A film this bizarre and spectacular can't be entirely written off.
Tuvalu (2001)
Tomatometer
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Reviews Counted:26
Fresh:19
Rotten:7
Average Rating:6.8/10
Consensus: Though a challenging watch, Tuvalu is visually striking and intriguingly quirky.
Theatrical Release:May 4, 2001 Limited
Box Office: $135,270
Synopsis: A small town indoor pool and the limitless mind of one of the pool employees make the setting for this stunning comedic fantasy. The pool is where local residents go to escape the daily grind and... A small town indoor pool and the limitless mind of one of the pool employees make the setting for this stunning comedic fantasy. The pool is where local residents go to escape the daily grind and enter a fantastical dream world. Adrift in these daydreams, the Anton (Denis Lavant) finds Eva (Chulpan Hamatova), a beautiful woman who has the power to take this working class visionary into a strange, surreal world to live together in love. With roots in the circus and with an incredibly imaginary point of view, TUVALU will gain German director Veit Helmer many comparisons to filmmakers such as Federico Fellini, Chuck Jones, Buster Keaton, and Jean-Pierre Jeunet. This should not distract viewers from its highly original look and breathtaking scope. Filmed in both black and white and color with nearly no dialogue, Helmer's engaging love story is the director's feature debut after several successful shorts. The acrobatic and expressive Denis Lavant is a perfect daydreaming lead for this 2001 fable. [More]
Starring: Denis Lavant, E.J. Callahan
Starring: Denis Lavant, E.J. Callahan
Director: Veit Helmer
Director: Veit Helmer
Screenwriter: Veit Helmer, Michaela Beck
Studio: Indican Pictures
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Reviews for Tuvalu
The film is relentlessly arty and much too stylistically bizarre for mainstream taste ... But it has its own peculiar charm.
Recommended for its singular vision -- a concept executed with bravura style, intelligent curiosity, and playful wit.
Ultimately a rewarding -- if weird -- experience. It's just too bad that it takes so long to get there.
Sometimes Tuvalu causes a viewer to wonder if Helmer and his cast and crew are just playing dress-up.
Emil Christov's stunningly clear black and white cinematography presents images from another time, like a neo-Guy Maddin flick.
They used to be called moving pictures, and the captivating Tuvalu reminds us why.
The kind of movie that might one day find itself in the hall of fame of surreal movie weirdness alongside cult favorites like Eraserhead, Delicatessen and the avant-garde frolics of Guy Maddin.
Gorgeous to look at and brimming with humor, Tuvalu is dreamy, creative, and highly romantic.
Helmer's film is easy to enjoy as a mere romp, though it also can be read as a very thinly veiled allegory about post-Soviet Europe.
A disappointment, a precious and grotesque exercise reminiscent of Jean-Pierre Jeunet's Delicatessen, only less amusing.
Still in the mood for something offbeat and phantasmagoric? Check out this charming German import by Veit Helmer.
Undeniably the product of a singular and beautifully realized vision.
A fascinating work that never quite coalesces, Tuvalu finally becomes oppressively repetitive.
Might have worked better as an experimental short rather than a full 90-minute feature
Tuvalu is astounding. It is also bizarre, challenging, and, at times, admirably overreaching.
A gorgeous cough syrup hallucination -– the kind of beautiful, feverish dream to which you succumb while eardrum-piercingly high on over-the-counter cold medicine.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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