Quel gran pezzo dell'Ubalda tutta nuda e tutta calda (Ubalda, All Naked and Warm) (1972) - Rotten Tomatoes

Quel gran pezzo dell'Ubalda tutta nuda e tutta calda (Ubalda, All Naked and Warm) (1972)

Quel gran pezzo dell'Ubalda tutta nuda e tutta calda (Ubalda, All Naked and Warm)

TOMATOMETER

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

Movie Info

Italian screen legends Edwige Fenech and Karin Schubert star in a slapstick sex comedy set in the Middle Ages and fashioned after Boccaccio's Decameron. As his unfaithful wife (Schubert) continues to strain their wedding vows, an inept knight falls under the charms of a bored miller's wife named Ubalda (Fenech) whose husband has gone to great lengths to ensure she remains faithful. ~ Jason Buchanan, Rovimore
Rating: Unrated
Genre: Art House & International, Comedy
Directed By:
In Theaters:
On DVD: Nov 14, 2006
Runtime:

Cast

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News & Interviews for Quel gran pezzo dell'Ubalda tutta nuda e tutta calda (Ubalda, All Naked and Warm)

Critic Reviews for Quel gran pezzo dell'Ubalda tutta nuda e tutta calda (Ubalda, All Naked and Warm)

There are no critic reviews yet for Quel gran pezzo dell'Ubalda tutta nuda e tutta calda (Ubalda, All Naked and Warm). Keep checking Rotten Tomatoes for updates!

Audience Reviews for Quel gran pezzo dell'Ubalda tutta nuda e tutta calda (Ubalda, All Naked and Warm)

Okay, this does what it says on the tin: there's frequently topless Edwige Fenech, but the overall screwball nature of an Italian sex-comedy is a little too broad to be taken very seriously by a more contemporary viewer.

There's a few amusing bits, but overall nothing that isn't at least a little bit predictable and/or downright corny.

Worth a look for the nekkid Fenech, and knowing the tone of the movie in advance makes it a little easier to re-watch, in that I'm not wondering what the hell the deal is with the casual rape humor.

Rental?

½

Chasity belts have never been this much fun!

Overly long third act. But Fenech is cute and coy and mostly naked! The comedy falls flat, except for Franco's muttering one liners that spill out as a running commentary against everyone in the movie. Though, if it were not for Fenech, this should be a lost and derided exploitation flick.

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