There is certainly enough of wit and beauty, though, to keep the film afloat.
Two or Three Things I Know About Her (1967)
Tomatometer
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Reviews Counted:29
Fresh:27
Rotten:2
Average Rating:8/10
Runtime: 84 mins
Genre: Foreign Films
Synopsis: This dense, layered, and highly political film is an example of French auteur Jean-Luc Godard's work at its most challenging and exhilarating, adding another powerful social commentary to his... This dense, layered, and highly political film is an example of French auteur Jean-Luc Godard's work at its most challenging and exhilarating, adding another powerful social commentary to his startlingly original 1960s catalogue. The "her" of the title refers to two objects: Juliette, a woman who resides in one of Paris's drab, ugly suburbs, and the capital city itself. Using a fragmented narrative style that mirrors Juliette's clipped, confused existence, Godard looks at a day in the life of Juliette and the cast of Parisian women that revolves around her. A constant juxtaposition of images compares Juliette's alienating existence as a housewife and a prostitute with the equally alienating and constantly changing face of Paris--seen in documentary-style footage, shot in glorious CinemaScope by Raoul Coutard. Godard also sets his sights on the concept of language itself, questioning the reality of words, their history, and their ability to convey the truth of actual day-to-day occurrences. Godard himself provides a whispered, but very trenchant, narration throughout the film, which further implicates the modern world for moving too quickly and soullessly, condemning the escalating violence in Vietnam, the growing infatuation with television, and the world's animalistic dependence on sex and sexuality. Simply put, this is cinema at its most thought provoking. [More]
Starring: Marina Vlady, Anny Duperey, Roger Montsoret, Jean Narboni
Starring: Marina Vlady, Anny Duperey, Roger Montsoret, Jean Narboni, Raoul Levy
Director: Jean-Luc Godard
Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
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Release:
Jul 21, 2009
DVD Features:
- Region [unknown]
- Keep Case
- Widescreen - 2.35
Audio:
- Mono - French
- Subtitles - English
Additional Release Material:
Interviews:
- 1. Marina Vlady, Actor - On The Set Interview
- 2. Jean-Luc Godard - Actor - Prostitution Debate
- 3. Godard / Antoine Bourseiller
Text/Photo Galleries:
Essay:
- 1. Sasha Frere - Jones, Critic
Reviews for Two or Three Things I Know About Her
... revolutionary, impudent and personal, and still Godard stops to admire the sublime in the ordinary...
This is unashamedly intellectual, discursive, noodling film-making, a cinema of ideas, conceived in a language that is demanding, but not totally opaque.
From now on, Godard's films will become film essays and then cine-tracts. 2 or 3 Things I Know About Her is the dividing line.
he her in the title of Jean-Luc Godard's 1967 film is meant to be Paris. There is, however, another 'her.'
It's a pivotal film made in the summer of 1966, more essay than narrative, about alienation in consumer society and anticipating the mood and ideas that brought about les événements of 1968.
Electrifying sound and image collage of 24 hours in the life of a Parisian housewife by France's most difficult and defiant director, Jean-Luc Godard
Though poorly received on its first release, this 1966 film seems in retrospect one of Godard's most stimulating investigations of images and surfaces -- the meanings they convey and the webs they spin.
a wide-ranging cinematic essay that may seem scattershot and abstract on first viewing, but rewards more and more with each repeated experience
Raoul Coutard's Techniscope cinematography contemplates an espresso, filling the screen in monumental close-up with a rotating vortex of bubbles and foam.
It's a vexing film that teases with sex and serves up radical politics. But it has extraordinary alchemical powers, turning the most ordinary environment -- a young couple's suburban flat -- into a minefield of ideas.
Based on a series of magazine articles, the movie was made around the time Godard abandoned conventional narrative almost entirely for what he dubbed the cinematic essay.
Despite an aura of wistfulness, and a certain power that accrues from the disjunction between the story of a vulnerable, life-hardened woman, the chaotic collision of sound and image, and the ham-handed political lessons, this film never moves me.
Jean-Luc Godard's discursive psychological urban drama gets by on sheer energy from what it loses through some of its ill-conceived conceits.
The result is inaccessible, pretentious, and infuriating, yet you can't deny it's the work of a master who was not afraid to twist form and structure to suit his highly critical political message.
Godard strips the images of all meaning and with his camera presents them truthfully within his own political rhetoric.
Une réussite esthétique aussi improbable qu'absolue révélant une fois de plus les immenses talents de manipulateur de foule de Godard
The dualities that abound in Jean-Luc Godard's 2 or 3 Things I Know About Her are ubiquitous at whatever starting point one chooses.
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