It is to [director Gaven] Hood's credit that he does not over-sentimentalize Tsotsi's story, nor does he glamorize thug life like so many American films do.
Tsotsi (2006)
Tomatometer
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Reviews Counted:125
Fresh:101
Rotten:24
Average Rating:7.4/10
Consensus: Chweneyagae's powerful performance carries this simple yet searing tale of a shantytown teenager's redemption.
Rated: R [See Full Rating] for language and some strong violent content.
Runtime: 1 hr 34 mins
Genre: Dramas
Theatrical Release:Feb 24, 2006 Limited
Box Office: $2,753,840
Synopsis: Based on South African playwright Athol Fugard's only novel, TSOTSI is a thrilling, provocative look at life in the ghettos outside present-day Johannesburg. Presley Chweneyagae stars as the title... Based on South African playwright Athol Fugard's only novel, TSOTSI is a thrilling, provocative look at life in the ghettos outside present-day Johannesburg. Presley Chweneyagae stars as the title character, a teenager with a killer stare who lives alone in a ramshackle room in a poor shantytown, where he pulls off petty crimes with the help of three compatriots--Boston (Mothusi Magano), Butcher (Zenzo Ngqobe), and Aap (Kenneth Nkosi). But after they stab a man to death on the subway and Tsotsi (which means "thug" or "gangster") beats up Boston for trying to find out about his past, Tsotsi runs off to a wealthy section of the city, shoots a woman, and steals her car. Only later does he discover that there is a baby in the back seat--and decides to keep it for himself. As Tsotsi finally does look back at his own childhood, he tries to take care of the infant, carrying it around in a paper bag and forcing a young mother, Miriam (Terry Pheto), to breastfeed it at gunpoint. At this point, writer-director Gavin Hood could have opted for trite sentimentality, but instead he delves deeper into Tsotsi's psyche, as the young man might have already gone too far to turn back now. TSOTSI is a pulsating, electrifying film propelled by Chweneyagae's powerful, mesmerizing performance. The pounding soundtrack features popular local Kwaito music by Zola, who also plays crimelord Fela in the film. Winner of the 2006 Oscar for Best Foreign Language Film, TSOTSI "will rank as one of the best films ever to come out of South Africa," as Fugard himself said. [More]
Starring: Presley Chweneyagae, Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe
Starring: Presley Chweneyagae, Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe, Terry Pheto, Zola, Jerry Mofokeng, Rapulana Seiphemo, Ian Roberts
Director: Gavin Hood
Director: Gavin Hood
Studio: Miramax Films
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Release:
Jul 18, 2006
Reviews for Tsotsi
We're not used to bad guys with redeeming qualities. And that makes Tsotsi as disquieting as it is intriguing.
For all its dark edges, Tsotsi comes with a silver lining making it worthy of its squirmy ride.
Hood maintains a constant level of tension, aided considerably by Cheweneyagae's magnificent performance.
Expertly told and beautifully shot, Tsotsi will find its place on plenty of year end lists. It deserves every plaudit that comes its way, and your attention.
An affecting film about sorrow and triumph that delivers redemption by the shovel-full.
Chweneyagae skulks with awesome menace, a cauldron of simmering rage and frustration and a performance of real skill, carrying the film effortlessly through to the nail-shredding conclusion.
That director Gavin Hood, who wrote the script from a novel by playwright Athol Fugard, could get you to care so much is a mark of the heart that went into making the film.
The movie's heart, along with [director] Hood's refusal to sugarcoat the grim reality, wins you over no matter how many times you've seen this story told.
The film is worth seeing, for its faces and its evocation -- not without melodrama, yet not without impact -- of a harsh but not hopeless slum life.
It's a solid, earnest drama of moral redemption that places old cliches in an unfamiliar setting.
Hood was fortunate to find such a marvelous canvas in Chweneyagaes face.
...a thug-rehabilitation movie that goes to exaggerated lengths to redeem its criminal antihero.
While some of the scenes are a bit melodramatic ... [Director] Hood does a terrific job drawing the audience into Tsotsi's world of violence, anger and, eventually, growth and maturation.
Tsotsi does more than illustrate African hardships. It's a powerful appeal for us to appreciate the value of every human life, from infants to hardened of criminals.
A mixture of thrilling documentary-style realism and Hollywood hokum, Tsotsi leaves you all but tasting the orange dust of Joburg's shantytowns and moved by the harrowing journey Tsotsi (Presley Chweneyagae) is forced to take.
If Hood's direction were anything more than blatantly cruel and crushingly obvious -- or if Chweneyagae were capable of more than one expression -- the film might have a reason for existing.
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