Politics aside, Trudell plays like an infomercial for its subject rather than a serious examination of the man and his beliefs.
Trudell (2006)
Tomatometer
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Reviews Counted:29
Fresh:9
Rotten:20
Average Rating:4.8/10
Runtime: 78 mins
Genre: Musical & Performing Arts
Theatrical Release:Feb 24, 2006 Limited
Synopsis: TRUDELL follows the life work of Native American poet/activist John Trudell. Filmmaker Heather Rae has spent more than a decade chronicling his travels, spoken word and politics in a poetic and... TRUDELL follows the life work of Native American poet/activist John Trudell. Filmmaker Heather Rae has spent more than a decade chronicling his travels, spoken word and politics in a poetic and naturally stylized manner. The film combines archival, concert and interview footage with abstract imagery mirroring the coyote nature of Trudell himself. Incorporating years of work, 16mm and Super 8 film, video, and archival footage, TRUDELL begins in the late sixties when John Trudell and a community group, Indians of All Tribes, occupied Alcatraz Island for 21 months creating international recognition of the American Indian cause and birthing the contemporary Indian people's movement. The film goes to Alcatraz, returning to what John refers to as his "birth." From Alcatraz we follow John's political journey as the National Spokesman of the American Indian Movement (AIM)--this work making him one of the most highly volatile political 'subversives' of the 1970's with one of the longest FBI files in history (over 17,000 pages.) In 1979, while protesting the US government's policy on American Indians, John burned an American Flag on the the steps of the FBI headquarters in Washington DC. Within a matter of hours his pregnant wife, three children and mother in law were killed in a suspicious arson fire on a Nevada reservation. This ended John's involvement in organizational politics. He spent the next four years driving America in a car given to him by his friend and fellow activist, Jackson Browne. It was during this period that John's voice as a poet began to surface. His gift as an orator carried him through his pain and he found a new way to represent his manifesto and cause. In 1983 he began to put his words to music with the help of Kiowa guitar legend, the late Jesse Ed Davis, and Jackson Browne. Even his early recordings reflect an articulate sensibility and eloquence about the state of the world, moving him into the realm of social theorist and philosopher. John does not adhere to a dogma or school of thought but has created his own diatribe based in experience, having lived through and taken part in some of the most turbulent American political events of the past century. In an interview with Native actor, Gary Farmer (Dead Man), he referred to Trudell as "the Native people's prophet of these times, our Socrates." --© Balcony Releasing [More]
Starring: Robert Redford, Kris Kristofferson, Samuel Shepard Rogers, Amy Elizabeth Ray
Starring: Robert Redford, Kris Kristofferson, Samuel Shepard Rogers, Amy Elizabeth Ray, Val Kilmer, Jackson Browne, Bonnie Raitt, John Trudell
Director: Heather Rae
Director: Heather Rae
Studio: Balcony Releasing
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Reviews for Trudell
More tribute than true documentary, Heather Rae's reverential biography of Native American activist John Trudell sells everyone a little short.
Strident environmental warnings and political rhetoric do not a movie make.
When Trudell expounds on his political philosophies, the film is fascinating, but Rae lets style obscure substance.
As one of our most prominent and passionate advocates for Native American rights, John Trudell deserves more daring and objective scrutiny than this overly reverent tribute.
Anyone looking for history lessons from Rae's documentary will have to be patient and alert enough to pick through the poetry.
[The film is] a rebuke to F. Scott Fitzgerald's famous maxim: It's hard to imagine a more American second act than the one documented here.
To my mind, John Trudell often starts with the truth, but then he leaps over it to say and do a lot of things that are highly questionable or worse. Politics aside, he ought to be questioned -- if only to make for a more interesting documentary.
More hagiography than history, Heather Rae's long-in-production portrait of Native American activist and poet John Trudell has the uncritically admiring feel of authorized biography.
Trudell is an entrancing character and quite camera-friendly. But the film is so one-sided as to put the disinterested viewer on guard, which I don't think is Rae's intention.
Trudell belongs to a strain of documentary biopic wherein one-sided reverence is the principle impetus.
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