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The Tuxedo (2002)
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Reviews Counted:27
Fresh:3
Rotten:24
Average Rating:4.1/10
Consensus: Chan is as charming as ever, but his talents are squandered by special effects and bad writing.
Rated: PG-13 [See Full Rating] for action violence, sexual content and language
Runtime: 1 hr 39 mins
Genre: Action/Adventure
Theatrical Release:Sep 27, 2002 Wide
Box Office: $50,189,179
Synopsis:
Cabbie-turned-chauffeur Jimmy Tong (Jackie Chan) learns there is really only one rule when you work for playboy millionaire Clark Devlin (Jason Isaacs): never touch Devlin’s prized tuxedo. But when...
Cabbie-turned-chauffeur Jimmy Tong (Jackie Chan) learns there is really only one rule when you work for playboy millionaire Clark Devlin (Jason Isaacs): never touch Devlin’s prized tuxedo. But when Devlin is temporarily put out of commission in an explosive "accident," Jimmy can’t resist trying on the tux and soon discovers that this extraordinary suit may be more black belt than black tie. Suddenly thrust into a dangerous world of espionage, paired with a rookie partner (Jennifer Love Hewitt) even less experienced than he is, Jimmy becomes an unwitting—if impeccably dressed—secret agent.
"The Tuxedo" stars Jackie Chan, the comedic action superstar who has more recently conquered the worldwide box office in such films as "Rush Hour 1 & 2" and "Shanghai Noon." Starring opposite Chan is Jennifer Love Hewitt ("Heartbreakers"). The film also stars Jason Isaacs ("The Patriot"), Ritchie Coster ("The Thomas Crown Affair"), Debi Mazar ("The Insider") and Peter Stormare ("Chocolat").
The action comedy marks the feature film directorial debut of Kevin Donovan, who made his name as an award-winning commercial director. John H. Williams ("Shrek") and Adam Schroeder ("The Truman Show") are producing "The Tuxedo," with Walter F. Parkes ("Gladiator"), Laurie MacDonald ("Gladiator") and William S. Beasley ("The Mexican") serving as executive producers. The screenplay was written by Philip Hay & Matt Manfredi ("Crazy/Beautiful") and Michael Wilson and Michael Leeson.
-- © 2002 Dreamworks Pictures
Starring: Jackie Chan, Jennifer Love Hewitt, Jason Isaacs, Ritchie Coster
Starring: Jackie Chan, Jennifer Love Hewitt, Jason Isaacs, Ritchie Coster, Debi Mazar, Peter Stormare, Romany Malco, Mia Cottet, Jody Racicot, Scott Wickware
Director: Kevin Donovan
Director: Kevin Donovan
Screenwriter: Michael Wilson, Michael Leeson
Producer: Adam Schroeder, John H. Williams, Walter F. Parkes
Composer: John Debney, Christophe Beck
Studio: DreamWorks Distribution LLC
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Reviews for The Tuxedo
The only possible surprise in The Tuxedo would be an extended demonstration of what was once Chan's trademark, the daffily choreographed kineticism forbidden of late by either his own age or the scruples of story editors.
This overproduced and generally disappointing effort isn't likely to rouse the Rush Hour crowd.
This movie is about the worst thing Chan has done in the United States.
It's drab. It's uninteresting. It squanders Chan's uniqueness; it could even be said to squander Jennifer Love Hewitt!
For the first time in Chan's glorious career, credits for various fx-oriented skills far outnumber those for stunts and fight choreography, always in the past the beating, thumping heart of every Chan movie.
If The Tuxedo actually were a suit, it would fit Chan like a $99 bargain-basement special.
It is a measure of the screenwriters' laziness that Brown's impromptu aside to Chan during the obligatory closing-credits outtakes sequence turns out to be the wittiest one-liner in the whole picture.
During The Tuxedo's 90 minutes of screen time, there isn't one true 'Chan moment'.
Donovan ... squanders his main asset, Jackie Chan, and fumbles the vital action sequences.
There's so much show-offy cutting and so much trickery with film speed and camera work in this movie when it comes to Chan's stunts that you can't really be sure Jackie is actually executing the maneuvers you see.
The movie is silly beyond comprehension, and even if it weren't silly, it would still be beyond comprehension.
The jokes are as fresh as rotten eggs and the direction stoops to the occasion.
Stranded in the middle of this mess, looking a bit flummoxed, is martial-arts master Jackie Chan, who beats the bejabbers out of everyone in his path, perhaps mistaking them for the writers.
A mechanical action-comedy whose seeming purpose is to market the charismatic Jackie Chan to even younger audiences.
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