glory, some for honor - and some for love. In ancient Greece, the passion of two of literature's most notorious lovers, Paris,... Throughout time, men have waged war. Some for power, some for glory, some for honor - and some for love. In ancient Greece, the passion of two of literature's most notorious lovers, Paris, Prince of Troy (ORLANDO BLOOM) and Helen (DIANE KRUGER), Queen of Sparta, ignites a war that will devastate a civilization. When Paris spirits Helen away from her husband, King Menelaus (BRENDAN GLEESON), it is an insult that cannot be suffered. Familial pride dictates that an affront to Menelaus is an affront to his brother Agamemnon (BRIAN COX), powerful King of the Mycenaeans, who soon unites all the massive tribes of Greece to steal Helen back from Troy in defense of his brother's honor. In truth, Agamemnon's pursuit of honor is corrupted by his overwhelming greed - he needs to conquer Troy to seize control of the Aegean, thus ensuring the supremacy of his already vast empire. The walled city, under the leadership of King Priam (PETER O'TOOLE) and defended by mighty Prince Hector (ERIC BANA), is a citadel that no army has ever been able to breach. One man alone stands as the key to victory or defeat over Troy - Achilles (BRAD PITT), believed to be the greatest warrior alive. Arrogant, rebellious and seemingly invincible, Achilles has allegiance to nothing and no one, save his own glory. It is his insatiable hunger for eternal renown that leads him to attack the gates of Troy under Agamemnon's banner - but it will be love that ultimately decides his fate. Two worlds will go to war for honor and power. Thousands will fall in pursuit of glory. And for love, a nation will burn to the ground. [More]
Starring: Brad Pitt, Eric Bana, Orlando Bloom, Brian Cox
Starring: Brad Pitt, Eric Bana, Orlando Bloom, Brian Cox, Sean Bean, Brendan Gleeson, Peter O'Toole, Rose Byrne, Saffron Burrows, Diane Kruger
Director: Wolfgang Petersen
Director: Wolfgang Petersen
Screenwriter: David Benioff
Producer: Wolfgang Petersen, Diana Rathbun, Colin Wilson
Composer: James Horner
Studio: Warner Bros.
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Reviews for Troy
Troy boasts one remarkable and poignant scene: a surprising encounter between a grieving king and the warrior who has killed his son and taken away his body.
[S]ome powerful relevance, amidst the old-fashioned grandeur, in its indictment of senseless war based on deceit and glory-seeking...
There are well-hewn and deeply engaging character shadings that capably fortify the moments between Troy's astounding action sequences.
Not a story of heroes and villians, of good triumphing over evil, but of flawed, selfish men locked in a deadly struggle in which there can be no winners, only losers.
Like a Trojan Horse, Troy is built on a shell that at first glance is appealing, but reveals its deception when you least expect it to.
Director Wolfgang Petersen has managed to construct an epic war film that is devoid of any meaning, passion, or commitment from any of the main characters.
It is flawed, but its mistakes are those made by someone trying to make this material intellectually tenable.
Blustery acting, big battle sequences, and lots of 'sweeping epic' shots, and there you have it -- Troy, a mainstream film depiction of The Iliad, at last.
It's basically a long-ish, well-crafted epic, thanks to a timeless story that even Tinseltown can't find a way to mess up.
It is good, old-fashioned, sword-and-sandal storytelling with multiple close-ups of sweaty hunks but is classic only by Hollywood's diminished definition of the word.
For a film that shows nothing but utter contempt for the stories it was born of, it is strange at how much the filmmakers require the viewer to be well versed in the history
It’s lost in a sandstorm of directionless mediocrity. Wolfgang Petersen had a thousand to choose from and missed every boat completely.
Peter O'Toole brings a real thespian touch to King Priam, adding blueblood appeal to an otherwise working-class Troy.
Such an exhilarating piece of epic filmmaking that it pulls you in, sweeps you up and works very much as its own thing.
Although screenwriter Benioff's attempt to make the dialogue contemporary is sincere enough, the final product is flat and soap opera-like more often than not.
This big, expensive, intermittently campy example of Hollywood Homerism is desperate to be regarded as a classic. It isn't, but it's not so bad either.
An action picture of stunning scope and stirring spectacle, with a love story between two callow nitwits that is its Achilles heel.
When the film focuses on the Trojans, it's splendid. But when Troy attempts to sort out the competing agendas of the Greeks, it drags.
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