The message is timeless. Family matters. Tell people you love them. Despite its predictability, the movie works because it is completely without guile.
Uncle Nino (2003)
Theatrical Release: 0000
Genre: Comedies
Starring: Joe Mantegna, Anne Archer, Pierrino Mascarino
Reviews
Nino acts like an Italian fairy-god-uncle... transforming this house into a home - where flowers thrive, violin music fills the air, and everybody eats dinner together.
It feels something like a made-for-TV movie that fell back behind the fridge circa 1982 and has been rotting there ever since.
A third-rate Robin Williams movie that didn't even have the decency to hire Robin Williams.
Shallcross fails to infuse the proceedings with the wit or distinctiveness necessary to lift it above the crop of its so many similar-themed predecessors.
Both movies have familiar and even hokey aspects, but they're also sincere rather than cynical, and there's something affecting about the very similar messages they're peddling.
Such a hamfisted effort that the ostensibly comic moments aren't nearly as funny as the sappily earnest serious parts.
There's a place for a movie like this--but it's really on the Hallmark Hall of Fame rather than in an auditorium you have to pay to get into.
An effortless heartwarmer that manages to be utterly corny but quite likable.
This is barely believable treacle, not helped by the fact that the characters don’t even rise to the level of cartoons, much less real people.
This is not my kind of movie, and I found myself feeling mighty restless by the end, or even halfway through, or even near the beginning, but objectively I know there are people who will embrace this movie.
The film -- and its characters -- are full of quirks. But it tries a little too hard, especially where the quirks are concerned.
Heartwarming is not always a bad thing. Consider this family film from writer-director Robert Shallcross: It's not only warm and fuzzy in all the right places, it's something that the whole family might actually enjoy.
It's the sort of fluff that may catch your eye during channel-surfing sessions, but it's hardly worthy of an outing and an open wallet.
It's like sitting down for risotto al Gorgonzola at a fine restaurant, hearing the can-opener in the kitchen and realizing that your chef's named Boyardee.
The characters are all clichés, the dialogue is abominable and every story point is radioed so far in advance that it should come with its own motorcade.
Its celebration of the importance of the family unit makes it a family film in the truest sense of the term.

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