A mature, revisionist, Budd Boetticher samurai epic.
Twilight Samurai (2004)
Tomatometer
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Reviews Counted:67
Fresh:66
Rotten:1
Average Rating:8.1/10
Consensus: Samurai epic as a touching drama.
Theatrical Release:Apr 23, 2004 Limited
Synopsis: Hiroyuki Sanada, who played Ujio in Edward Zwick's Hollywood epic THE LAST SAMURAI, stars in a different kind of samurai film in Yoji Yamada's poignant drama THE TWILIGHT SAMURAI. Sanada plays the... Hiroyuki Sanada, who played Ujio in Edward Zwick's Hollywood epic THE LAST SAMURAI, stars in a different kind of samurai film in Yoji Yamada's poignant drama THE TWILIGHT SAMURAI. Sanada plays the title character (Seibei Iguchi), who gets his nickname because he is a lowly worker who chooses to go home to his family every night at twilight instead of going out with his fellow employees or women. Seibei's wife has recently died, so he is raising his two daughters alone, as well as caring for his aging mother. His well-connected uncle believes he should agree to an arranged marriage so he can be more manly, but Seibei is dedicated to living the life he's chosen. But when his married childhood friend, Tomoe (Rie Miyazawa), wants a divorce from her abusive husband (Ren Osugi), Seibei defends her honor and defeats the sword-wielding man with a piece of wood. When Seibei's clan learns of his victory, the leaders command him to kill Zenmon Yogo (Min Tanaka), something that goes against everything he believes in. Based on the stories of Shuuehei Fujisawa and set during the Meiji Restoration of 19th-century Japan, THE TWILIGHT SAMURAI, which was nominated for a 2004 Oscar for Best Foreign Language Film, is a special kind of movie, loaded with heart and humanity, a very different samurai film that breaks movingly from the traditions of the genre. [More]
Starring: Hiroyuki Sanada, Rie Miyazawa, Nenji Kobayashi, Min Tanaka
Starring: Hiroyuki Sanada, Rie Miyazawa, Nenji Kobayashi, Min Tanaka, Tetsuro Tamba, Mitsuru Fukikoshi, Miki Ito, Erina Hashiguchi, Ren Osugi, Hiroshi Kanbe, Keiko Kishi
Director: Yoji Yamada
Director: Yoji Yamada
Screenwriter: Yoji Yamada, Yoshitaka Asama
Producer: Hiroshi Fukazawa, Shigehiro Nakagawa
Composer: Isao Tomita, Yousui Inoue
Studio: Empire Pictures
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Reviews for Twilight Samurai
... both confronts the contradictions of the Bushido code in the mercenary world of political expediency and celebrates it in its purest form.
The story sometimes slips into soapy territory, but when you think the schmaltz is going to ruin it, Yamada gives it just enough of a twist to make you realize this is not your regular romantic film.
This is an old man's movie in all the good ways: gentle, humanistic, rich with observation, quietly aware of all that can't be solved by the sword.
Achingly beautiful and deeply moving, The Twilight Samurai turns a familiar genre inside out and finds it full of dramatic gold.
an unconventional look at a bygone way of life. Yoji Yamada has delivered a timeless film, rooted both in past and present.
[The Twilight Samurai] is a brilliantly conceived and executed epic tale that brings it down to a personal level
One of the most beautiful period films in recent memory, made with no pretension or overstatement to tell a deeply personal story.
It's an epic tale that carries you off to a far away land, gives you a bittersweet love story, and has you rooting for the samurai accountant all the way.
For audiences raised on Akira Kurosawa movies, Twilight Samurai feels like something of a revelation, a movie in which the hero's struggles hardly seem epic.
It is awash in the precision and beauty of the mundane and the everyday.
Perhaps because this is director Yoji Yamada's 77th movie, every aspect of his filmmaking is placidly assured and meaningful.
At its heart, The Twilight Samurai is about as conventional as a samurai film can get.
As Iguchi, Mr. Sanada epitomizes the kind of man who can still dream and be true to himself amid the daily grind and turmoil. That's a welcome role model in any age.
The closing third of the film is magnificent in the way it gathers all we have learned about Seibei, and uses it to bring depth to what could have been a routine action sequence, but is much more.
When a traditionally good Japanese film gets you in its grip, there is nothing quite like it.
It's wonderful to see a Japanese movie in which a samurai, for all his somber discipline and skill, is also a touching and complicated ordinary man.
Deeply humane… a bittersweet, eloquent tribute to a man who is bent but not crushed beneath the weight of his various competing duties.
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