Call it My Fair Lady with a gender switch, a betting line and an over/under.
Two for the Money (2005)
Tomatometer
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Reviews Counted:107
Fresh:22
Rotten:85
Average Rating:4.7/10
Consensus: Despite its sportsmanlike swagger, Two for the Money’s aimless plot isn't worth betting on.
Rated: R [See Full Rating] for pervasive language, a scene of sexuality and a violent act
Runtime: 2 hrs 3 mins
Genre: Dramas
Theatrical Release:Oct 7, 2005 Wide
Box Office: $22,862,049
Synopsis: Two For the Money is a drama of high stakes set in the adrenalized world of wheeler-dealers whose fortunes are won and lost betting on sports. Matthew McConaughey stars as Brandon Lang, a former... Two For the Money is a drama of high stakes set in the adrenalized world of wheeler-dealers whose fortunes are won and lost betting on sports. Matthew McConaughey stars as Brandon Lang, a former college football star whose uncanny ability to predict the outcome of a game introduces him to an unexpected new career when his gridiron glory is sidelined by a crushing injury. Brandon's talent makes him a prime candidate for recruitment by Walter Abrams (Oscar®-winner Al Pacino), the head of one of the biggest sports consulting operations in the country. Walter hires the small town ex-athlete and grooms him into a shrewd front man. Brandon soon begins to enjoy his status as a Manhattan golden boy and finds himself growing comfortable with Walter's high-rolling lifestyle. The surrogate father/surrogate son relationship fattens Walter's business and personal accounts...until Brandon's golden touch begins to falter at the same time that Walter's manipulation of his protégé crosses the line. With millions of dollars on the line, Brandon and Walter engage in a deadly game of con versus con, each one trying to maintain the upper hand while everyone in their world, including Walter's wife, Toni (Rene Russo), are drawn into the escalating duel-where ultimately everything isn't what it appears to be. A taut "who's conning whom?" drama, Two For the Money is a Morgan Creek production, directed by D. J. Caruso (Taking Lives), written by Dan Gilroy and produced by James G. Robinson and Jay Cohen. The film is executive-produced by Guy McElwaine and David Robinson. --© Universal Pictures [More]
Starring: Al Pacino, Matthew McConaughey, Armand Assante, Rene Russo
Starring: Al Pacino, Matthew McConaughey, Armand Assante, Rene Russo, Jaime King, Jeremy Piven, Ralph Garman
Director: D.J. Caruso
Director: D.J. Caruso
Screenwriter: Dan Gilroy
Producer: James G. Robinson, Jay Cohen
Studio: Universal Pictures
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Reviews for Two for the Money
Because I couldn't understand how the betting advisory business depicted in 'Two for the Money" operates, the movie didn't always work for me.
It still seems like there should be more tension in Two for the Money than simply watching grown men bite their lips as they watch pro games on TV monitors.
Two For The Money is as insincere as the phony football played in the film.
Who could have figured such a long-shot pairing would parlay into such a tasty payoff?
The film is an exercise in indecision -- what happens when a writer develops an idea, but not a story.
What do blackjack tables and Al Pacino movies have in common? They each encourage you to gamble with your money.
I don’t know what this film should have been called, but I think that the title “Two for the Money” is misleading.
Apart from the three lead performances, the movie is bad in the train-wreck sense. And that's also what makes it fascinating.
Why did this dull, banal, boring movie get made? Rene Russo's husband wrote the script and Morgan Creek must have called in favors.
Original screenwriting gives way to clichés, and the resolution, while offering closure, seems false -- too much a case of the filmmakers wanting to have their cake and eat it, too.
Pacino’s irritating hyperbolic delivery is just one of the problems in “Two for the Money,” the biggest being the convoluted and unconvincing script.
The hour spent on Brandon's downfall comes off as an unrevealing procedure.
Two For The Money has its rollicking moments and snappy lines but even Pacino can't elevate them into more than a fleetingly juicy treat.
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