The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
This gangster/vampire hybrid from John Landis failed to excite the critics, who found it to be an uneasy marriage between supernatural and crime drama tropes, with an excess of gore. However, there's a good reason to see it: Anne Parillaud, who plays a Pittsburgh blood-sucker that gets in over her head when she fails in the contract killing of a crime boss, who becomes one of the undead himself. Parillaud, hot off a supporting role in La Femme Nikita, didn't quite crack the American market with Innocent Blood, but her performance as a sex-and-blood crazed vampire turned some genre fans' heads.
Catherine Deneuve Appears in: The Hunger (1983) Tomatometer: 44%
Long on atmosphere but short on plot, Tony Scott's debut, The Hunger, is still remembered for Catherine Deneuve's performance as of the sexiest vampires in movie history. Deneuve stars as Miriam Blaylock, who looks terrific given the fact that she's been feasting on human blood since the days of King Tut. John (David Bowie), her longtime companion, is on death's door, aging decades in hours. He turns to an attractive young doctor named Sarah Roberts (Susan Sarandon) who is baffled by his condition; when she turns up at John's house, Miriam is waiting, and decides Sarah might make a suitable replacement. Critics felt that the love scene between Deneuve and Sarandon was one of the few reasons to see The Hunger, but for many, that's reason enough. Plus, The Hunger provided young Goths with one of their most treasured love songs -- "Bela Lugosi's Dead" by Bauhaus.