Bani-Etemad uses practical characters and somber camerawork to tell an inspirational tale and reveal the levels of sexism in Iran.
Under the Skin of the City (2003)
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Reviews Counted:31
Fresh:27
Rotten:4
Average Rating:7/10
Theatrical Release:Mar 14, 2003 Limited
Synopsis: UNDER THE SKIN OF THE CITY marks the first U.S. release of a film by Rakhshan Bani-Etemad, one of Iran's most acclaimed filmmakers, and widely regarded as the First Lady of Iranian Cinema.... UNDER THE SKIN OF THE CITY marks the first U.S. release of a film by Rakhshan Bani-Etemad, one of Iran's most acclaimed filmmakers, and widely regarded as the First Lady of Iranian Cinema. Providing a bracingly fresh and provocative vision of Iranian urban society, the film deals with Tuba, a mother of four, who is faced with unexpected challenges that threaten her family and way of life. Oldest son Abbas works to obtain a foreign work visa, which he hopes will allow him the opportunity to better his family's lot and win the hand of a pretty office girl. To make his final payment, he sells the family home, but when his travel plans fall apart, Tuba is forced to take drastic measures to save her house and her son. UNDER THE SKIN OF THE CITY is a stirring, powerful drama, and unlike any Iranian film seen in the U.S. thus far -- it breaks apart more established representations of Iranian society, presenting us with a portrait that differs surprisingly little from one of our own. -- © Magnolia Pictures [More]
Starring: Golab Adineh, Mohammed Reza Forutan, Baran Kosari, Ebrahin Sheibani
Starring: Golab Adineh, Mohammed Reza Forutan, Baran Kosari, Ebrahin Sheibani, Mohsen Ghazi Moradi, Mehraveh Sharifinia, Homeira Riazi, Ali Osivand, Mehrdad Falahatger, Maryam Boubani, Nazanin Farahani
Director: Rakhshan Bani-Etemad
Director: Rakhshan Bani-Etemad
Studio: Magnolia Pictures
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Reviews for Under the Skin of the City
Somehow the calamities that befall Tuba and her children take on the purgative and redeeming force of tragedy.
Honored by Iranian film critics as the best film of 2001, and one can understand why without finding the film itself entirely satisfying in its voluble bleakness and expressionist despair.
Fine performances in a family melodrama that doesn't quite stand out as particularly special.
Ms. Bani-Etemad seems to have a firm hand on the social pulse on her nation, particularly the slowly changing roles of women in a place where change is eyed with both desire and suspicion.
A lyrical, mesmerizing look at the struggles one average Iranian family faces in their daily lives.
Distinguished, like so much contemporary Iranian cinema, by the way its striking visuals and strategic use of sound tell the underlying story.
Strikes a melodramatic, soap operatic tone...doesn't penetrate deep enough to touch a raw emotional nerve.
Under the Skin of the City focuses on a hard-working and strong-willed mother in contemporary Teheran who demonstrates big-hearted courage in her difficult and self-giving life.
Under the Skin of the City focuses on a hard-working, strong-willed mother in Iran who demonstrates big-hearted courage in her life, perhaps more so than a soldier in battle.
A reasonably compelling family drama gains heft by its attack on Iran's social system.
Rakhshan Bani-Etemad's social melodrama has a grim, eye-opening fascination in its details of inner-city Iran, but tends to beat us over the head with a sense of mission.
Sometimes fuzzy in structure, the movie is also uncompromisingly realistic, taking us into Tehran offices and factories and onto construction sites.
Like many of Bani-Etemad's previous films, particularly her early documentaries, this polished, surprisingly slick drama exposes the human cost of Iran's rapid urbanization and capitalist expansion.
This splendid film is no mere polemic, for Rakhshan Bani-Etemad, often called the first lady of Iranian cinema, is above all an accomplished storyteller and dramatist who understands the evocative power of sound and image.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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