A gentle and accomplished slice of realism about the difficulty of finding domestic bliss anywhere, especially in a part of the world with a cultural heritage that seems to be fading from the country to the city.
Tulpan (2008)
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Reviews Counted:61
Fresh:59
Rotten:2
Average Rating:7.8/10
Consensus: Kazakh sheep herders get their cinematic due in this lovely, unsentimental debut from director Sergei Dvortsevoy.
Theatrical Release:Apr 1, 2009 Limited
Synopsis: Acclaimed documentarian Sergey Dvortsevoy's debut narrative feature, TULPAN, is a work of extraordinary filmmaking bravado, an exhilaratingly alive and sweet-natured fairytale set in the barren... Acclaimed documentarian Sergey Dvortsevoy's debut narrative feature, TULPAN, is a work of extraordinary filmmaking bravado, an exhilaratingly alive and sweet-natured fairytale set in the barren landscape of a Kazakh steppe, an environment where only shepherds live. Asa (Askhat Kuchinchirekov) returns from military service to live with his sister, Samal (Samal Yeslyamova), her husband, Ondas (Ondasyn Besikbasov), and their three children. Asa's dream is to have his own flock of sheep, but his boss tells him that until he gets married, his wish will never be granted. The only trouble is that in this particular case, the candidates for potential wife can be counted on one finger. Her name is Tulpan, and though he's never seen her entire face, Asa is certain that she is the one for him. Unfortunately, she doesn't appear to feel the same way, complaining that his ears are too big. Yet Asa remains hopeful, envisioning the day when his dream will come true. Dvortsevoy's background as a documentary director is put to masterly use here. He refuses to be anything but authentic, to the point where he captures some of the most miraculous footage the screen has ever seen. The highlight is a transcendent 10-minute lamb birth that occurs in an unbroken take. But this is just one of the many extended shots in which Dvortsevoy appears to be controlling the most difficult to wrangle forces of nature: weather, animals, and children. Four years in the making, TULPAN is filmmaking of the highest order, a Herzogian display of directorial bravado. [More]
Starring: Askhat Kuchinchirekov, Samal Yeslyamova, Ondasyn Besikbasov, Tulepbergen Baisakalov
Starring: Askhat Kuchinchirekov, Samal Yeslyamova, Ondasyn Besikbasov, Tulepbergen Baisakalov, Bereke Turganbayev
Director: Sergey Dvortsevoy
Director: Sergey Dvortsevoy
Screenwriter: Sergey Dvortsevoy, Gennady Ostrovskiy
Producer: Karl Baumgartner
Studio: Zeitgeist Films
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Reviews for Tulpan
Quite extraordinary. Gently comic, ultimately stirring, the nomadic world Dvortsevoy chronicles pays loving attention to the lives of both humans and animals -- interdependent residents in a difficult, memorable part of the world.
Tulpan is an amazing film. It shows such an unfamiliar world, it might as well be Mars.
Achieves a documentary-level realism that is nothing short of amazing.
With a deadpan charm all its own, Tulpan ends up dealing with some fairly serious questions on the order of how you make peace with a dream.
This uncategorizable story, both ancient and modern, is, simply and poetically, about a nomad looking to make his home.
To certain serious world-cinema aficionados, Tulpan's combination of understated comedy and documentary-level depiction of rural Kazakh life will be catnip.
Sergei Dvortsevoy's remarkable film is fiction, but the characters are played by people more or less playing themselves, and each actor brings a rough charisma to the film.
This is another example of the quality of the films that continue to come out of the East Asian steppes and its tiny filmmaking industries.
There are two prominent scenes of lambing, the first utterly tragic, the second joyously life (and dream) affirming.
Equal parts deadpan romcom and National Geographic special, Tulpan certainly the funniest movie about Kazakh sheep herders that you will ever see.
A deliciously light touch characterises this dry, deadpan comedy set in the stark and sparsely inhabited steppes of Kazakhstan.
I have learned to be suspicious of films which seem to romanticise nomadic life, but this one doesn't. It's a winner.
When a film arrives on our shores from this far away, you can almost guarantee it's a good one and Tulpan doesn't disappoint.
Highly acclaimed at festivals, Tulpan is wondrous and fascinating, with a gritty, true-to-hard-life tone.
The central story is both comical and poignant. She is but an illusion who peers at him from behind a curtain and despite the offer of 10 sheep and a chandelier as a suggested dowry, he is rejected on the grounds of having big ears
For all that hard work and unrequited love, Tulpan is also very funny.
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