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2 ou 3 Choses que je Sais d'Elle (Two or Three Things I Know About Her) Reviews

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Dan Jardine

The pinnacle of Godard's art. Probing, uncertain, hesitant, humble, lyrical and profound

Full Review Source: Cinemania | Original Score: 93/100

August 5, 2011
James Kendrick
Q Network Film Desk

a wide-ranging cinematic essay that may seem scattershot and abstract on first viewing, but rewards more and more with each repeated experience

Full Review Source: Q Network Film Desk | Original Score: 3.5/4

September 7, 2009
Paul Brenner

From now on, Godard's films will become film essays and then cine-tracts. 2 or 3 Things I Know About Her is the dividing line.

Full Review Source: | Original Score: 5/5

July 27, 2009
Christopher Long
Movie Metropolis

A marvel that equals anything in Godard's 1960s output.

Full Review Source: Movie Metropolis | Original Score: 10/10

July 25, 2009
Bill Weber
Slant Magazine

The dualities that abound in Jean-Luc Godard's 2 or 3 Things I Know About Her are ubiquitous at whatever starting point one chooses.

Full Review Source: Slant Magazine | Original Score: 3.5/4

July 20, 2009
Shawn Levy

It's a vexing film that teases with sex and serves up radical politics. But it has extraordinary alchemical powers, turning the most ordinary environment -- a young couple's suburban flat -- into a minefield of ideas.

Full Review Source: Oregonian

February 8, 2008

Une réussite esthétique aussi improbable qu'absolue révélant une fois de plus les immenses talents de manipulateur de foule de Godard

Full Review Source: Panorama | Original Score: 9/10

December 1, 2007
Sean Axmaker
Seattle Post-Intelligencer

... revolutionary, impudent and personal, and still Godard stops to admire the sublime in the ordinary...

Full Review Source: Seattle Post-Intelligencer | Original Score: A

March 29, 2007
Michael Wilmington
Chicago Tribune
Top Critic IconTop Critic

Two or Three Things I Know About Her is one of the most beautiful films of the young Jean-Luc Godard, a great French cineaste, poet and frustrated lover.

Full Review Source: Chicago Tribune | Original Score: 4/4

February 22, 2007
John Monaghan
Detroit Free Press
Top Critic IconTop Critic

Based on a series of magazine articles, the movie was made around the time Godard abandoned conventional narrative almost entirely for what he dubbed the cinematic essay.

Full Review Source: Detroit Free Press | Original Score: 3/4

February 16, 2007
Peter Bradshaw

This is unashamedly intellectual, discursive, noodling film-making, a cinema of ideas, conceived in a language that is demanding, but not totally opaque.

Full Review Source: Guardian

February 16, 2007
Glenn Whipp
Los Angeles Daily News

Godard's got a lot on his mind, mainly outrage at the French government's ongoing construction of a new Paris.

Full Review Source: Los Angeles Daily News | Original Score: 3/4

December 26, 2006
Manohla Dargis
New York Times
Top Critic IconTop Critic

he her in the title of Jean-Luc Godard's 1967 film is meant to be Paris. There is, however, another 'her.'

Full Review Source: New York Times | Original Score: 5/5

November 16, 2006
Andrew O'Hehir
Top Critic IconTop Critic

Despite an aura of wistfulness, and a certain power that accrues from the disjunction between the story of a vulnerable, life-hardened woman, the chaotic collision of sound and image, and the ham-handed political lessons, this film never moves me.

Full Review Source:

November 16, 2006
Nathan Lee
Village Voice
Top Critic IconTop Critic

Raoul Coutard's Techniscope cinematography contemplates an espresso, filling the screen in monumental close-up with a rotating vortex of bubbles and foam.

Full Review Source: Village Voice

November 14, 2006

Time Out
Top Critic IconTop Critic

Too good to miss.

Full Review Source: Time Out

February 11, 2006
Renata Adler
New York Times
Top Critic IconTop Critic

There is certainly enough of wit and beauty, though, to keep the film afloat.

Full Review Source: New York Times | Original Score: 4/5

May 9, 2005
Derek Smith
Cinematic Reflections

Godard strips the images of all meaning and with his camera presents them truthfully within his own political rhetoric.

Full Review Source: Cinematic Reflections | Original Score: 3/4

November 8, 2004
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

Godard is as relaxed in the film as in the title.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

October 23, 2004
Dennis Schwartz
Ozus' World Movie Reviews

Jean-Luc Godard's discursive psychological urban drama gets by on sheer energy from what it loses through some of its ill-conceived conceits.

Full Review Source: Ozus' World Movie Reviews | Original Score: B-

March 18, 2004
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