Movies Like The United States of Leland

Opening

78% Fast & Furious 6 May 24
47% The Hangover Part III May 23
100% Epic May 24
96% Before Midnight May 24
67% We Steal Secrets: The Story Of Wikileaks May 24
83% Fill the Void May 24
—— A Green Story
—— Alyce Kills May 24

Top Box Office

86% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
49% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
56% Oblivion $2.3M
98% Mud $2.2M
37% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
88% The East May 31
100% The Kings of Summer May 31

The United States of Leland Reviews

Wesley Morris
Boston Globe
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Full Review Source: Boston Globe | Original Score: 1/4

November 24, 2011

Time Out
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June 24, 2006
Roger Moore
Orlando Sentinel
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An intriguing movie about how badly we really want to know the unknowable, what makes kids kill other kids.

Full Review Source: Orlando Sentinel | Original Score: 4/5

April 16, 2004

Houston Chronicle
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A sidetracking subplot about Madison's adulterous fling with a co-worker goes nowhere; it is one of several unsatisfying, tertiary plot strands.

Full Review Source: Houston Chronicle | Original Score: C+

April 15, 2004
Joe Baltake
Sacramento Bee
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The entire film is like that -- moments of good actors giving halfhearted performances.

Full Review Source: Sacramento Bee | Original Score: 2/4

April 9, 2004
Stephen Whitty
Newark Star-Ledger
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Isn't it sad that a boy like this could feel so lost that he had to kill someone? Well, maybe. But isn't it sadder that someone's dead?

Full Review Source: Newark Star-Ledger

April 9, 2004
Liam Lacey
Globe and Mail
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It's neither an insightful nor well-made film.

Full Review Source: Globe and Mail | Original Score: 1.5/4

April 9, 2004

Arizona Republic
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April 9, 2004
Mike Ervin
Chicago Reader
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[Hoge] spends an awful lot of time trying to get us to understand Leland and almost none trying to get us to understand his victim.

Full Review Source: Chicago Reader

April 9, 2004
Ruthe Stein
San Francisco Chronicle
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Besides being puffed up with its importance, it's also inert and totally implausible -- one of those movies where nobody behaves in a way that seems remotely human.

Full Review Source: San Francisco Chronicle | Original Score: 1/4

April 9, 2004
Moira MacDonald
Seattle Times
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It's ponderous and endless, and raised only two question in my mind: How many times can Kevin Spacey rehash the same performance? And is death the ultimate deadpan?

Full Review Source: Seattle Times | Original Score: 1.5/4

April 9, 2004
Terry Lawson
Detroit Free Press
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It simply mopes along to one of those joyless alt-rock soundtracks that have thankfully started to fall out of fashion since the film was produced, leaving vague unpleasantness in its wake.

Full Review Source: Detroit Free Press | Original Score: 2/4

April 9, 2004
Tom Long
Detroit News
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A thoughtful, mature, daring work that looks beneath the surface of an awful act and asks questions few would ask.

| Original Score: B+

April 9, 2004
Lisa Kennedy
Denver Post
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Ambitious but flawed.

Full Review Source: Denver Post | Original Score: 2/4

April 9, 2004
Geoff Pevere
Toronto Star
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A depressive, civics-lesson Donnie Darko variation.

Full Review Source: Toronto Star | Original Score: 2/5

April 8, 2004
Chris Vognar
Dallas Morning News
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The performances range from solid to excellent (Mr. Gosling and Mr. Donovan are among the standouts), and the ubiquitous teen angst is handled with a minimum of condescension.

Full Review Source: Dallas Morning News | Original Score: B-

April 8, 2004
Glenn Lovell
San Jose Mercury News
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Leland is nothing if not well meant and sincere. Unfortunately, it's also pretentious, overwritten, derivative.

| Original Score: 1.5/4

April 8, 2004
Steven Rea
Philadelphia Inquirer
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The strengths of Leland ... come from its performances.

| Original Score: 2.5/4

April 8, 2004
Richard Roeper
Ebert & Roeper
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... really powerful stuff.

Full Review Source: Ebert & Roeper

April 5, 2004
Michael O'Sullivan
Washington Post
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A compelling, exquisitely acted drama about the shock waves emanating from -- and toward -- a single act of almost inexplicable violence.

April 2, 2004
Desson Thomson
Washington Post
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There's something secondhand about everything here. Hoge seems to be mimicking the tone and fabric of other, better indie movies.

April 2, 2004
Lou Lumenick
New York Post
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Kevin Spacey has only a supporting role in The United States of Leland, but this troubled-youth melodrama -- which he produced -- is very much of a piece with the phony, pretentious and preachy flicks Spacey has starred in of late.

| Original Score: 1/4

April 2, 2004
Roger Ebert
Chicago Sun-Times
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A moral muddle.

Full Review Source: Chicago Sun-Times | Original Score: 2/4

April 2, 2004
Jack Mathews
New York Daily News
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There's a reason filmmaking is considered a craft, and Hoge, a former teacher in a juvenile prison, cannot pull off what would be a tricky proposition for a skilled veteran.

Full Review Source: New York Daily News | Original Score: 1.5/4

April 1, 2004
A.O. Scott
New York Times
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In spite of an exceptionally fine cast, this melodrama of suburban adolescent dysfunction never rises to the level of its literary ambitions.

Full Review Source: New York Times | Original Score: 1/5

April 1, 2004
Kevin Thomas
Los Angeles Times
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An ambitious and intelligent film probing that chronic contemporary phenomenon, the seemingly senseless crime, but it is ultimately unsatisfying for all its efforts and various pluses.

Full Review Source: Los Angeles Times | Original Score: 2/5

April 1, 2004
Robert K. Elder
Chicago Tribune
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Among its weaknesses are an overpopulated cast and a disposable victim.

Full Review Source: Chicago Tribune | Original Score: 2/4

April 1, 2004
Owen Gleiberman
Entertainment Weekly
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Yet another joylessly trendy indie portrait of the dark side of suburbia.

Full Review Source: Entertainment Weekly | Original Score: D

March 31, 2004
Dennis Lim
Village Voice
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The movie's idiotic fascination with the senselessness of its central act is scarily close to a fetish.

Full Review Source: Village Voice

March 30, 2004
Kirk Honeycutt
Hollywood Reporter
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A complex and often compelling melodrama, at times almost verging on soap opera.

January 30, 2003
David Rooney
Variety
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As maudlin and monotone as the whiny alt-rock that drenches its overly articulated emotional disclosures.

Full Review Source: Variety

January 24, 2003
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