Interview: While Alfred Hitchcock and more recently M. Night Shyamalan have teetered between whether or not to write roles for themselves into their own scripts, there's no tottering for Underworld character writer Kevin Grevioux.
Underworld: Rise of the Lycans (2009)
Tomatometer
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Reviews Counted:74
Fresh:24
Rotten:50
Average Rating:4.4/10
Consensus: Despite the best efforts of its competent cast, Underworld: Rise of the Lycans is an indistinguishable and unnecessary prequel.
Rated: R [See Full Rating] for bloody violence and some sexuality.
Runtime: 1 hr 32 mins
Genre: Horror/Suspense
Theatrical Release:Jan 23, 2009 Wide
Box Office: $45,802,315
Synopsis: The third film in the UNDERWORLD saga goes back hundreds of years to explain the origins of the feud between the vampire Death Dealers and the werewolf Lycans. Taking over directing duties from Len... The third film in the UNDERWORLD saga goes back hundreds of years to explain the origins of the feud between the vampire Death Dealers and the werewolf Lycans. Taking over directing duties from Len Wiseman is rookie Patrick Tatoupolos, known for his creature-designing duties in GODZILLA (1998), I AM LEGEND (2007), and the first two films in this series. Less an action-horror film than an old-fashioned "sword-and-sandal" film with monsters, RISE OF THE LYCANS finally gets to the root of why those vampires and werewolves really can't stand each other. Ruled by Viktor (Bill Nighy, VALKYRIE), the aristocratic, vampiric Death Dealers keep the wolflike Lycans as slaves. When a captive Lycan woman births a human boy, Viktor resists the urge to kill it, instead naming him Lucian and keeping him as a pet. Lucian (Michael Sheen, FROST/NIXON) grows up to be a blacksmith with the ability to change between human and wolf and begins a clandestine romance with Viktor’s daughter, Sonja (Rhona Mitra, DOOMSDAY). Viktor learns of this forbidden romance and takes drastic steps to ensure that Sonja will never be able to see Lucian again. Lucian, in retaliation, leads a Lycan slave revolt, resulting in an all-out assault on Viktor’s kingdom. Though viewers who have skipped the first two installments of the saga may feel a little left out when it comes to the mythology of the series, LYCANS hits the ground running and doesn’t allow much time for questions. While Sheen has been lauded for his work in more traditionally dramatic films, here he gives his all to every growl and battle cry. Mitra is an appealing presence as Sonja, and Nighy is visibly relishing the opportunity to glower in his blue contacts and chew the moonlight-bathed scenery. [More]
Starring: Michael Sheen, Bill Nighy, Rhona Mitra, Steven Mackintosh
Starring: Michael Sheen, Bill Nighy, Rhona Mitra, Steven Mackintosh, Kevin Grevioux
Director: Patrick Tatopoulos
Director: Patrick Tatopoulos
Screenwriter: Dirk Blackman, Howard McCain
Story: Len Wiseman, Robert Orr, Danny McBride
Producer: Tom Rosenberg, Gary Lucchesi, Len Wiseman, Richard Wright
Composer: Paul Haslinger
Studio: Screen Gems
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Release:
May 12, 2009
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 2.40
Audio:
- Dolby Digital 5.1 - English
- Dubbed, Subtitles - French, Spanish, Thai
- Subtitles - Chinese, English, French, Korean
Additional Release Material:
Audio Commentary:
- 1. Filmmaker Commentary
Music Video:
- 1. Music Video: DEATHCLUB - William Control, Performer
Behind the Scenes:
- 1. The Origin of the Feud
Making Of:
- 1. Underworld: Rise of the Lycans: From Script to Screen
Reviews for Underworld: Rise of the Lycans
Bad even for a movie about vampires and werewolves, this "Underworld" prequel should, at the very least, be the final nail in this franchise's (ahem) coffin.
Full of superficial drama but empty of emotional substance, Rise of the Lycans explains how everything happened in the first two films but fails to address why, which is why both longtime fans and newcomers will still feel they've been left in the dark.
I wouldn't say that Rise of the Lycans redeems the Underworld franchise, but at least it shows that a solid movie can be made from this material.
The performances are forceful enough to keep things interesting even when no one is sprouting fangs or drinking blood.
For all you guys who were dragged kicking and screaming to Twilight last year, here's your chance to show your woman what a real vampire movie is all about.
The film tends to forget that these are supernatural creatures (it's not scary at all), and it quickly turns into a pretty standard-issue "revolt of the slaves" action picture (with very poor action scenes).
. . .a prequel that discards Beckinsale's character altogether (all the better to keep the budget down) while providing an origin story chock-full of the kind of ponderously uninteresting backstory that practically no one was clamoring for.
Tatopoulos has trimmed the fat for a more-satisfying bloodsucker brawl than we have any right to hope for in a January release.
The characters include Fearful Lycan and another called Big Lycan but, unfortunately, none named Compelling Lycan or Lycan Who Breaks Up the Monotonous Fight Scenes With a Couple Good Wisecracks.
If you've had enough Oscar-nominated oatmeal, and you're in the mood for a big bowl of sugary cereal with no nutritional content, Underworld: Rise of the Lycans is ready for you to sink your fake fangs into it.
Superfluous yet modestly entertaining thanks to Nighy and the franchise's blend of camp and visually diverting mayhem.
Michael Sheen certainly makes the most out of his role as Lucian. He's the center of attention and relishes in it. Fans of the monster-film genre will not be disappointed.
A casting disaster. Michael Sheen played Tony Blair and David Frost. Now he's killed a franchise.
Looking like a low-rent, fraction-of-the-cost cousin to the previous two efforts, the franchise's latest (and hopefully last) entry is muddy-looking, undistinguished, and frustratingly minimal in scope.
derivative and silly, and still inescapably inessential. But on a cold day in late January, it's a lot of fun
Not deep or particularly good, Underworld: Rise of the Lycans is the kind of innocuous fluff that will appeal to fans of the earlier entries. Everyone else can safely skip it.
Director Patrick Tatopoulos is in over his head with a movie that should, but probably won't, put a final nail in Underworld's monochromatic coffin.
I'd provide more detail of plot and dialogue, but the visual palette was way too dark for me to take legible notes; and frankly, though I saw it at a midnight screening hours ago, the movie just wasn't that memorable.
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