Tuesday, After Christmas (2011)
Average Rating: 7.2/10
Reviews Counted: 20
Fresh: 15 | Rotten: 5
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Average Rating: 7.8/10
Critic Reviews: 10
Fresh: 7 | Rotten: 3
No consensus yet.
Average Rating: 3.4/5
User Ratings: 787
The Romanian New Wave of the past decade has yielded such internationally acclaimed gems as 4 Months, 3 Weeks and 2 Days, The Death of Mr. Lazarescu and 12:08 East of Bucharest. Add to them Tuesday, After Christmas, an elegant, emotionally resonant drama of a middle-class couple whose 10-year marriage is rocked by the husband's illicit affair with their daughter's sexy dentist. In many respects it's an oft-told tale: Paul must choose between the easy rapport and stability of his family life and
May 25, 2011 Limited
Dec 27, 2011
Lorber - Official Site
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"Tuesday, After Christmas" goes down pretty smooth, with a sneaky-powerful aftertaste.
The latest bloom from the flourishing garden that is Romanian cinema, Radu Muntean's Tuesday, After Christmas chronicles the emotional fallout from a classic love triangle, but it unfolds with the agonizing tension of a suspense film.
Like an alternate-universe Woody Allen film, in which real people wrestle with what their hearts want despite the hurt it causes everyone, including themselves.
Muntean has pulled off the near-impossible, turning each scene (captured in capacious long takes) into arias of generosity for his actors.
Muntean's fourth feature is unrelentingly mundane, as if made with the sole purpose of draining the topic of adultery of any prurient interest, the kisses accompanied by smacking sounds to smother any erotic response.
It might seem that Muntean is doing less work here, or avoiding choices, but he is very definitely making deliberate choices. Indeed, his choices seem to cut closer to the bone.
Not every picture from a burgeoning film scene needs to be a classic, and this formerly-Communist country is proving to be fertile ground for quality cinema. Tuesday, After Christmas is a minor selection from a major movement.
More about well-observed moments of everyday life than it is about heightened melodrama.
Deliberately paced drama of adultery depends on nuance and subtext, the latter holding far more meaning than the subtitles.
It is faint praise to note that Tuesday, After Christmas is the most approachable of recent Romanian releases. Still, it's neither revealing nor compelling.
Muntean's obsessive gaze might border on the emotionally exploitative were it not accompanied by deep empathy for the plights of all involved.
The film's intense intimacy and acute observation work in its favor but quite enough to sustain us through the longeurs.
Audience Reviews for Tuesday, After Christmas
- Raluca: I'll write to Santa and tell him to bring me a man with more willpower.
- Raluca: You've made a rag of me.
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