Average Rating: 5.9/10
Reviews Counted: 117
Fresh: 64 | Rotten: 53
No consensus yet.
Average Rating: 6.1/10
Critic Reviews: 38
Fresh: 22 | Rotten: 16
No consensus yet.
Average Rating: 3.4/5
User Ratings: 7,172
Chris (Jamie Bell of Billy Elliot) is a volatile teen who lives with his father, John (Dermot Mulroney), and his little brother, Tim (Devon Alan). After the death of Chris' mother, his reclusive father moved the family to a shack in backwoods Georgia, where they raise hogs. Tim has an unusual eating disorder. He is constantly making himself sick by eating things like dirt and paint. One day, John's estranged brother, Deel (Josh Lucas), gets out of prison and shows up on the farm. John is less
Dec 17, 2004 Wide
Apr 26, 2005
MGM - Official Site
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A deep-fried piece of Southern Gothic that wears its unpleasantness like a merit badge...
Green's signature pastoral tangents and codeine pacing don't slow down this tale of two boys fleeing their psychotic uncle so much as inappropriately slacken any of the story's suspenseful aspects.
Green's characters often find themselves in raw, unprotected moments, but Undertow also can feel a little too mesmerized by its own junkyard visions.
Undertow is a wonderful murder mystery about the price of greed, and the way money can easily tear apart relationships that were once thought solid.
While it has lulls and sleepy moments, Undertow also full of startling truths and beauties, as well as offering a window into a side of the country that movies rarely bother to look at.
The actors grapple manfully with the ersatz rural poetry of the dialogue, but Green's pacing is slow and self-indulgent, and the action often departs from recognizable human behavior.
Green's most accessible film to date, yet he keeps his directorial style very close to the way it's always been. Slow, patient, revelatory.
Structured like a fairytale and driven like a fast boat down a leafy river, Undertow expertly blends myth and suspense to create a fable with a wicked sense of humor and an appetite for destruction.
A poetic, atmospheric drama that's worth seeing despite Green's struggle to blend character drama with more conventional thrills.
It will likely polarize his critics further, causing some to recoil at his welcoming of influences, and others to be thankful for more "Malick-lite."
Bell is superb as Chris and he completely nails the difficult Southern accent; if you hadn't seen Billy Elliot, you'd swear he was someone Green had picked off the street
While the first hour promises something very special indeed, the build-up is squandered once the two brothers take flight with not enough sense of danger or urgency to hold your attention.
Bad in the worst way, yet it trails clouds of glory and authentic stink from a Georgia pigsty. Pretty, a legitimate auteurist statement. And a flop.
While the disparate elements at times seem to be struggling against each other like cats in a sack, an undeniable current of urgency runs through the film.
It plays like nothing more than an exceedingly well-written Friday the 13th sequel.
Undertow may throw off viewers expecting a more straightforward thriller. But hang with it, and enjoy the thrill of being drawn into these characters' lives.
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