While it is no documentary, this lovingly made film captures a culture and a rural way of life with a mix of realism and poetry.
Tulpan (2008)
Tomatometer
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Reviews Counted:50
Fresh:49
Rotten:1
Average Rating:7.8/10
Consensus: Kazakh sheep herders get their cinematic due in this lovely, unsentimental debut from director Sergei Dvortsevoy.
Theatrical Release:Apr 1, 2009 Limited
Synopsis: Acclaimed documentarian Sergey Dvortsevoy's debut narrative feature, TULPAN, is a work of extraordinary filmmaking bravado, an exhilaratingly alive and sweet-natured fairytale set in the barren... Acclaimed documentarian Sergey Dvortsevoy's debut narrative feature, TULPAN, is a work of extraordinary filmmaking bravado, an exhilaratingly alive and sweet-natured fairytale set in the barren landscape of a Kazakh steppe, an environment where only shepherds live. Asa (Askhat Kuchinchirekov) returns from military service to live with his sister, Samal (Samal Yeslyamova), her husband, Ondas (Ondasyn Besikbasov), and their three children. Asa's dream is to have his own flock of sheep, but his boss tells him that until he gets married, his wish will never be granted. The only trouble is that in this particular case, the candidates for potential wife can be counted on one finger. Her name is Tulpan, and though he's never seen her entire face, Asa is certain that she is the one for him. Unfortunately, she doesn't appear to feel the same way, complaining that his ears are too big. Yet Asa remains hopeful, envisioning the day when his dream will come true. Dvortsevoy's background as a documentary director is put to masterly use here. He refuses to be anything but authentic, to the point where he captures some of the most miraculous footage the screen has ever seen. The highlight is a transcendent 10-minute lamb birth that occurs in an unbroken take. But this is just one of the many extended shots in which Dvortsevoy appears to be controlling the most difficult to wrangle forces of nature: weather, animals, and children. Four years in the making, TULPAN is filmmaking of the highest order, a Herzogian display of directorial bravado. [More]
Starring: Askhat Kuchinchirekov, Samal Yeslyamova, Ondasyn Besikbasov, Tulepbergen Baisakalov
Starring: Askhat Kuchinchirekov, Samal Yeslyamova, Ondasyn Besikbasov, Tulepbergen Baisakalov, Bereke Turganbayev
Director: Sergey Dvortsevoy
Director: Sergey Dvortsevoy
Screenwriter: Sergey Dvortsevoy, Gennady Ostrovskiy
Producer: Karl Baumgartner
Studio: Zeitgeist Films
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Reviews for Tulpan
With this harsh and beautiful backdrop so attentively rendered, at once otherworldly and palpable, the desires of Tulpan's characters become almost metaphysical imperatives.
A coming-of-age story that also examines the pull and push of the modern and traditional, Tulpan is a striking, unique, narrative feature debut for director-writer Sergei Dvortsevoy.
Interesting is the drama's portrayal of a culture that's been spoofed and parodied by other features, including the aforementioned 'mockumentary.'
The latest import from the steppes of the former Soviet empire is Tulpan, a bittersweet slice of life with a sweet center.
Tulpan is a throwback to the fictionalized documentary popularized by Robert Flaherty in the 1920s and 1930...
Sergei Dvortsevoy's unclassifiable, verite-style film (shaky-cam alert!) is an endearing mix of intimacy, attention to detail and decidedly local humor.
If you surrender to its pace, Tulpan can be intoxicating; it's like nothing else in theaters.
Its plot is ridiculously simple, yet we watch Tulpan in open-mouthed awe because of director Sergey Dvortsevoy’s astonishing technique.
A gentle and accomplished slice of realism about the difficulty of finding domestic bliss anywhere, especially in a part of the world with a cultural heritage that seems to be fading from the country to the city.
Quite extraordinary. Gently comic, ultimately stirring, the nomadic world Dvortsevoy chronicles pays loving attention to the lives of both humans and animals -- interdependent residents in a difficult, memorable part of the world.
Tulpan is an amazing film. It shows such an unfamiliar world, it might as well be Mars.
Achieves a documentary-level realism that is nothing short of amazing.
With a deadpan charm all its own, Tulpan ends up dealing with some fairly serious questions on the order of how you make peace with a dream.
This uncategorizable story, both ancient and modern, is, simply and poetically, about a nomad looking to make his home.
To certain serious world-cinema aficionados, Tulpan's combination of understated comedy and documentary-level depiction of rural Kazakh life will be catnip.
Sergei Dvortsevoy's remarkable film is fiction, but the characters are played by people more or less playing themselves, and each actor brings a rough charisma to the film.
This is another example of the quality of the films that continue to come out of the East Asian steppes and its tiny filmmaking industries.
There are two prominent scenes of lambing, the first utterly tragic, the second joyously life (and dream) affirming.
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