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Movies / On DVD / Tycoon: A New Russian
Tycoon: A New Russian

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Tycoon: A New Russian (2003)

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Reviews Counted:34

Fresh:15

Rotten:19

Average Rating:5.5/10

Consensus: Wants to be The Godfather, but the movie's Citizen Kane-style narrative limits its effectiveness.

Rated: Not Rated

Runtime: 2 hrs 8 mins

Genre: Dramas

Theatrical Release:Jun 13, 2003 Limited

Synopsis: A true story based on the life of Russian oligarch Boris Berezovsky. In 1988, Plato Makovski, an idealistic young academic, convinced four brilliant friends to abandon their science studies in... A true story based on the life of Russian oligarch Boris Berezovsky. In 1988, Plato Makovski, an idealistic young academic, convinced four brilliant friends to abandon their science studies in favor of the shady world of post-Soviet business. Set against the backdrop of the many stupendous upheavals that the country was undergoing, including the economic meltdown that followed the fall of Communism, Plato devised a slew of semi-legal financial deals that enabled him to outfox the ongoing opposition of the Russian secret service (the spiritual heirs of the KGB). He quickly became the richest man in Russia, whose financial and political clout equaled that of the government that tolerated and endured him until he eventually became its rival and enemy. Taking the form of a thriller that follows the police investigation into an attempted assassination of Plato, Tycoon draws us into the private lives and backgrounds of these complex and unique characters who loot their country and its inhabitants, yet are also the lifeblood of a nation paralyzed by inertia and the fear of change. Once a freedom-loving idealist, Plato used his genius to become a monster, unhesitatingly sacrificing his ideals and his closest friends. This is the tragedy of this super-talented individual who embodies all that is most creative in the new Russia and, at the same time, all which is worst for the country that he privatized for his own profit. Set over a fifteen-year period, Tycoon is a true saga that begins with the early days under Gorbachev and moves through the heyday of wealth and power during the Yeltsin era. A kind of Once Upon a Time in Russia, Tycoon shows how one man can help throw a country’s entire life into turmoil. -- © New Yorker Films [More]

Starring: Vladimir Mashkov, Andrei Krasko, Maria Mironova, Sergei Oshkevich

Starring: Vladimir Mashkov, Andrei Krasko, Maria Mironova, Sergei Oshkevich, Alexandre Samoilenko, Mikael Vasserbaum, Levani Uchaineshvilli, Marat Basharov, Alexandre Baluev

Director: Pavel Lounguine

Director: Pavel Lounguine
Screenwriter: Alexandre Borodianski, Pavel Lounguine, Yuli Dubov
Producer: Catherine Dussart, Vladimir Grigoriev
Composer: Leonid Diesyatnikov
Studio: New Yorker Films

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Release:

Jun 29, 2004

No Details Exist
 
 

Reviews for Tycoon: A New Russian

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1 - 20 (sorted by critic A-Z)
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Taking cues from Citizen Kane, The Godfather, Once Upon a Time in America and GoodFellas, this Russian mob film is, frankly, not tall enough to get on the ride with the big boys.

Full Review Source: Combustible Celluloid | comment Comment
09/29/03
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Crass, unimaginative, corner-cutting, and simplistic, with the visual vocabulary of daytime soap.

Full Review Source: Village Voice | comment Comment
06/10/03
Michael Atkinson
Michael Atkinson
Village Voice
Top Critic Icon Top Critic

The combination of historical sweep and the need to read subtitles doesn't allow for the kind of subtle character portrayal that made the Godfather series, but Mashkov is a major force as Platon.

Full Review Source: Denver Post | comment Comment
09/05/03
Michael Booth
Michael Booth
Denver Post
Top Critic Icon Top Critic

Overlong, underfed, and obsessed with making a point with its style and the none-too-subtle comparison of Welles' newspaper baron to Russia's broom baron.

Full Review Source: Film Freak Central | comment Comment
06/19/03
Walter Chaw
Walter Chaw
Film Freak Central

structured like "Citizen Kane" but never gets into the heart and mind of its protagonist

Full Review Source: Reeling Reviews | comment Comment
08/20/03
Laura Clifford
Laura Clifford
Reeling Reviews

Plato's fast-talking gamesmanship has a sly con-artist's feel in the early stretches, but as his wealth multiplies, the game turns serious and the film becomes preachy and ponderous.

Full Review Source: Minneapolis Star Tribune | comment Comment
09/04/03
Colin Covert
Colin Covert
Minneapolis Star Tribune
Top Critic Icon Top Critic

It's worth watching to see Plato grow into his power.

Full Review Source: TheMovieChicks.com | comment Comment
11/07/03
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

The movie's Citizen Kane-style narrative sometimes works against it, and a lack of coherence is often frustrating. Despite this, Tycoon does land a few punches while telling a story that is distinctly Russian.

Full Review Source: Dallas Morning News | comment Comment
11/06/03
Gary Dowell
Gary Dowell
Dallas Morning News
Top Critic Icon Top Critic

The movie is handicapped by a jittery editing style that prevents us from getting involved in the flow of the narrative.

Full Review Source: Chicago Sun-Times | comment Comment
09/12/03
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Chilly and convoluted, too eventful to be boring, but never taking the time to immerse us emotionally in Makovski's world.

Full Review Source: L.A. Weekly | comment Comment
08/07/03
Scott Foundas
Scott Foundas
L.A. Weekly

Like all good gangster sagas, Tycoon succeeds because it pays attention to both the epic sweep of history and small details of individual lives.

Full Review Source: Hollywood Reporter | comment Comment
06/19/03
Richard James Havis
Richard James Havis
Hollywood Reporter
Top Critic Icon Top Critic

What's fascinating is that, even in the absence of sympathetic characters, Tycoon sucks you into a world of power where politics and business are the same thing.

Full Review Source: St. Paul Pioneer Press | comment Comment
09/05/03
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Despite its messiness, Tycoon is a movie wired to the moment. Like certain Spike Lee films, it is a cinematic newspaper whose alarming headlines cry out not to be ignored.

Full Review Source: New York Times | comment Comment
06/12/03
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

Although Lounguine has a lot to say about Russia's struggle in its transition to global capitalism, his film is strangely uninvolving, lacking dramatic sweep.

Full Review Source: San Francisco Chronicle | comment Comment
09/26/03
G. Allen Johnson
G. Allen Johnson
San Francisco Chronicle
Top Critic Icon Top Critic

Though billed as a Russian 'Godfather,' this convoluted story could be mighty confusing.

Full Review Source: Compuserve | comment Comment
04/28/03
Harvey S. Karten
Harvey S. Karten
Compuserve

Mashkov's riveting performance and Lounguine's classic pacing make it worth the effort.

Full Review Source: New York Daily News | comment Comment
06/13/03
Jack Mathews
Jack Mathews
New York Daily News
Top Critic Icon Top Critic

The flashback structure drains the story of momentum, but Mashkov and Uchaineshvili portray the reptilian glamour of cultured thugs with frightening intensity.

Full Review Source: TV Guide's Movie Guide | comment Comment
06/13/03
Maitland McDonagh
Maitland McDonagh
TV Guide's Movie Guide

Before long, you lose track of who is who and who is doing what to whom.

Full Review Source: New York Post | comment Comment
06/13/03
V.A. Musetto
V.A. Musetto
New York Post
Top Critic Icon Top Critic

Lounguine has taken, if not an original story, an amazingly real one, and turned it into a spaghetti eastern, reducing a Dostoyevskian saga to a Leonean melodrama.

Full Review Source: Film Journal International | comment Comment
05/31/03
Rex Roberts
Rex Roberts
Film Journal International

The sheer moral ambivalence and physical exuberance of the spectacle makes it worth seeing, if only for a glimpse at a once-feared society engulfed by chaos.

Full Review Source: New York Observer | comment Comment
06/13/03
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic
 
 
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