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Undertow (2004)
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Reviews Counted:109
Fresh:61
Rotten:48
Average Rating:6/10
Theatrical Release:Oct 22, 2004 Limited
Synopsis: Undertow is a new, uniquely American dramatic thriller from director David Gordon Green starring Jamie Bell, Josh Lucas, Dermot Mulroney, and newcomer Devon Alan. The film is a rough-and-tumble... Undertow is a new, uniquely American dramatic thriller from director David Gordon Green starring Jamie Bell, Josh Lucas, Dermot Mulroney, and newcomer Devon Alan. The film is a rough-and-tumble departure for Green, whose first two movies, George Washington and All the Real Girls, drew worldwide acclaim for their quiet, lyrical sensibility. With Undertow, Green marries action, dirt, sweat, and drama as he spins a tale of the violent legacy between two generations of brothers. Dermot Mulroney plays John Munn, a hardworking father raising two sons, Chris (Jamie Bell) and Tim (Devon Alan), without their mother. John, a hog farmer and taxidermist, keeps his family in an isolated farmhouse in the woods. Chris, the older boy, feels restricted: his father relies on him to do much of the work (Chris' younger brother Tim is sickly), but Chris knows there's a world outside the family he's yearning to explore. As the film opens, Chris is throwing rocks at a pretty girl's window. The rocks he throws are too big, he throws them too hard, and next thing he knows he's running for his life, pursued by an angry father with two guns and a mean dog. Though Chris can run fast, he steps on a long, rusty nail that goes clean through his foot; he gets caught and ends up in jail. His father comes to bail him out, and we learn it's not the first time. Before going to bed, John takes in some old time religion on TV. Soon thereafter the family is confronted by the unexpected arrival of John's brother, Deel (Josh Lucas), just out of jail. Full of charm, swagger, and driving a hot car, Deel is looking to settle an old score. Deel exudes danger, but his brother can't see it; instead, John offers Deel room and board in exchange for helping out with the boys and the chores. Chris senses Deel is trouble, but he also finds his uncle's fearsome power seductive. In a flash of violence, Deel's lust for revenge boils over and shatters the family: John is murdered, and the film. The boys barely escape with their lives and a sack of gold coins, family heirlooms their father inherited from his father. Deel is wounded but still strong, determined to find his nephews who've run off with the treasure he claims as his own. In flight, the boys navigate the countryside and are free to discover new adventures, but they also encounter new dangers. Because Deel is hot on their trail, the boys must seek food and shelter with the utmost care. In a new city, Chris and Tim discover a hidden pocket of kids who, like them, are alone and living together on the fringes of society. In this new world, Chris meets a young woman named Violet, and they establish a bond. But before long, the brothers' violent legacy catches up with them. Violet protects Tim while Chris lures Deel into the ultimate confrontation. United Artists and ContentFilm present Jamie Bell, Josh Lucas, Devon Alan, Shiri Appleby, and Dermot Mulroney in Undertow. Directed by David Gordon Dreen from a screenplay by Joe Conway and David Gordon Green and story by Lingard Jervey, Undertow was produced by Lisa Muskat (her third collaboration with Green), Terrence Malick, and Edward R. Pressman. John Schmidt, Alessandro Camon, and Saar Klein served as executive producers, with Sophia Lin as line producer. The talented roster of filmmakers includes Christof Gebert on production sound, the music of Philip Glass, director of photography Tim Orr, editors Zene Baker and Steven Gonzales, production designer Richard Wright, and costume designer Jill Newell. -- © MGM/UA [More]
Starring: Jamie Bell, Dermot Mulroney, Joshua Lucas, Devon Allen
Starring: Jamie Bell, Dermot Mulroney, Joshua Lucas, Devon Allen, Shiri Appleby, Pat Healy, Bill McKinney, Kristen Stewart, Eddie Rouse, Robert Longstreet
Director: David Gordon Green, Terrence Malick
Director: David Gordon Green
Screenwriter: David Gordon Green, Joseph Conway
Story: Lingard Jervey
Producer: Lisa Muskat
Director: Terrence Malick
Producer: Edward R. Pressman
Composer: Philip Glass, David Wingo, Michael Linnen
Studio: MGM/UA
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Reviews for Undertow
Movies can either choose to fulfill or dash our expectations, and Undertow does both.
A taut piece of Southern Gothic from Richardson native David Gordon Green.
Green again establishes himself as an indisputable filmmaking talent and the best of his generation.
Undertow is most compelling when it's most impressionistic and peculiar, when the story gives way to odd bits of poetry and Orr's dreamily untidy imagery.
Green finally fulfills the promise he showed in his fine 2000 drama George Washington as a terrific builder of mood, atmosphere, and psychological suspense.
Although 'Undertow" is somewhat painful to watch, it's all about good filmmaking and great performances.
Green's most accessible film to date, yet he keeps his directorial style very close to the way it's always been. Slow, patient, revelatory.
While the disparate elements at times seem to be struggling against each other like cats in a sack, an undeniable current of urgency runs through the film.
The story itself, though occasionally compelling, is mostly just a means to an end. It's the people who are most interesting.
From its opening lines and first enigmatic image, everything about Undertow is both dreamlike and real, artfully elusive and matter-of-fact.
Intriguing, and beautiful, and skillful enough to be a passable October diversion, though I doubt it will completely satisfy anyone.
Connoisseurs should find it the sort of dark cinematic delicacy that, if still more poetic reverie than prose narrative, is ultimately more filling than standard fare.
Undertow is an engrossing thriller that updates the enduring tale of Cain and Abel and also deals with the struggle of two boys to stay alive after their world falls apart.
In equal parts powerful and peculiar, the film is not my favorite of Green's, but it helps solidify his position as one of the most visionary young directors around.
A reasonably involving coming-of-age tale with undertones of Greek mythology.
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