Humor is found in the most unlikely of characters here, but most importantly, Hrebejk's view of the everyman (and woman) reminds us that it's a small world after all.
Up and Down (2005)
Tomatometer
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Reviews Counted:64
Fresh:54
Rotten:10
Average Rating:7.2/10
Consensus: A tragi-comic exploration of the universal search for stability in post-Communist Prague.
Rated: Not Rated [See Full Rating] language, sexual content and brief violence
Runtime: 1 hr 53 mins
Genre: Foreign Films
Theatrical Release:Feb 25, 2005 Limited
Synopsis: Director Jan Hrebejk (DIVIDED WE FALL) once again delivers a perfectly-balanced dark comedy, a satire addressing the fragile state of the contemporary Czech Republic, as well as the foibles of the... Director Jan Hrebejk (DIVIDED WE FALL) once again delivers a perfectly-balanced dark comedy, a satire addressing the fragile state of the contemporary Czech Republic, as well as the foibles of the more or less damaged characters who populate the film, all of whom are in search of redemption. Unfolding in three loosely-connected storylines, the film opens with a pair of petty criminals smuggling Indians across the Czech border. After making their delivery, they discover a baby that has been left behind, and take it directly to the pawn shop. Everything has its price it seems, and Miluska (Natasa Burger), a barren housewife who wants nothing more than a baby, buys the Indian boy with her life savings. Her husband, Franta (Jiri Machacek), a soccer hooligan turned law enforcer, is less than pleased with the baby's brown skin color, but slowly warms to him, eventually facing off with his racist drinking buddies. In a third story, a college professor (Jan Triska) finds out he has cancer and reconnects with his estranged son, Martin (Petr Forman, son of legendary director Milos Forman), who has lived in New Zealand for the past 20 years. It's a difficult reunion, as Martin comes home to find his father living with his old girlfriend, meets a sister he never knew he had, and encounters his near-unrecognizable mother. The film weaves together a strikingly rich number of themes in its material, encompassing racism, economic disparity, familial relations, crime, and immigration problems, and gives them a sympathetic, humanistic treatment. [More]
Starring: Petr Forman, Emília Vásáryová, Jan Tríska
Starring: Petr Forman, Emília Vásáryová, Jan Tríska
Director: Jan Hrebejk
Director: Jan Hrebejk
Studio: Sony Pictures Classics
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Reviews for Up and Down
The Czech Republic's nominee for the best foreign film Oscar skips from buoyant satire to domestic melodrama, leaving behind a curious mix of emotions.
It's been a long time since a movie allowed so many diverse narratives to fold into so unexpected, unified and satisfying a story.
Those comfortable with quickdraw transitions between brief light and heavy grit will find much to dig.
For an engrossing, funny, sad, cautiously hopeful portrait of post-Soviet life in Eastern Europe, look no further than Up and Down.
The three stories loop together at the end in somewhat predictable fashion but with real punch in at least one of the story strands.
Its emotional tone may be up and down, but its clear-headed approach has straightforward snap.
Hrebejk and his screenwriter, Petr Jarchovsky, understand their characters too well to judge them.
With great empathy for human foibles, filmmaker Jan Hrebejk shows that Czechs don't always keep pace with their evolving, post-Soviet society.
Pungent and spirited, Up and Down shows us a nation in transition that's not necessarily a nice place to live, but it's certainly worth a visit. Especially at the movies.
This fluidly paced film, with its keen observation of the confused longing for love, family and stability in an inherently unstable world, nonetheless keeps faith with the Czech genius for holding the tonal line between tragedy and the absurd.
Hrebejk suggests, through this tragi-comic film, that while things are rough now, they've got to get better. I mean, they can't get much worse, can they?
One of the more humane and more despairing comedies you'll find about race and class in contemporary society.
A biting, darkly funny portrait of xenophobia, poverty and social confusion that has enveloped the Czech Republic some 15 years after Vaclav Havel's Velvet Revolution.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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