Critical Consensus: Mighty Thrills, Spartan Plot In "300"; "Gift" Doesn't Keep On Giving
This week at the movies, we've got 300 mighty Spartans ("300," starring Gerard Butler) and a reluctant do-gooder ("The Ultimate Gift," starring Abigail Breslin). What do the critics have to say?
Fangirls and fanboys, the wait is over. "300," Zack Snyder's CG adaptation of Frank Miller's cult graphic novel sensation is here. And while critics say it's a feast for the eyes, many note it's slightly less a delight for the brain. "300" tells the tale of the ancient Battle of Thermopylae, in which 300 Spartans fought a star-crossed battle against the heavily fortified Persian army. Subtlety is not the order of the day here, nor is slavish attention to historical detail, but the pundits say the movie is visually sumptuous, a spectacle of ultraviolence and visceral thrills. However, others say "300" takes itself seriously to the point of self parody, and lacks compelling characters and cohesive plotting. "300" is currently at 60 percent on the Tomatometer.

Because "Anticipate Defeat!" was less rousing.
"The Ultimate Gift" is a movie about learning the true meaning of wealth, and stepping outside one's self centered existence. These are good lessons to learn, but critics say the movie, while likeable, is too sappy to fully register. "The Ultimate Gift" tells the story of a trust fund kid who stands to inherit the fortune of his recently deceased grandfather -- but only after he completes a series of tasks, which include living on the streets, doing manual labor, and being nice to people. Critics say "The Ultimate Gift" is sweet, heartfelt, and well-meaning -- but also schmaltzy and dramatically inert. At 35 percent on the Tomatometer, this may not be the "Ultimate" viewing experience.

"'Silverado' was 20 years ago. You can change clothes now."
Also opening this week in limited release: the South Korean import "The Host," a monster movie/satire/family drama, is at 94 percent; "Maxed Out," a doc that takes on the credit card industry, is at 85 percent; "Beyond the Gates," a drama about a teacher caught up in the Rwandan genocide starring John Hurt and Hugh Dancy, is at 71 percent; "The Namesake," a drama about a family caught between two cultural worlds starring Kal Penn and Jacinda Barrett, is at 70 percent; and "Exterminating Angels," a French drama about voyeurism and taboos, is at 52 pecent.

"KBBL's going to give me something stupid!"
Recent Historical Epics:
------------------------------
65% -- Apocalypto (2006)
39% -- Kingdom of Heaven (2005)
16% -- Alexander (2004)
55% -- Troy (2004)
78% -- Gladiator (2000)
Fangirls and fanboys, the wait is over. "300," Zack Snyder's CG adaptation of Frank Miller's cult graphic novel sensation is here. And while critics say it's a feast for the eyes, many note it's slightly less a delight for the brain. "300" tells the tale of the ancient Battle of Thermopylae, in which 300 Spartans fought a star-crossed battle against the heavily fortified Persian army. Subtlety is not the order of the day here, nor is slavish attention to historical detail, but the pundits say the movie is visually sumptuous, a spectacle of ultraviolence and visceral thrills. However, others say "300" takes itself seriously to the point of self parody, and lacks compelling characters and cohesive plotting. "300" is currently at 60 percent on the Tomatometer.

Because "Anticipate Defeat!" was less rousing.
"The Ultimate Gift" is a movie about learning the true meaning of wealth, and stepping outside one's self centered existence. These are good lessons to learn, but critics say the movie, while likeable, is too sappy to fully register. "The Ultimate Gift" tells the story of a trust fund kid who stands to inherit the fortune of his recently deceased grandfather -- but only after he completes a series of tasks, which include living on the streets, doing manual labor, and being nice to people. Critics say "The Ultimate Gift" is sweet, heartfelt, and well-meaning -- but also schmaltzy and dramatically inert. At 35 percent on the Tomatometer, this may not be the "Ultimate" viewing experience.

"'Silverado' was 20 years ago. You can change clothes now."
Also opening this week in limited release: the South Korean import "The Host," a monster movie/satire/family drama, is at 94 percent; "Maxed Out," a doc that takes on the credit card industry, is at 85 percent; "Beyond the Gates," a drama about a teacher caught up in the Rwandan genocide starring John Hurt and Hugh Dancy, is at 71 percent; "The Namesake," a drama about a family caught between two cultural worlds starring Kal Penn and Jacinda Barrett, is at 70 percent; and "Exterminating Angels," a French drama about voyeurism and taboos, is at 52 pecent.

"KBBL's going to give me something stupid!"
Recent Historical Epics:
------------------------------
65% -- Apocalypto (2006)
39% -- Kingdom of Heaven (2005)
16% -- Alexander (2004)
55% -- Troy (2004)
78% -- Gladiator (2000)
Related Items
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on Mar 08 2007 06:07 PM [b]Kingdom of Heaven[/b] One of my favorite movies is Kingdom of Heaven: a movie so overlooked by critics too busy trying to make a clever pun that they lost sight of the quality. It recieved a terrible 39%, which makes no sense to me. This is why I'm assuring my fellow fans awaiting "300" that historical epics are prey for critics. Ridley's classic "Gladiator" even has a 78% (Bridge to Teribithia has a better rating.....) Most critics want these offball indi movies that deliver whatever philosophy they're currently subscribing to (or what Opera's bookclub covered). Some forget that not all movies set out to be life changing or touching. Apacalypto was a thriller, and at that it shined gloriously. Kingdom of Heaven was speaking on the politics of the Crusaders, at which is was great. 300 is setting out to redefine art and action: at that it is beautiful. (Reply to this) |
![]() on Mar 08 2007 06:54 PM In reply to this comment (#857704) Kingdom of Heaven really should be allowed a second shot at the Tomatometer given the release of the extended cut which dramatically altered the film. (Reply to this) |
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on Mar 08 2007 09:54 PM the only thing Apacalypto was glorious for was needlessly gorey scenes. For a lesson on effective brutality, see Pan's Labrynth. (Reply to this) |
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on Mar 09 2007 05:59 AM In reply to this comment (#857704) I like all the movies you mentioned except for one, "Kingdom of Heaven. That movie was SO boring, Orlando Bloom ruined it, not because he can't act; he can but he was so unbelievable in the role,he should leave the action roles to the pro's and stick to boring english period pieces. Russel Crowe should have had that job, he might have injected some excitement. I've seen this movie twice and both times i get drowsy and fall asleep. (Reply to this) |
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on Mar 09 2007 11:03 PM In reply to this comment (#857704) I'd agree with that, more so the last line. While I was watching 300, that's what it seemed like to me: a sort of mainstream, artsy pic. I thought it was kind of new and refreshing in that way, though I can see where some of the criticism is comming from. It was good, deserving more than it's current 61%. (Reply to this) |
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on Mar 10 2007 11:58 AM In reply to this comment (#857708) it was artsy? uhhh...okay. you mean the cinematography? I don't know. It seemed about as artsy as world of warcraft to me. (Reply to this) |
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on Mar 10 2007 05:23 PM In reply to this comment (#857709) Oh yeah, mostly it was due to the cinematography. The scene w/ the oracle was a good example, but the rest seemed like that too (maybe not to that degree, though). (Reply to this) |
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on Mar 10 2007 09:03 PM #676671 lawfuljudas on Mar 08 2007, 06:07 PM writes: Kingdom of Heaven Your post is SOOOO Right! (Reply to this) |
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