(Untitled) tries to reignite who-gets-to-call-it-art debates that haven't been taken seriously for at least a decade.
(Untitled) (2009)
Tomatometer
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Reviews Counted:36
Fresh:25
Rotten:11
Average Rating:6.2/10
Consensus: This satire on the art world is at times both clever and shallow, but its top-notch cast generates plenty of goodwill.
Theatrical Release:Oct 23, 2009 Limited
Box Office: $168,259
Synopsis:
From the creators of Bartleby comes a fresh new satire poking fun of the nuanced world of the New York contemporary art scene through a pair of competitive brothers – eclectic and self-important...
From the creators of Bartleby comes a fresh new satire poking fun of the nuanced world of the New York contemporary art scene through a pair of competitive brothers – eclectic and self-important music composer Adrian (Adam Goldberg) and commercially successful painter Josh (Eion Bailey).
When Chelsea art ‘gallerina’ and Josh’s love interest Madeline (Marley Shelton) attends Adrian’s concert – featuring the sounds of paper-crumpling, glass-breaking and bucket-kicking – she commissions him for a gallery performance and a love affair ensues.
Further complicating the situation is that Josh’s highly commercial art work – the financial backbone of the gallery – is sold to corporate clients discreetly out of the gallery’s back room.
(Untitled) is directed by Jonathan Parker who co-wrote the screenplay with Catherine di Napoli both of whom produced the film with Andreas Olavarria. Executive producers are Adam Goldberg and Matt Luber. The award-winning production team includes Pulitzer Prize winning composer David Lang, Oscar winning sound designer Richard Beggs and Oscar nominated production designer David Snyder. The cast features Goldberg (2 DAYS IN PARIS), Shelton (GRINDHOUSE), Bailey (BAND OF BROTHERS) and Vinnie Jones (SNATCH). (UNTITLED) was an official selection at the 2009 Palm Springs Film Festival and the 2009 San Francisco Film Festival. --© Samuel Goldwyn
Starring: Adam Goldberg, Marley Shelton, Eion Bailey, Lucy Punch
Starring: Adam Goldberg, Marley Shelton, Eion Bailey, Lucy Punch, Vinnie Jones, Zak Orth, Ptolemy Slocum, Michael Panes, Svetlana Efremova, Marceleine Hugot
Director: Jonathan Parker
Director: Jonathan Parker
Screenwriter: Jonathan Parker, Catherine di Napoli
Producer: Catherine di Napoli, Andreas Olavarria
Composer: David Lang
Studio: Samuel Goldwyn Films
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Reviews for (Untitled)
[Parker's] new film has that same ultra-black comedy vibe, which means good news for us few fans and bad news for everyone else.
The performances here are all stellar, and narrative movies that take the making of art seriously are a rare breed indeed.
The characters...are wrapped up in their own perceptions of their greatness and are an odious lot. This is fitting for the film but leaves the viewer without a character to like.
(Untitled) is a comedy worthy of the best Woody Allen, and Adrian is not unlike Woody's persona: a sincere, intense, insecure nebbish, hopeless with women, aiming for greatness.
A laugh-out-loud satire with a dry-martini wit ... consistently surprising and funny without pandering for laughs.
A simply terrific ensemble cast is the main attraction in this probably too-clever-for-its-own-good satire on the world of modern art.
The impenetrable gallery jargon is quite funny at first, and the brothers' twisted relationship is set up nicely, but the movie errs when it takes itself seriously.
Shrewdly hedges its bets about the value of it all, it is ultimately on the side of experimental music and art and their champions, no matter how eccentric. For that alone this brave little movie deserves an audience.
Woody Allen might have passed on making this film 35 years ago because it was too dated and middlebrow.
It doesn't have a hero who's right and everyone else is wrong. And though it mocks every character, it dismisses nobody. It makes a case for every point of view, including those the filmmakers don't share.
(Untitled)’s onslaught of self-indulgent bohos and art-vs.-commerce clichés are as ersatz as their objects of scorn.
It's a sharp movie, pitched at a tone located squarely between archness and sincerity.
A small gem of a movie. Can it find the audience it deserves? Given the vagaries of indie distribution, it'll have to be sought out. But it's so worth finding.
It's a testament to the movie's keen script that, until a disjointed final act, we're able to both laugh at these characters and sympathize with them.
A serious comedy in which the assorted players - a couple of artists, some gallerists, and the people who attend (or don’t attend) their shows - discuss what art is, what it should aspire to be, and what kind of people collect, exhibit, and consider it.
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